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A Will for the Machine - Professor Mark Sanders - Bog - The University of Chicago Press - Plusbog.dk

A Will for the Machine - Professor Mark Sanders - Bog - The University of Chicago Press - Plusbog.dk

This study takes up the relations among computerization, labor, and the arts in South Africa. There are many books about the history and discourses of computerization in the United States but relatively little about these phenomena anywhere in the Global South. In A Will for the Machine, Mark Sanders outlines South Africa’s entry into the computer age in the 1960s and ’70s and explains how it coincided with the high point of apartheid. South Africa’s government viewed automation and computerization as one way of barring Black Africans from skilled work and reserving it for whites. Sanders unpacks this peculiar history, relates it to early twentieth-century struggles around mechanization in mining and telephony in South Africa, and analyzes responses to it by the writers Miriam Tlali (1933–2017) and J. M. Coetzee (b. 1940), the artist William Kentridge (b. 1955), and Handspring Puppet Company. Showing how the arts realize ideas about the ethics and politics of automation, Sanders contributes to debates about locally divergent understandings of computer technology and human-computer interaction.

DKK 1042.00
1

A Will for the Machine - Professor Mark Sanders - Bog - The University of Chicago Press - Plusbog.dk

A Will for the Machine - Professor Mark Sanders - Bog - The University of Chicago Press - Plusbog.dk

This study takes up the relations among computerization, labor, and the arts in South Africa. There are many books about the history and discourses of computerization in the United States but relatively little about these phenomena anywhere in the Global South. In A Will for the Machine, Mark Sanders outlines South Africa’s entry into the computer age in the 1960s and ’70s and explains how it coincided with the high point of apartheid. South Africa’s government viewed automation and computerization as one way of barring Black Africans from skilled work and reserving it for whites. Sanders unpacks this peculiar history, relates it to early twentieth-century struggles around mechanization in mining and telephony in South Africa, and analyzes responses to it by the writers Miriam Tlali (1933–2017) and J. M. Coetzee (b. 1940), the artist William Kentridge (b. 1955), and Handspring Puppet Company. Showing how the arts realize ideas about the ethics and politics of automation, Sanders contributes to debates about locally divergent understandings of computer technology and human-computer interaction.

DKK 268.00
1

The Policing Machine - Tony Cheng - Bog - The University of Chicago Press - Plusbog.dk

The Policing Machine - Tony Cheng - Bog - The University of Chicago Press - Plusbog.dk

A revelatory look at how the NYPD has resisted change through strategic and selective community engagement. The past few years have seen Americans express passionate demands for police transformation. But even as discussion of no-knock warrants, chokeholds, and body cameras has exploded, any changes to police procedures have only led to the same outcomes. Despite calls for increased accountability, police departments have successfully stonewalled change. In The Policing Machine, Tony Cheng reveals the stages of that resistance, offering a close look at the deep engagement strategies that NYPD precincts have developed with only subsets of the community in order to counter any truly meaningful, democratic oversight. Cheng spent nearly two years in an unprecedented effort to understand the who and how of police-community relationship building in New York City, documenting the many ways the police strategically distributed power and privilege within the community to increase their own public legitimacy without sacrificing their organizational independence. By setting up community councils that are conveniently run by police allies, handing out favors to local churches that will promote the police to their parishioners, and offering additional support to institutions friendly to the police, the NYPD, like police departments all over the country, cultivates political capital through a strategic politics that involves distributing public resources, offering regulatory leniency, and deploying coercive force. The fundamental challenge with police-community relationships, Cheng shows, is not to build them. It is that they already exist and are motivated by a machinery designed to stymie reform.

DKK 200.00
1

The Policing Machine - Tony Cheng - Bog - The University of Chicago Press - Plusbog.dk

The Policing Machine - Tony Cheng - Bog - The University of Chicago Press - Plusbog.dk

A revelatory look at how the NYPD has resisted change through strategic and selective community engagement. The past few years have seen Americans express passionate demands for police transformation. But even as discussion of no-knock warrants, chokeholds, and body cameras has exploded, any changes to police procedures have only led to the same outcomes. Despite calls for increased accountability, police departments have successfully stonewalled change. In The Policing Machine, Tony Cheng reveals the stages of that resistance, offering a close look at the deep engagement strategies that NYPD precincts have developed with only subsets of the community in order to counter any truly meaningful, democratic oversight. Cheng spent nearly two years in an unprecedented effort to understand the who and how of police-community relationship building in New York City, documenting the many ways the police strategically distributed power and privilege within the community to increase their own public legitimacy without sacrificing their organizational independence. By setting up community councils that are conveniently run by police allies, handing out favors to local churches that will promote the police to their parishioners, and offering additional support to institutions friendly to the police, the NYPD, like police departments all over the country, cultivates political capital through a strategic politics that involves distributing public resources, offering regulatory leniency, and deploying coercive force. The fundamental challenge with police-community relationships, Cheng shows, is not to build them. It is that they already exist and are motivated by a machinery designed to stymie reform.

DKK 951.00
1

The Inspiration Machine - Eitan Y. Wilf - Bog - The University of Chicago Press - Plusbog.dk

The Inspiration Machine - Eitan Y. Wilf - Bog - The University of Chicago Press - Plusbog.dk

Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf’s interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.

DKK 1019.00
1

The Inspiration Machine - Eitan Y. Wilf - Bog - The University of Chicago Press - Plusbog.dk

The Inspiration Machine - Eitan Y. Wilf - Bog - The University of Chicago Press - Plusbog.dk

Explores how creative digital technologies and artificial intelligence are embedded in culture and society. In The Inspiration Machine, Eitan Y. Wilf explores the transformative potentials that digital technology opens up for creative practice through three ethnographic cases, two with jazz musicians and one with a group of poets. At times dissatisfied with the limitations of human creativity, these artists do not turn to computerized algorithms merely to execute their preconceived ideas. Rather, they approach them as creative partners, delegating to them different degrees of agentive control and artistic decision-making in the hopes of finding inspiration in their output and thereby expanding their own creative horizons. The algorithms these artists develop and use, however, remain rooted in and haunted by the specific social predicaments and human shortfalls that they were intended to overcome. Experiments in the digital thus hold an important lesson: although Wilf’s interlocutors returned from their adventures with computational creativity with modified, novel, and enriched capacities and predilections, they also gained a renewed appreciation for, and at times a desire to re-inhabit, non-digital creativity. In examining the potentials and pitfalls of seemingly autonomous digital technologies in the realm of art, Wilf shows that computational solutions to the real or imagined insufficiencies of human practice are best developed in relation to, rather than away from, the social and cultural contexts that gave rise to those insufficiencies, in the first place.

DKK 335.00
1

Sounding Human - Deirdre Loughridge - Bog - The University of Chicago Press - Plusbog.dk

Sounding Human - Deirdre Loughridge - Bog - The University of Chicago Press - Plusbog.dk

An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.

DKK 1010.00
1

Sounding Human - Deirdre Loughridge - Bog - The University of Chicago Press - Plusbog.dk

Sounding Human - Deirdre Loughridge - Bog - The University of Chicago Press - Plusbog.dk

An expansive analysis of the relationship between human and machine in music. From the mid-eighteenth century on, there was a logic at work in musical discourse and practice: human or machine. That discourse defined a boundary of absolute difference between human and machine, with a recurrent practice of parsing “human” musicality from its “merely mechanical” simulations. In Sounding Human, Deirdre Loughridge tests and traverses these boundaries, unmaking the “human or machine” logic and seeking out others, better characterized by conjunctions such as and or with. Sounding Human enters the debate on posthumanism and human-machine relationships in music, exploring how categories of human and machine have been continually renegotiated over the centuries. Loughridge expertly traces this debate from the 1737 invention of what became the first musical android to the creation of a “sound wave instrument” by a British electronic music composer in the 1960s, and the chopped and pitched vocals produced by sampling singers’ voices in modern pop music. From music-generating computer programs to older musical instruments and music notation, Sounding Human shows how machines have always actively shaped the act of music composition. In doing so, Loughridge reveals how musical artifacts have been—or can be—used to help explain and contest what it is to be human.

DKK 332.00
1