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Back on Track

Back on Track is a spectacular composition for Concert Band. Otto M. Schwarz composed an opening fanfare for the beginning, which can also be played as a short ‘teaser’ at festive events. A motif is treated through various rhythms and time signatures and leads to an epic finale, splendidly brought to life by the glorious timbres of the brass.

Back on Track

Back on Track

Back on Track

Back on Track

Back on Track : Opening piece

When Nature strikes back : Five Minutes to Twelve

When Nature strikes back : Five Minutes to Twelve

When Nature strikes back : Five minutes to Twelve

When Nature strikes back : Five Minutes to Twelve

Renaissance Suite : 6 Original Pieces for Brass Quintet

Who doesn’t know the great masters of this era, such as Tilman Susato – or even Johann Sebastian Bach, who arrived on the scene a little later? Six very varied movements together comprise Arthur Binder’s Renaissance Suite. These movements lend themselves to all sorts of occasions throughout the year. Immerse yourself in the splendour of the Renaissance period and take a trip back to the era.

Suite for Woodwind Quintet No. 2

Even as a young musician, Otto M. Schwarz played numerous works in the baroque style on the trumpet. Inspired by these student days, he is now composing new works ‘in the style of…’. We open with a festive Intrada, or entrée, followed by a Galliarde in 6/8 time. The regal and dramatic Sarabande is capped by a rapid 6/8 Finale. This is music that transports us back to the baroque era, when the royal houses of Europe were still centres of power throughout the globe.

Suite for Brass Quintet No. 2

Even as a young musician, Otto M. Schwarz played numerous works in the baroque style on the trumpet. Inspired by these student days, he is now composing new works ‘in the style of…’. We open with a festive Intrada, or entrée, followed by a Galliarde in 6/8 time. The regal and dramatic Sarabande is capped by a rapid 6/8 Finale. This is music that transports us back to the baroque era, when the royal houses of Europe were still centres of power throughout the globe.

Lux Aeterna : for Solopart (in C, Eb or Bb) & Organ (Piano)

Otto M. Schwarz was asked by a friend to compose a chorale for the funeral of his child. Lux Aeterna (The Eternal Light) is actually part of the requiem mass, but in this composition, there is no reference to the original Latin text. People who recount near-death experiences often report a bright light. The music moves back and forth between passages that are sad, optimistic, and imploring in nature, posing questions that cannot be answered. The end of the piece comes, however, with a conciliatory major chord that reflects the calm and warmth of this light that promises redemption.  

Composers Dinner : 3 Original Pieces for Saxophone Quartet

Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart’s own watch – if he had one – ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers’ dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally. Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR SAXOPHONE QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.

Composers Diner : 3 Original Pieces for Woodwind Quartet

Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart’s own watch – if he had one – ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers’ dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally. Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR WOOD QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.

Composers Dinner : 3 Original Pieces for Clarinet Quartet

Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart’s own watch – if he had one – ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers’ dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally. Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR CLARINET QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.

Composers Dinner : 3 Original Pieces for Brass Quartet

Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart’s own watch – if he had one – ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers’ dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally. Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR BRASS QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.