161 resultater (0,31075 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

The Nonhuman Turn - - Bog - University of Minnesota Press - Plusbog.dk

The Nonhuman Turn - - Bog - University of Minnesota Press - Plusbog.dk

Edited by Richard Grusin of the Center for 21st Century Studies, this is the first book to name and characterize—and therefore consolidate—a wide array of current critical, theoretical, and philosophical approaches to the humanities and social sciences under the concept of the nonhuman turn. Each of these approaches is engaged in decentering the human in favor of a concern for the nonhuman, understood by contributors in a variety of ways—in terms of animals, affectivity, bodies, materiality, technologies, and organic and geophysical systems. The nonhuman turn in twenty-first-century studies can be traced to multiple intellectual and theoretical developments from the last decades of the twentieth century: actor-network theory, affect theory, animal studies, assemblage theory, cognitive sciences, new materialism, new media theory, speculative realism, and systems theory. Such varied analytical and theoretical formations obviously diverge and disagree in many of their assumptions, objects, and methodologies. However, they all take up aspects of the nonhuman as critical to the future of twenty-first-century studies in the arts, humanities, and social sciences. Unlike the posthuman turn, the nonhuman turn does not make a claim about teleology or progress in which we begin with the human and see a transformation from the human to the posthuman. Rather, the nonhuman turn insists (paraphrasing Bruno Latour) that “we have never been human,” that the human has always coevolved, coexisted, or collaborated with the nonhuman—and that the human is identified precisely by this indistinction from the nonhuman. Contributors: Jane Bennett, Johns Hopkins U; Ian Bogost, Georgia Institute of Technology; Wendy Hui Kyong Chun, Brown U; Mark B. N. Hansen, Duke U; Erin Manning, Concordia U, Montreal; Brian Massumi, U of Montreal; Timothy Morton, Rice U; Steven Shaviro, Wayne State U; Rebekah Sheldon, Indiana U.

DKK 243.00
1

Paradise Below Zero - Calvin Rutstrum - Bog - University of Minnesota Press - Plusbog.dk

Paradise Below Zero - Calvin Rutstrum - Bog - University of Minnesota Press - Plusbog.dk

Indispensable advice on enjoying the great outdoors in winter. With the public’s growing interest in outdoor adventure and in simple pastimes, winter wilderness camping has again become an exhilarating alternative to sheltered urban life. Originally published in 1968, this classic guide for cold-weather enthusiasts by renowned wilderness expert Calvin Rutstrum is available again, now in an easy-to-pack paperback edition. Paradise Below Zero provides essential information on wilderness adventure in subzero temperatures. Readers benefit from Rutstrum’s knowledge of winter clothing, from choosing the proper mittens to selecting the indispensable footwear; traveling methods, including running a dogsled team; and emergency techniques, such as treating snow blindness and caring for someone who has broken through the ice. Rutstrum affectionately reflects on winter life and enthusiastically gives examples of how native peoples of the north and trappers have fought the cold. This colorful book will be of interest to anyone who has ever survived a northern winter.

DKK 167.00
1

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

A look at how post-9/11 cinema captures the new face of war in the twenty-first century While the war film has carved out a prominent space within the history of cinema, the twenty-first century has seen a significant shift in the characteristics that define it. Serving as a roadmap to the genre’s contemporary modes of expression, The New American War Film explores how, in the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped. Featuring in-depth analyses of contemporary films like The Hurt Locker , Zero Dark Thirty , Eye in the Sky , American Sniper , and others, The New American War Film details the genre’s turn away from previously foundational themes of heroic sacrifice and national glory, instead emphasizing the procedural violence of advanced military technologies and the haptic damage inflicted on individual bodies. Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. With each chapter highlighting a different facet of war’s cinematic representation, The New American War Film charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within these recent films, Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.

DKK 749.00
1

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

The New American War Film - Robert Burgoyne - Bog - University of Minnesota Press - Plusbog.dk

A look at how post-9/11 cinema captures the new face of war in the twenty-first century While the war film has carved out a prominent space within the history of cinema, the twenty-first century has seen a significant shift in the characteristics that define it. Serving as a roadmap to the genre’s contemporary modes of expression, The New American War Film explores how, in the wake of 9/11, both the nature of military conflict and the symbolic frameworks that surround it have been dramatically reshaped. Featuring in-depth analyses of contemporary films like The Hurt Locker, Zero Dark Thirty, Eye in the Sky, American Sniper, and others, The New American War Film details the genre’s turn away from previously foundational themes of heroic sacrifice and national glory, instead emphasizing the procedural violence of advanced military technologies and the haptic damage inflicted on individual bodies. Unfolding amid an atmosphere of profound anxiety and disillusionment, the new American war film demonstrates a breakdown of the prevailing cultural narratives that had come to characterize conflict in the previous century. With each chapter highlighting a different facet of war’s cinematic representation, The New American War Film charts society’s shifting attitudes toward violent conflict and what is broadly considered to be its acceptable repercussions. Drawing attention to changes in gender dynamics and the focus on war’s lasting psychological effects within these recent films, Robert Burgoyne analyzes how cinema both reflects and reveals the makeup of the national imaginary.

DKK 246.00
1

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects , the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both ( zero-form and zero-function ) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

DKK 229.00
1

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Architecture and Objects - Graham Harman - Bog - University of Minnesota Press - Plusbog.dk

Thinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects , the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building’s visual style, function with its stated purpose—and constrain architecture’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both ( zero-form and zero-function ) that together provide a convincing rejoinder to Immanuel Kant’s dismissal of architecture as “impure.” Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of “zeroing” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.

DKK 876.00
1

Police in the Hallways - Kathleen Nolan - Bog - University of Minnesota Press - Plusbog.dk

Police in the Hallways - Kathleen Nolan - Bog - University of Minnesota Press - Plusbog.dk

As zero-tolerance discipline policies have been instituted at high schools across the country, police officers are employed with increasing frequency to enforce behavior codes and maintain order, primarily at poorly performing, racially segregated urban schools. Actions that may once have sent students to the detention hall or resulted in their suspension may now introduce them to the criminal justice system. In Police in the Hallways, Kathleen Nolan explores the impact of policing and punitive disciplinary policies on the students and their educational experience. Through in-depth interviews with and observations of students, teachers, administrators, and police officers, Nolan offers a rich and nuanced account of daily life at a Bronx high school where police patrol the hallways and security and discipline fall under the jurisdiction of the NYPD. She documents how, as law enforcement officials initiate confrontations with students, small infractions often escalate into "police matters"that can lead to summonses to criminal court, arrest, and confinement in juvenile detention centers. Nolan follows students from the classroom and the cafeteria to the detention hall, the dean's office, and the criminal court system, clarifying the increasingly intimate relations between the school and the criminal justice system. Placing this trend within the context of recent social and economic changes, as well as developments within criminal justice and urban school reform, she shows how this police presence has created a culture of control in which penal management overshadows educational innovation. Police in the Hallways also examines the prevalent forms of oppositional behavior through which students express their frustrations and their deep sense of exclusion. With compassion and clear-eyed analysis, Nolan sounds a warning about this alarming convergence of prison and school cultures and the negative impact that it has on the real lives of low-income students of color—and, in turn, on us all.

DKK 531.00
1

Socialism and Modernity - Peter Beilharz - Bog - University of Minnesota Press - Plusbog.dk

Socialism and Modernity - Peter Beilharz - Bog - University of Minnesota Press - Plusbog.dk

This first collection of Peter Beilharz''s highly influential thought traces the themes and problems, manifestations, and trajectories of socialism and modernity as they connect and shift over a twenty-year period. Woven throughout Beilharz''s analysis is the urgent question of modern utopia: how do we imagine freedom and equality in modernity? The essays in this volume explore the relationship between socialism and modernity across the United States, Europe, and Australia from the mid-1980s to the turn of the twenty-first century, a time that witnessed the global triumph of capitalism and the dramatic turn away from Marxism and socialism to modernity as the dominant perspective. According to Beilharz, we have seen the expansion of a kind of Weberian Marxism, with the concept of revolution giving way to the idea of pluralized forms of power and the idea of rupture giving way to the postmodern sense of difference. These changes come together with the discourse of modernism, both aesthetic and technological. Socialism and modernity, Beilharz argues, are fundamentally interrelated. In correcting the conflation of Marxism, Bolshevism, and socialism that occludes contemporary political thinking, he reopens a space for discussion of what socialist politics might look like now-in the postcommunist-postcolonial-postmodern moment.

DKK 237.00
1

Socialism and Modernity - Peter Beilharz - Bog - University of Minnesota Press - Plusbog.dk

Socialism and Modernity - Peter Beilharz - Bog - University of Minnesota Press - Plusbog.dk

This first collection of Peter Beilharz''s highly influential thought traces the themes and problems, manifestations, and trajectories of socialism and modernity as they connect and shift over a twenty-year period. Woven throughout Beilharz''s analysis is the urgent question of modern utopia: how do we imagine freedom and equality in modernity? The essays in this volume explore the relationship between socialism and modernity across the United States, Europe, and Australia from the mid-1980s to the turn of the twenty-first century, a time that witnessed the global triumph of capitalism and the dramatic turn away from Marxism and socialism to modernity as the dominant perspective. According to Beilharz, we have seen the expansion of a kind of Weberian Marxism, with the concept of revolution giving way to the idea of pluralized forms of power and the idea of rupture giving way to the postmodern sense of difference. These changes come together with the discourse of modernism, both aesthetic and technological. Socialism and modernity, Beilharz argues, are fundamentally interrelated. In correcting the conflation of Marxism, Bolshevism, and socialism that occludes contemporary political thinking, he reopens a space for discussion of what socialist politics might look like now-in the postcommunist-postcolonial-postmodern moment.

DKK 573.00
1

Fictionalizing Anthropology - Stuart J. Mclean - Bog - University of Minnesota Press - Plusbog.dk

Fictionalizing Anthropology - Stuart J. Mclean - Bog - University of Minnesota Press - Plusbog.dk

What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence” to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media-including language-that always retain the capacity to disrupt or exceed the human projects enacted through them. At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation” (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,” McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

DKK 234.00
1

Kant on Causality, Freedom, and Objectivity - - Bog - University of Minnesota Press - Plusbog.dk

Kant on Causality, Freedom, and Objectivity - - Bog - University of Minnesota Press - Plusbog.dk

Kant on Causality, Freedom, and Objectivity was first published in 1984. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Kant''s account of causation is central to his views on objective truth and freedom. The Second Analogy of Experience, in the Critique of Pure Reason ,where he provides his defense of the causal principle, has long been the focus of intense philosophical research. In the past twenty years, there have been two major periods of interest in Kantian themes, The first coincided with a general turn away from positivism by analytic philosophers, and resulted in a fruitful interchange between Kant scholars and those who applied Kantian ideas to contemporary philosophical problems. In recent years, a new surge of interest in Kant''s work occurred along with the developing controversy over realism generated by the work of Dummett and Putnam. Scholars now appreciate the extent to which the Kantian causal principle is illuminated by the philosopher''s argument that his transcendental idealism supports an empirical realism. And in turn, Kant''s views on objectivity, causation, and freedom are especially relevant to the philosophical concerns raised by the new debate over realism. The eight papers in this book are drawn from two conferences that honored Lewis White Beck, an influential Kant scholar. Together with the introductory essay by the editors, they show the continuing relevance of Kant''s analysis for the present-day philosophy of causation.

DKK 380.00
1

Mexican Masculinities - Robert Mckee Irwin - Bog - University of Minnesota Press - Plusbog.dk

Mexican Masculinities - Robert Mckee Irwin - Bog - University of Minnesota Press - Plusbog.dk

A fascinating examination of masculinity in nineteenth- and twentieth-century Mexico The first of its kind and a powerful challenge to customary views of gender and sexuality in the life and literature of Mexico, this book traces literary representations of masculinity in Mexico from independence in 1810 to the 1960s, and shows how these intersect with the constructions of nation and nationality. The rhetoric of “Mexicanness” makes constant use of images of masculinity, though it does so in shifting and often contradictory ways. Robert McKee Irwin’s work follows these shifts from the male homosocial bonding that was central to notions of national integration in the nineteenth century, to questioning of gender norms stirred by science and scandals at the turn of the century, to the virulent reaction against gender chaos after the Mexican revolution, to the association of Mexicanness with machismo and homophobia in the literature of the 1940s and 1950s—even as male homosexuality was established as an integral part of national culture. As the first historical study of how masculinity and, particularly, homosexuality were understood in Mexico in the national era, this book not only provides “queer readings” of most major canonical texts of the period in question, but also uncovers a variety of unknown texts from queer Mexican history, including the 1906 novel Los 41 , which reenacts the scandal of a turn-of-the-century transvestite ball that launched modern discussion of homosexuality in Mexico. It is a radical undermining of the simple hetero/homosexual and masculine/feminine oppositions that have for so long informed views of the country’s national character.

DKK 472.00
1

Mexican Masculinities - Robert Mckee Irwin - Bog - University of Minnesota Press - Plusbog.dk

Mexican Masculinities - Robert Mckee Irwin - Bog - University of Minnesota Press - Plusbog.dk

A fascinating examination of masculinity in nineteenth- and twentieth-century Mexico The first of its kind and a powerful challenge to customary views of gender and sexuality in the life and literature of Mexico, this book traces literary representations of masculinity in Mexico from independence in 1810 to the 1960s, and shows how these intersect with the constructions of nation and nationality. The rhetoric of “Mexicanness” makes constant use of images of masculinity, though it does so in shifting and often contradictory ways. Robert McKee Irwin’s work follows these shifts from the male homosocial bonding that was central to notions of national integration in the nineteenth century, to questioning of gender norms stirred by science and scandals at the turn of the century, to the virulent reaction against gender chaos after the Mexican revolution, to the association of Mexicanness with machismo and homophobia in the literature of the 1940s and 1950s—even as male homosexuality was established as an integral part of national culture. As the first historical study of how masculinity and, particularly, homosexuality were understood in Mexico in the national era, this book not only provides “queer readings” of most major canonical texts of the period in question, but also uncovers a variety of unknown texts from queer Mexican history, including the 1906 novel Los 41 , which reenacts the scandal of a turn-of-the-century transvestite ball that launched modern discussion of homosexuality in Mexico. It is a radical undermining of the simple hetero/homosexual and masculine/feminine oppositions that have for so long informed views of the country’s national character.

DKK 228.00
1

Virtual Modernism - Katherine Biers - Bog - University of Minnesota Press - Plusbog.dk

Virtual Modernism - Katherine Biers - Bog - University of Minnesota Press - Plusbog.dk

In Virtual Modernism, Katherine Biers offers a fresh view of the emergence of American literary modernism from the eruption of popular culture in the early twentieth century. Employing dynamic readings of the works of Stephen Crane, Henry James, James Weldon Johnson, Djuna Barnes, and Gertrude Stein, she argues that American modernist writers developed a “poetics of the virtual” in response to the rise of mass communications technologies before World War I. These authors’ modernist formal experimentation was provoked by the immediate, individualistic pleasures and thrills of mass culture. But they also retained a faith in the representational power of language—and the worth of common experience—more characteristic of realism and naturalism. In competition with new media experiences such as movies and recorded music, they simultaneously rejected and embraced modernity. Biers establishes the virtual poetics of these five writers as part of a larger “virtual turn” in the United States, when a fascination with the writings of Henri Bergson, William James, and vitalist philosophy—and the idea of virtual experience—swept the nation. Virtual Modernism contends that a turn to the virtual experience of language was a way for each of these authors to carve out a value for the literary, both with and against the growth of mass entertainments. This technologically inspired reengagement with experience was formative for American modernism. Situated at the crossing points of literary criticism, philosophy, media studies, and history, Virtual Modernism provides an examination of Progressive Era preoccupations with the cognitive and corporeal effects of new media technologies that traces an important genealogy of present-day concerns with virtuality.

DKK 237.00
1