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Hometown Texas - - Bog - Trinity University Press,U.S. - Plusbog.dk

Brown and Holley are interested in place and what makes people who they are. With particular interest in how people take the hand they’ve been dealt—fate, family, circumstance, luck—and craft a life for themselves, the authors celebrate the grit and gumption of these Texas originals. Introducing quirky characters and tenacious spirits, Holley’s stories seek out the personality of the small town while Brown’s photographs capture the essence of a changing landscape. Hometown Texas aims not to be nostalgic or sentimental but rather to show readers an unknown Texas—one that, while not vanishing, is certainly on the wane.Organized into five topographical, geographic, and cultural sections—East, West, North, South, and Central—three dozen stories and more than eighty complementary images work to create a parallel narrative to reveal what Brown has described as the “collective, various, remarkably complex soul that makes Texas unique.” Hometown Texas is an exploration across miles and cultures, of well-traveled roads and forgotten byways, deep into the heart of Texas.

Texas, Being - - Bog - Trinity University Press,U.S. - Plusbog.dk

Texas, Being: A State of Poems collects more than forty-five poems from a beautiful and brutal state. Some are about the music of their languages. Some speak to the dead, some to the sun, and others to omissions of history. One concerns a hedgehog cactus, and another a roller rink. From “Happy, Texas” to “Palestine, TX,” from seashores to skeletons to Selena, all are in one way or another about Texas, but good poems are always about more than one thing.Selected by Jenny Browne, 2017 poet laureate of Texas, these poems draw a picture of one of America’s vastly sublime yet most audaciously independent corners. In these diverse voices, the state is a lovely and painful contradiction of space and meaning. Texas is a place “where blind catfish cruise ” and wild asters grow . It’s a frame of mind where Jenny Boully writes “the history is unending” and Mexican American studies professor Christopher Carmona can “feel the slowness of time.” Jorge Luis Borges wrote of it as “an endless plain / Where a man’s cry dies a lonely death.” Victoria Chang writes that “there is so / much sky that even birds / get lost." Andrea “Vocab” Sanderson describes her hometown as a “fiercely loving city tougher on the outside / but smooth as pecan shells,” and Naomi Shihab Nye reminds us to “be patient, sure there’s lots of bad around, / but more room for good too, with all this empty.” Whether it is Joshua Edwards imagining his photographer father or Primo Feliciano Marín’s declaration “Hail Texas, fraught with charms unknown,” these voices, past and present, give us a glimpse into the poetic soul of the nation’s most willful state.Poets include Robert A. Ayres, Curtis Bauer, Jan Beatty, Layla Benitez-James, Jorge Luis Borges, Jenny Boully, Catherine Bowman, Susan Briante, Bobby Byrd, Christopher Carmona, Aline B. Carter, Rosemary Catacalos, Victoria Chang, Hayan Charara, Joshua Edwards, Tarfia Faizullah, Carrie Fountain, Vievee Francis, Mag Gabbert, Miriam Bird Greenberg, Lucy Griffith, Aaron Hand, Fady Joudah, Jim LaVilla-Havelin, Emma Lazarus, J. Estanislao Lopez, Primo Feliciano Marín, Pablo Miguel Martínez, Walter McDonald, Jasminne Mendez, Townsend Miller, Ange Mlinko, Naomi Shihab Nye, Shin Yu Pai, Cecily Parks, Emmy Pérez, Octavio Quintanilla, Iliana Rocha, Andrea “Vocab” Sanderson, ire’ne lara silva, Jeff Sirkin, Margo Tamez, Lao Yang, Loretta Diane Walker, Emily Winakur, and Matthew Zapruder.

The Canary Islanders in Texas - Armando Curbelo Fuentes - Bog - Trinity University Press,U.S. - Plusbog.dk

Immigrants from the Spanish Canary Islands off the northwestern coast of Africa played a vital role in San Antonio’s early history. The Canary Islanders in Texas tells the story of the fifty-five Canary Islanders who arrived in South Texas in 1731 and founded the original municipality of San Fernando de Béxar (renamed San Antonio in the nineteenth century after Texas’s independence from Mexico). Through the reflections and records of María Curbelo, the last surviving member of the original settlers, readers learn of the many challenges these early settlers faced, including the assignment of land grants, distribution of riverine water, and protesting perceived monopolies of labor for the construction of homes and other structures by Franciscan missionaries. For over a century Canary Islanders and their descendants controlled municipal policy in San Antonio, Their influence began to decline beginning in 1845, however, with the annexation of Texas and the introduction of United States governance. More than five thousand isleños live in San Antonio today, many of them descendants of the original settlers. Their influence can be seen in the city’s history, culture, music, and philanthropy. Their legacy is celebrated through numerous cultural groups and organizations.

Revolutionary Women of Texas and Mexico - - Bog - Trinity University Press,U.S. - Plusbog.dk

Much ink has been spilled over the men of the Mexican Revolution, but far less has been written about its women. Kathy Sosa, Ellen Riojas Clark, and Jennifer Speed set out to right this wrong in Revolutionary Women of Texas and Mexico , which celebrates the women of early Texas and Mexico who refused to walk a traditional path.The anthology embraces an expansive definition of the word revolutionary by looking at female role models and subversives from the last century and who stood up for their visions and ideals and continue to stand for them today. Eighteen portraits provide readers with a glimpse into each figure''s life and place in history. At the heart of the portraits are the women of the Mexican Revolution (1910–1920)⁠—like the soldaderas who shadowed the Mexican armies, tasked with caring for and treating the wounded troops. Filling in the gaps are iconic godmothers⁠ like the Virgin of Guadalupe and La Malinche, whose stories are seamlessly woven into the collective history of Texas and Mexico. Portraits of artists Frida Kahlo and Nahui Olin and activists Emma Tenayuca and Genoveva Morales take readers from postrevolutionary Mexico into the present.Each portrait includes a biography, an original pen-and-ink illustration, and a historical or literary piece by a contemporary writer who was inspired by their subject’s legacy. Sandra Cisneros, Laura Esquivel, Elena Poniatowska, Carmen Tafolla, and others bring their experience to bear in their pieces, and Jennifer Speed’s introduction contextualizes each woman in her cultural-historical moment. A foreword by civil rights activist Dolores Huerta and an afterword by scholar Norma Elia Cantú bookend this powerful celebration of women who revolutionized their worlds.

Revolutionary Women of Texas and Mexico Coloring Book - Kathy Sosa - Bog - Trinity University Press,U.S. - Plusbog.dk

The first coloring book celebrating more than five hundred years of Latina trailblazers from Texas and Mexico. Inspired by the book by the same title and by popular demand from its readers, this playful yet historically on point collection features twenty-four portraits of some of history’s most inspirational women. Pictures are accompanied by brief biographies. Portraits by Kathy and Lionel Sosa to color include Alice Dickerson Montemayor, Chavela Vargas, Emma Tenayuca, Frida Kahlo, Genoveva Morales, Gloria Anzaldúa, Jane McManus Storm Cazneau, Juana Belén Gutiérrez de Mendoza, Las Soladeras, Las Valientas, María Concepción Acevedo de la Llata, La Malinche, Nahui Olin, Adina De Zavala, Rena Maverick Green, Emily Edwards, Sor Juana Inés de la Cruz, Teresa Urrea, the Virgin of Guadalupe, the women of Guerrero, Dolores Huerta, Laura Esquivel, Astrid Hadad, Sandra Cisneros, Ellen Riojas Clark, and the Zapatistas. Coloring fun for all ages!

A Ranching Saga - William Curry Holden - Bog - Trinity University Press,U.S. - Plusbog.dk

A Ranching Saga tells the story of father and son pioneer ranchers in the Southwest. Around the turn of the century, William Electious Halsell and Ewing Halsell were integral to the growing ranching industry in Texas and Oklahoma. Through newspaper accounts, legal documents, personal correspondence, and interviews with family members, friends, and acquaintances, A Ranching Saga recounts the lives of these two keen businessmen, proud civic leaders, and philanthropists. What is revealed is a legacy of hard work, moral character, and compassion, as well as a close relationship with the land. Texas historian William Curry Holden sifts through correspondence, reports and statistics, and extensive research to tell of three generations of the Halsell family, from their arrival in Texas in 1854 to the mid-twentieth century. Holden enriches the family narrative with personal accounts of the places, geology, flora, fauna, weather, economics, and history of the region. He interviewed more than 150 people to understand the characters and personalities of the two men whose cultural influence on Texas and the Southwest region spans more than a century. Illustrated with nearly two dozen drawings by José Cisneros , A Ranching Saga is the biography of family whose destiny was realized in the cattle they nurtured, the land they loved, and the people they encouraged along the way.

Quotable Texas - - Bog - Trinity University Press,U.S. - Plusbog.dk

The Ranch That Was Us - Becky Crouch Patterson - Bog - Trinity University Press,U.S. - Plusbog.dk

Braiding strands of earthen insight with uproarious storytelling, Texas Hill Country legendary author Becky Patterson recreates the history of the Steiler Hill Ranch in twenty-four anecdotal chapters interspersed with original artwork. The result is a mixture of memoir and montage, treasure chest and tableau vivant of a world that’s beautiful, brash, and wonderfully heartbreaking. Patterson -- the daughter of Texas folk hero and self-proclaimed mayor of Luckenbach, Hondo Crouch -- has big shoes to fill and she does so successfully in this colorful collection of Hill Country and Texas ranch vignettes. Foreman and general cowboy guru Raymond Kuhlmann tells stories of the Goat King and German drinking songs, the buzzard traps and Mexican corridos that filled the nighttime pastures. First-person accounts and vivid historical narratives evoke the ranch’s past, overlaid with Patterson’s breathless personal histories of afternoons spent rescuing a doe in a nightgown, or saving a porcupine from a pack of dogs. This is a book that will connect you to whatever patch of earth you hold dear. It is poignant reminder of the landscapes we’ve forgotten to keep close, of the land that does not belong to us but simply is who we are. The Ranch That Was Us is an affectionate reminder to go outside and touch the earth that is you.

Fifty Years of the Texas Observer - - Bog - Trinity University Press,U.S. - Plusbog.dk

Native Texan - Joe Holley - Bog - Trinity University Press,U.S. - Plusbog.dk

Native Texan: Stories from Deep in the Heart is a lively and personal tour of small town and big city Texas in search of what makes the state unique. Nationally acclaimed columnist Joe Holley is widely loved for his popular “Native Texan” column, which appears in the Houston Chronicle . In thirty stories curated from column archives, Holley introduces readers to his favorite people and places across the state. From interviews on the “weird” streets of Austin and his search for ghosts in Bigfoot to a decades-long love affair with everything about Marathon and hikes on the back trails of the Big Bend, Holley is a masterful storyteller. His instincts are backed by a seasoned journalist’s passion to measure legends and tall tales against investigations into what really happened. He reveals small-town Texas, and some small towns within the largest cities, with a style that has proven popular with readers and a keen eye for a unique spin on an old story. The result is an entertaining and certainly surprising view of the Lone Star state.

Mi Cultura - Al Rendon - Bog - Trinity University Press,U.S. - Plusbog.dk

Internationally acclaimed photographer Al Rendón has been documenting the extended culture of south-central Texas for more than five decades. From his early teenage escapades weaseling his way backstage to shoot photos at shows by the Rolling Stones, Led Zeppelin, Rod Stewart, and others to having his photos grace the covers of Variety and Newsweek , he has given the world a glimpse into Tejano culture and so much more. Featured widely in international media, Al Rendón’s work has appeared in fourteen books and has been exhibited throughout the United States and Latin America and in China. Mi Cultura captures a wide array of commercial and art photography ranging from charreadas, La Virgen de Guadalupe, and rock and roll and conjunto to immigrant food culture, the 2022 school shooting in Uvalde, and the impacts of COVID-19 on already challenged communities. Included is an extensive selection of retratos, or portraits, work Al Rendón is best known for—most notably his photographs of Selena (several of her are in the National Portrait Gallery). Taken as a whole, the collection reflects a timely cross section of historical and contemporary life in south-central Texas by one of the country’s most important photographers.

San Antonio's Monte Vista - Donald E. Everett - Bog - Trinity University Press,U.S. - Plusbog.dk

This is the definitive work on the 100-block Monte Vista National Historic District, which survives nearly intact from San Antonio’s Gilded Age. It is the finest neighborhood of the era remaining in Texas. Architects drawn to the burgeoning city from across the country designed homes both elaborate and modest in an unusual variety of styles, from Queen Anne to Prairie to Tudor to Spanish Colonial Revival, during the heady times when San Antonio was the largest city in the largest state. Landmark homes are described block by block, with numerous vintage and contemporary illustrations and a separate index of architects.

Marfa Garden - Jim Fissel - Bog - Trinity University Press,U.S. - Plusbog.dk

Marfa Garden is a celebration of more than a hundred flowering plants of the Chihuahuan Desert, North America''s largest hot desert, spanning northern Mexico, West Texas, and parts of New Mexico and Arizona. Hundreds of photos show plants in year-round cycles, with budding, complex foliage, unfolding blooms, seedpods, and winter texture and color. Also included are introductory essays, each plant’s common and scientific names, historical information, garden use, and USDA classification, as well as abundant space for gardening notes. Everyday gardeners, naturalists, landscape designers, architects, and anyone interested in dry gardens of the Southwest will find great value and joy in this essential field guide.

A Rock between Two Rivers - Hugh Asa Fitzsimons - Bog - Trinity University Press,U.S. - Plusbog.dk

A Rock between Two Rivers is the story of a man coming to terms with the environmental legacy of his family’s ranch in Dimmitt County, Texas, and reckoning with the birthright he’ll leave for the generations who follow. What began for Hugh Fitzsimons as a mission to expose local ecological hazards from hydraulic fracking has turned into a lifelong ache to understand the more complicated story of how his family changed the land inherited from his grandfather, and deeper still, how the land irrevocably changed the family. Water is the lens through which this fifth-generation rancher tells his story. While the discovery of oil in this part of Texas fueled the region''s growth, water has the upper hand, determining where people live and how they make their living. Agriculture, ranching, drilling for oil, and now fracking all require water, with each pursuit requiring more and more but giving back less and less to the communities they’ve helped enrich. In A Rock between Two Rivers , Fitzsimons struggles with the inheritance he wants for his own children, one that considers the future consequences of our actions toward the land we are born to and owns the broader threats to our natural resources that loom in the near distance. Interweaving a family narrative of a life built on the U.S.-Mexico border and the history of European colonization with its brutal consequences on the land and indigenous peoples, Fitzsimons explores how our attitudes toward this precious resource have changed alongside our relationship to the places we call home.

Mestizaje - Kathy Sosa - Bog - Trinity University Press,U.S. - Plusbog.dk

Derived from the words miscere and genus in Latin, mestizaje refers to a mixing of the races. In the book bilingual book Mestizaje , internationally acclaimed artist Kathy Sosa presents a cross-sectional view of Mexican American culture as it is practiced in the centuries-old blended culture of the Texas-Mexico borderlands. She documents and projects the effects across generations of peoples and cultures meeting, overlapping, and organically blending into something new. The richness and beauty of mestizaje come from a place where people speak Spanglish, eat Tex-Mex food, and dance to Willie Nelson and Flaco Jimenez—sometimes all at once. Sosa foretells what much of the United States has become or will be like before long. The imagery and symbolism of puro mestizaje (total mix) figure prominently in Sosa’s work, and it is a mix unique to the borderlands’ historical traditions and myriad cultures. Sosa derives inspiration from and reflects a bold palette of strong female figures. Celebrating what the women of these borderlands think, feel, and revere culturally, she explores the roles of indigenous traditions, colors, and textiles. Family, friends, neighbors, and acquaintances—real and imagined—participate in the spirit of mexicanidad , though most were not born in Mexico and some have never visited. Supplemented with dual-language essays in English and Spanish by art critics, collectors, and historians, Mestizaje rejoices in feminist notions of blended cultures and opens readers’ eyes to the lessons they offer and what they tell us about America today.

The Mexican - Jack London - Bog - Trinity University Press,U.S. - Plusbog.dk

While he was living in El Paso, Texas, writer Jack London became interested in the war raging south of the border. He soon wrote “The Mexican,” a short story based on true events that appeared in a 1911 issue of the Saturday Evening Post . Its protagonist, Juan Fernandez, is based on real-life figure Joe Rivers.Fernandez is the prolabor son of a printer living in Veracruz, Mexico, who publishes stories favorable to striking workers. After escaping a strike where federal troops kill many workers, he changes his name to Felipe Rivera and travels to Baja California and Los Angeles. He ends up in El Paso, where he turns to his talents as a boxer to raise money for Junta Revolucionaria Mexicana, a group of revolutionaries living in exile. Hearing that $5,000 is desperately needed to buy guns for frontline fighters in Mexico, he promises to raise the money in a few weeks by taking on a highly favored boxer from New York. In a tale of unbridled passion for his revolutionary cause and drama within the boxing ring, Fernandez wins. “The Mexican” is a story about the complex balance of individual interest and commitment to a larger cause.This graphic adaptation by Argentine cartoonist Edu Molina captures the conflict within a nation’s social and political revolution made personal by those who feel both desperate and empowered. The illustration style mirrors the story’s tone, bringing its classic historical themes to life for a new audience.

The Winds and Words of War - - Bog - Trinity University Press,U.S. - Plusbog.dk

Commissioned by the U.S. Committee on Public Information, more than 300 of America’s most famous illustrators, cartoonists, designers, and fine artists donated their services to create more than 700 posters in an effort to build patriotism, raise funds for war bonds, encourage enlistment, and increase volunteerism during World War I. The Winds and Words of War is a rich collection of World War I-era posters created between 1916 and 1917 to motivate the country to abandon a position of remoteness and connect with European allies against German aggression and tyranny. These images became a great equalizing force in American culture, causing people of all backgrounds and classes, rural or urban, educated or uneducated, to rally to the cause. Some 450 of these posters are part of the San Antonio Public Library''s permanent collection, bequeathed in 1940 by Harry Hertzberg, a Texas state senator and avid memorabilia collector. The posters were created by a group of early twentieth-century American artists, among them Charles Dana Gibson, Howard Chandler Christy, James Montgomery Flagg, Guy Lipscombe, Charles Buckle Falls, Haskell Coffin, and Norman Rockwell. The lithographs'' heroic images and patriotic slogans depicted military and civilian effort and sacrifice, aiming to inspire young men and women to enlist, pick up a flag, and support the soldiers and nurses during a trying time in American history. The posters, many of which appeared on the cover of the Saturday Evening Post , are both testaments to the people who volunteered their service and excellent examples of the period''s advertising strategies and graphic design.

Pan Dulce - Ellen Clark - Bog - Trinity University Press,U.S. - Plusbog.dk

Pan Dulce is filled with recipes, personal stories, and songs celebrating the history, culture, and creation of Mexico’s sweetest heritage. Accompanied by glowing photography and illustrations, it is more than a history. It is a cookbook, a cultural experience, and the largest A to Z of pan dulces ever published. Pan dulce, an integral part of Mexican and Mexican American food culture, brings people together in panaderías and at home as the breads are shared with generations of family for breakfast, at afternoon meriendas , during holidays, or anytime at all. Follow the smell of the sugars, spices, and freshly baked breads, and you’ll discover pan dulce’s development from indigenous origin to colonial fusion, from Aztec maize to French croissants. Explore the lives of the panaderos who create new and traditional baked goods and read about the naming customs that produced the tongue-in-cheek pedo de monja and the historical conde . Reference the entries of more than a thousand pan dulces, and peruse stories of popular sweet breads, from flaky, crunchy campechanas to brightly colored cortadillos . Take your reading into the kitchen with some twenty authentic recipes from Ellen Riojas Clark , beloved Mexican cookbook authors, and panaderos from Texas and Mexico. Pan Dulce celebrates the traditions surrounding this vital culinary culture. In cataloging the names and histories of the different varieties, the compendium honors pan dulce’s journey to becoming an indispensable part of Mexican culture and a developing food in the United States, preserving this delicious custom in bread.

Navigating Rocky Terrains - Laurie Roath Frazier - Bog - Trinity University Press,U.S. - Plusbog.dk

In Navigating Rocky Terrain , a nature memoir in essays, Laurie Roath Frazier explores the subterranean in search of footholds to move forward in an ever-changing landscape. The journey begins soon after her mother’s diagnosis of dementia. As Frazier hikes through Canyon Lake Gorge, an enormous scar left behind by a megaflood, questions emerge. What is life like in cracked and disturbed places? How do people and places — plants, animals, and the land — heal following a disturbance? How does life flourish in the shadow of an uncertain future? These questions continue to guide Frazier through the limestone terrain of the Texas Hill Country. Each essay delves into the geology and ecology of a special place: a gorge, a cave, a sinkhole, a disappearing river—key features in the crumbling spaces, the holes and cracks, of karst terrain. Along the way Frazier meets scientists and citizen scientists, cavers, and master naturalists who lend their voices to her stories. Together they delve into such ecological issues as extreme weather events, habitat fragmentation, land use, population growth, water conservation, invasive species, and dark sky initiatives. These hopeful, curiosity-driven essays examine how we begin to heal personally and ecologically. Frazier shares her experiences of illness, the pandemic, and the death of loved ones, including her parents, as she sets out on mini-expeditions close to home. As she searches for caves on a thirty-acre family property and makes plans to restore the land, she weaves stories of the karst she encounters above and below with her own. The journey ultimately uncovers the complex connections between the surface and the subterranean, and in the landscape of the human.

From the Sidelines to the Headlines - Betsy Gerhardt Pasley - Bog - Trinity University Press,U.S. - Plusbog.dk

In spring 2014 Peggy Kokernot Kaplan, a former Trinity University athlete and cofounder of the women’s track team, emailed her alma mater’s athletic department asking the school to post statistics from the team’s 1975 season. It’s no surprise that they couldn’t fulfill her request, for Trinity had sparse records from the 1970s—not just for track and field but for most performances by female athletes before 1991, when the school joined a NCAA Division III conference. What started as a humble email request nearly a decade ago has culminated in From the Sidelines to the Headlines: The Legacy of Women''s Sports at Trinity University , an expansive book aimed at filling in the gaps in coverage of half a century of women’s intercollegiate sports. Former Trinity athlete Betsy Gerhardt Pasley and historian Doug Brackenridge, along with other members of the Trinity community, have collected hundreds of long-forgotten documents and conducted dozens of interviews with former students, coaches, and administrators to tell the fascinating, multifaceted story of women’s sports at this liberal arts school in San Antonio, Texas. While the book focuses primarily on the post–Title IX years between 1972 and 1999, its scope extends to Trinity’s founding in 1869, illuminating the century-long evolution of women in competitive sports, at Trinity and elsewhere, before Title IX. The story, told alongside the cultural shifts that formed the social and athletic context for female athletes of the day, also documents the decision Trinity and other institutions of higher learning faced after Title IX: Should they adhere to a commercial model, in which a focus on athletics often overshadowed academics, or strive for a more balanced student-athlete, nonscholarship model? Trinity chose the latter and has decades of national championships and academic accolades to show for it.