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War-Making as Worldmaking - Samar Al Bulushi - Bog - Stanford University Press - Plusbog.dk

War-Making as Worldmaking - Samar Al Bulushi - Bog - Stanford University Press - Plusbog.dk

Since Kenya''s invasion of Somalia in 2011, the Kenyan state has been engaged in direct combat with the Somali militant group Al-Shabaab, conducting airstrikes in southern Somalia and deploying heavy-handed police tactics at home. As the hunt for suspects has expanded within Kenya, Kenyan Muslims have been subject to disappearances and extrajudicial killings at the hands of U.S.-trained Kenyan police. War-Making as Worldmaking explores the entanglement of militarism, imperialism, and liberal-democratic governance in East Africa today. Samar Al-Bulushi argues that Kenya''s emergence as a key player in the "War on Terror" is closely linked—but not reducible to—the U.S. military''s growing proclivity to outsource the labor of war. Attending to the cultural politics of security, Al-Bulushi illustrates that the war against Al-Shabaab has become a means to produce new fantasies, emotions, and subjectivities about Kenya''s place in the world. Meanwhile, Kenya''s alignment with the U.S. provides cover for the criminalization and policing of the country''s Muslim minority population. How is life lived in a place that is not understood to be a site of war, yet is often experienced as such by its targets? This book weaves together multiple scales of analysis, asking what a view from East Africa can tell us about the shifting configurations and expansive geographies of post-9/11 imperial warfare.

DKK 945.00
1

War-Making As Worldmaking - Samar Al Bulushi - Bog - Stanford University Press - Plusbog.dk

DKK 230.00
1

A Movement's Promise - Samer Al Saber - Bog - Stanford University Press - Plusbog.dk

A Movement's Promise - Samer Al Saber - Bog - Stanford University Press - Plusbog.dk

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With this book, Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation. The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.

DKK 1179.00
1

A Movement's Promise - Samer Al Saber - Bog - Stanford University Press - Plusbog.dk

A Movement's Promise - Samer Al Saber - Bog - Stanford University Press - Plusbog.dk

Starting in the 1970s, Palestinian theater flourished as part of a Palestinian cultural spring. In the absence of local radio, television, and uncensored journalism, theater production became the leading form of artistic expression, and Palestinian theater artists self-identified as a movement. Although resistance was not their sole function, these theater makers contributed to an active cultural resistance front. With this book, Samer Al-Saber tells the story of the Palestinian Theater Movement over nearly three decades, as they created plays and productions that articulated versions of Palestinian identity, critiqued social norms, celebrated and extended Palestinian cultural values, and challenged the power disparity created by the Occupation. The struggles between Palestinian theater artists and Israeli authorities form the central relationships in this history. Al-Saber juxtaposes the agency of Palestinian theater artists, in their determination to perform against immense challenges, with the power of Israeli authorities to grant or deny permission to theatrical productions. The legal structure of institutionalized censorship prevented Palestinian artists from expressing their chosen message, and the theater movement's search for permission to perform illuminates the disparity in power between the occupier and the occupied. In writing the first history of the Palestinian Theater Movement, Al-Saber amplifies necessary voices in this Palestinian cultural history, told from below.

DKK 254.00
1

‘Our Place in al-Andalus’ - Gil Anidjar - Bog - Stanford University Press - Plusbog.dk

‘Our Place in al-Andalus’ - Gil Anidjar - Bog - Stanford University Press - Plusbog.dk

The year 1492 is only the last in a series of "ends" that inform the representation of medieval Spain in modern Jewish historical and literary discourses. These ends simultaneously mirror the traumas of history and shed light on the discursive process by which hermetic boundaries are set between periods, communities, and texts. This book addresses the representation of the twelfth and thirteenth centuries as the end of al-Andalus (Islamic Spain). Here, the end works to locate and separate Muslim from Christian Spain, Jews from Arabs, philosophy from Kabbalah, Kabbalah from literature, and texts from contexts. The book offers a reading of texts that emerge from its Andalusi, Jewish, and Arabic cultural sphere: Maimonides'' Guide of the Perplexed ; the major text of Kabbalah, the Zohar ; and the Arabic rhymed prose narrative of Ibn al-Astarkuwi. The author argues that these texts are written in a language that disrupts the possibility of locating it in a pre-existing cultural situation, a recognizable literary tradition, or a particular genre. At stake are issues—texts and contexts—that have gained particular urgency in the writings of such recent thinkers as Walter Benjamin, Jacques Derrida, Giorgio Agamben, Jean-Luc Nancy, and Avital Ronell. The book reads the place and taking place of language, interrogating the notion of disappearing contexts and the view that language is derivative of its true place, the context that, having ended, is mourned as silent and lost.

DKK 282.00
1

Old Texts, New Practices - Etty Terem - Bog - Stanford University Press - Plusbog.dk

Revolutions Aesthetic - Max Weiss - Bog - Stanford University Press - Plusbog.dk

Revolutions Aesthetic - Max Weiss - Bog - Stanford University Press - Plusbog.dk

The Annotated Baseball Stories of Ring W. Lardner, 1914-1919 - Ring W. Lardner - Bog - Stanford University Press - Plusbog.dk

Purchasing Whiteness - Ann Twinam - Bog - Stanford University Press - Plusbog.dk

Purchasing Whiteness - Ann Twinam - Bog - Stanford University Press - Plusbog.dk

The colonization of Spanish America resulted in the mixing of Natives, Europeans, and Africans and the subsequent creation of a casta system that discriminated against them. Members of mixed races could, however, free themselves from such burdensome restrictions through the purchase of a gracias al sacar—a royal exemption that provided the privileges of Whiteness. For more than a century, the whitening gracias al sacar has fascinated historians. Even while the documents remained elusive, scholars continually mentioned the potential to acquire Whiteness as a provocative marker of the historic differences between Anglo and Latin American treatments of race. Purchasing Whiteness explores the fascinating details of 40 cases of whitening petitions, tracking thousands of pages of ensuing conversations as petitioners, royal officials, and local elites disputed not only whether the state should grant full whiteness to deserving individuals, but whether selective prejudices against the castas should cease. Purchasing Whiteness contextualizes the history of the gracias al sacar within the broader framework of three centuries of mixed race efforts to end discrimination. It identifies those historic variables that structured the potential for mobility as Africans moved from slavery to freedom, mixed with Natives and Whites, and transformed later generations into vassals worthy of royal favor. By examining this history of pardo and mulatto mobility, the author provides striking insight into those uniquely characteristic and deeply embedded pathways through which the Hispanic world negotiated processes of inclusion and exclusion.

DKK 287.00
1

The Shaykh of Shaykhs - Yoav Alon - Bog - Stanford University Press - Plusbog.dk

The Shaykh of Shaykhs - Yoav Alon - Bog - Stanford University Press - Plusbog.dk

The Ancient Economy - - Bog - Stanford University Press - Plusbog.dk

Design Leadership Ignited - Gerda Gemser - Bog - Stanford University Press - Plusbog.dk

Leadership Decapitation - Jenna Jordan - Bog - Stanford University Press - Plusbog.dk

Between Foreigners and Shi‘is - Daniel Tsadik - Bog - Stanford University Press - Plusbog.dk

Alone at the Altar - Brianna Leavitt Alcantara - Bog - Stanford University Press - Plusbog.dk

Alone at the Altar - Brianna Leavitt Alcantara - Bog - Stanford University Press - Plusbog.dk

By 1700, Guatemala's capital was a mixed-race "city of women." As in many other cities across colonial Spanish America, labor and migration patterns in Guatemala produced an urban female majority and high numbers of single women, widows, and female household heads. In this history of religious and spiritual life in the Guatemalan capital, Brianna Leavitt-Alcantara focuses on the sizeable population of ordinary, non-elite women living outside of both marriage and convent. Although officials often expressed outright hostility towards poor unmarried women, many of these women managed to position themselves at the forefront of religious life in the city. Through an analysis of over 500 wills, hagiographies, religious chronicles, and ecclesiastical records, Alone at the Altar examines how laboring women forged complex alliances with Catholic priests and missionaries and how those alliances significantly shaped local religion, the spiritual economy, and late colonial reform efforts. It considers the local circumstances and global Catholic missionary movements that fueled official collaboration with poor single women and support for diverse models of feminine piety. Extending its analysis past Guatemalan Independence to 1870, this book also illuminates how women's alliances with the Catholic Church became politicized in the Independence era and influenced the rise of popular conservatism in Guatemala.

DKK 573.00
1

The Long Public Life of a Short Private Poem - Peter Murphy - Bog - Stanford University Press - Plusbog.dk

The Long Public Life of a Short Private Poem - Peter Murphy - Bog - Stanford University Press - Plusbog.dk