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Arresting Cinema - Karen Fang - Bog - Stanford University Press - Plusbog.dk

The Sociology of Literature - Gisele Sapiro - Bog - Stanford University Press - Plusbog.dk

Arresting Cinema - Karen Fang - Bog - Stanford University Press - Plusbog.dk

Exemplarity and Mediocrity - Paul Fleming - Bog - Stanford University Press - Plusbog.dk

Why Internet Porn Matters - Margret Grebowicz - Bog - Stanford University Press - Plusbog.dk

The Sociology of Literature - Gisele Sapiro - Bog - Stanford University Press - Plusbog.dk

On Goethe - Walter Benjamin - Bog - Stanford University Press - Plusbog.dk

On Goethe - Walter Benjamin - Bog - Stanford University Press - Plusbog.dk

The Reckoning of Pluralism - Kabir Tambar - Bog - Stanford University Press - Plusbog.dk

The Reckoning of Pluralism - Kabir Tambar - Bog - Stanford University Press - Plusbog.dk

The Turkish Republic was founded simultaneously on the ideal of universal citizenship and on acts of extraordinary exclusionary violence. Today, nearly a century later, the claims of minority communities and the politics of pluralism continue to ignite explosive debate. The Reckoning of Pluralism centers on the case of Turkey''s Alevi community, a sizeable Muslim minority in a Sunni majority state. Alevis have seen their loyalty to the state questioned and experienced sectarian hostility, and yet their community is also championed by state ideologues as bearers of the nation''s folkloric heritage. Kabir Tambar offers a critical appraisal of the tensions of democratic pluralism. Rather than portraying pluralism as a governing ideal that loosens restrictions on minorities, he focuses on the forms of social inequality that it perpetuates and on the political vulnerabilities to which minority communities are thereby exposed. Alevis today are often summoned by political officials to publicly display their religious traditions, but pluralist tolerance extends only so far as these performances will validate rather than disturb historical ideologies of national governance and identity. Focused on the inherent ambivalence of this form of political incorporation, Tambar ultimately explores the intimate coupling of modern political belonging and violence, of political inclusion and domination, contained within the practices of pluralism.

DKK 224.00
1

The Reckoning of Pluralism - Kabir Tambar - Bog - Stanford University Press - Plusbog.dk

The Reckoning of Pluralism - Kabir Tambar - Bog - Stanford University Press - Plusbog.dk

The Turkish Republic was founded simultaneously on the ideal of universal citizenship and on acts of extraordinary exclusionary violence. Today, nearly a century later, the claims of minority communities and the politics of pluralism continue to ignite explosive debate. The Reckoning of Pluralism centers on the case of Turkey''s Alevi community, a sizeable Muslim minority in a Sunni majority state. Alevis have seen their loyalty to the state questioned and experienced sectarian hostility, and yet their community is also championed by state ideologues as bearers of the nation''s folkloric heritage. Kabir Tambar offers a critical appraisal of the tensions of democratic pluralism. Rather than portraying pluralism as a governing ideal that loosens restrictions on minorities, he focuses on the forms of social inequality that it perpetuates and on the political vulnerabilities to which minority communities are thereby exposed. Alevis today are often summoned by political officials to publicly display their religious traditions, but pluralist tolerance extends only so far as these performances will validate rather than disturb historical ideologies of national governance and identity. Focused on the inherent ambivalence of this form of political incorporation, Tambar ultimately explores the intimate coupling of modern political belonging and violence, of political inclusion and domination, contained within the practices of pluralism.

DKK 945.00
1

How Strange the Change - Marc Caplan - Bog - Stanford University Press - Plusbog.dk

How Strange the Change - Marc Caplan - Bog - Stanford University Press - Plusbog.dk

In this book, Marc Caplan argues that the literatures of ostensibly marginal modern cultures are key to understanding modernism. Caplan undertakes an unprecedented comparison of nineteenth-century Yiddish literature and twentieth-century Anglophone and Francophone African literature and reveals unexpected similarities between them. These literatures were created under imperial regimes that brought with them processes of modernization that were already well advanced elsewhere. Yiddish and African writers reacted to the liberating potential of modernity and the burdens of imperial authority by choosing similar narrative genres, typically reminiscent of early-modern European literatures: the picaresque, the pseudo-autobiography, satire, and the Bildungsroman . Both display analogous anxieties toward language, caught as they were between imperial, "global" languages and stigmatized native vernaculars, and between traditions of writing and orality. Through comparative readings of narratives by Reb Nakhman of Breslov, Amos Tutuola, Yisroel Aksenfeld, Cheikh Hamidou Kane, Isaac Meyer Dik, Camara Laye, Mendele Moykher-Sforim, Wole Soyinka, Y. Y. Linetski, and Ahmadou Karouma, Caplan demonstrates that these literatures'' "belated" relationship to modernization suggests their potential to anticipate subsequent crises in the modernity and post-modernity of metropolitan cultures. This, in turn, leads him to propose a new theoretical model, peripheral modernism, which incorporates both a new understanding of "periphery" and "center" in modernity and a new methodology for comparative literary criticism and theory.

DKK 696.00
1

Coalition Literature - Francisco E. Robles - Bog - Stanford University Press - Plusbog.dk

Coalition Literature - Francisco E. Robles - Bog - Stanford University Press - Plusbog.dk

In a series of incisive readings, Francisco E. Robles provides a literary history of midcentury US multiethnic literature, tracing the shift from coalitional aesthetics to multiculturalism by focusing on how migrancy and labor politics shape literary innovation. Along the way, Robles shows how writers kept the Popular Front's legacy of coalitional aesthetics alive through literary practices of what he calls speaking with, whereby authors undo their authority as scribes, audiences become participatory interpreters, and texts emerge as places of communal and collaborative work. Beginning with significant, unexpected connections between Zora Neale Hurston and Muriel Rukeyser, and delving deeply into the work of Sanora Babb, Woody Guthrie, Gwendolyn Brooks, poets of the Memphis Sanitation Strike, Carlos Bulosan, Tomás Rivera, and authors included in This Bridge Called My Back, Robles examines texts whose range of experimental strategies deliberately engage figurations of movement, migration, and coalition. The experimentation these works display emerges from the particular methods of speaking with that they contain, whether it's overcoming exclusion by finding new ways of representing migrants through word and sound, or in the astonishing ways these authors conceive of migrancy as neither static nor statistical but as a modality that necessitates writerly innovation. The result is a genealogy of coalitional aesthetics as a significantly important branch of American midcentury multiethnic writing that sustained and indeed extended the Popular Front and its legacies.

DKK 278.00
1

Dante’s Testaments - Peter S. Hawkins - Bog - Stanford University Press - Plusbog.dk

Dante’s Testaments - Peter S. Hawkins - Bog - Stanford University Press - Plusbog.dk

This book explores the wide range of Dante''s reading and the extent to which he transformed what he read, whether in the biblical canon, in the ancient Latin poets, in such Christian authorities as Augustine or Benedict, or in the "book of the world"—the globe traversed by pilgrims and navigators. The author argues that the exceptional independence and strength of Dante''s forceful stance vis-à-vis other authors, amply on display in both the Commedia and so-called minor works, is informed by a deep knowledge of the Christian Scriptures. The Bible in question is not only the canonical text and its authoritative commentaries but also the Bible as experienced in sermon and liturgy, hymn and song, fresco and illumination, or even in the aphorisms of everyday speech. The Commedia took shape against the panorama of this divine narrative. In chapters devoted to Virgil and Ovid, the author explores strategies of allusion and citation, showing how Dante reinterprets these authors in the light of biblical revelation, correcting their vision and reorienting their understanding of history or human love. Dante finds his authority for making these interpretive moves in a "scriptural self" that is constructed over the course of the Commedia . That biblical selfhood enables him to choose among various classical and Christian traditions, to manipulate arguments and time lines, and to forge imaginary links between the ancient world and his own "modern uso ." He rewrites Scripture by reactivating it, by writing it again. To the inspired parchments of the Old and New Testaments he boldly adds his own "testamental" postscript.

DKK 287.00
1

On the Origins of Human Emotions - Jonathan H. Turner - Bog - Stanford University Press - Plusbog.dk

On the Origins of Human Emotions - Jonathan H. Turner - Bog - Stanford University Press - Plusbog.dk

Language and culture are often seen as unique characteristics of human beings. In this book the author argues that our ability to use a wide array of emotions evolved long before spoken language and, in fact, constituted a preadaptation for the speech and culture that developed among later hominids. Long before humans could speak with words, they communicated through body language their emotional dispositions; and it is the neurological wiring of the brain for these emotional languages that represented the key evolutionary breakthrough for our species. How did natural selection work on the basic ape anatomy and neuroanatomy to create the hominid line? The author suggests that what distinguished our ancestors from other apes was the development of an increased capacity for sociality and organization, crucial for survival on the African savanna. All apes display a propensity for weak ties, individualism, mobility, and autonomy that was, and is today, useful in arboreal and woodland habitats but served them poorly when our ancestors began to move onto the African plain during the late Miocene. The challenge for natural selection was to enhance traits in the species that would foster the social ties necessary for survival in the new environment. The author suggests that the result was a development of certain areas of the primate brain that encouraged strong emotional ties, allowing our ancestors to build higher levels of social solidarity. Our basic neurological wiring continues to reflect this adaptive development. From a sociological perspective that is informed by evolutionary biology, primatology, and neurology, the book examines the current neurological bases of our emotional repertoire and their implications for our social actions.

DKK 783.00
1

Writing the Dead - Armando Petrucci - Bog - Stanford University Press - Plusbog.dk

Writing the Dead - Armando Petrucci - Bog - Stanford University Press - Plusbog.dk

Written by one of the world’s leading paleographers, this book poses two fundamental questions: When did human beings begin—and why have they continued—to decide that a certain number of their dead had a right to a “written death”? What differences have existed in the practice of writing death from age to age and culture to culture? Drawing principally on testimonials intended for public display, such as monuments, tombstones, and grave markings, as well as on scrolls, books, manuscripts, newspapers, and posters, the author reconstructs the ways Western cultures have used writing to commemorate the dead, from the tombs of ancient Egypt to the Vietnam Memorial in Washington, D.C. The author argues that the relation between funereal remains and inscription is a profoundly political one. The recurring question—Who merits a written death?—demands a multifaceted reply, one that intersects such “modes” of human cultural history as the relation between the living and the dead, the control of territory, the formation and maintenance of power, the preservation of wealth, the right to individuality, and the symbolic and signifying value of written culture. Apart from examining funerary writing in the light of this analytical model, the author also studies the quality of commemorative writing, the length and physical arrangement of the text, and its link to any representational elements, such as a likeness of the deceased, the techniques involved in executing the testimonial, the number of people who participate in creating it, and its outward appearance. Under the author’s careful and informed scrutiny, such developments as unidirectional script, the separation of writing into horizontal lines, and the even spacing of individual letters are revealed as indices of social and technological change.

DKK 506.00
1

Speaking Volumes - Patricia Michaelson - Bog - Stanford University Press - Plusbog.dk

Speaking Volumes - Patricia Michaelson - Bog - Stanford University Press - Plusbog.dk

An interdisciplinary study of women and language in England in the late eighteenth and early nineteenth centuries, Speaking Volumes focuses on the connections that contemporaries made between speech and reading. It studies the period''s discourses on "woman''s language" and contrasts them with the linguistic practices of individual women. The book also argues that the oral performance of literature was important in fostering domesticity and serving as a means for women to practice authoritative speech. Utilizing a range of evidence gleaned from language texts, schoolbooks, diaries, letters, conduct books, and works of literature (notably the novels of Jane Austen), the author shows how eighteenth-century English women strategically used the stereotype of "woman''s language" while insisting implicitly that gender was not always the most salient feature of their identities. After an overview of the discourse on eighteenth-century women''s speech, which emphasizes how women were lumped together as a single, deficient class of speakers, the remaining chapters each center on an individual woman to examine the historical forces her speech illuminates. The author describes Quaker language as a sociolect with norms different from those of the "polite" world, and shows how one speaker, Amelia Opie, utilized a highly mediated form of language that situated her strategically as either a Quaker or a "polite" woman. In considering the struggle of the actress Sarah Siddons to bridge the gap between theatrical speech and ordinary language, the author relates the oral performance of literature to other forms of display that were expected of women. Using Frances Burney as exemplar, she then examines how reading together fostered domesticity. Finally, relying on the novels of Jane Austen, especially Pride and Prejudice and Persuasion , the book argues that novels took the place of conversation manuals in educating speakers.

DKK 271.00
1

The Sparks of Randomness, Volume 1 - Henri Atlan - Bog - Stanford University Press - Plusbog.dk

The Sparks of Randomness, Volume 1 - Henri Atlan - Bog - Stanford University Press - Plusbog.dk

The Sparks of Randomness , Henri Atlan''s magnum opus, develops his whole philosophy with a highly impressive display of knowledge, wisdom, depth, rigor, and intellectual and moral vigor. Atlan founds an ethics adapted to the new power over life that modern scientific knowledge has given us. He holds that the results of science cannot ground any ethical or political truth whatsoever, while human creative activity and the conquest of knowledge are a double-edged sword. This first volume, Spermatic Knowledge , begins with the Talmudic tale about the prophet Jeremiah''s creation of a golem, or artificial man. Atlan shows that the Jewish tradition does not demonize man for creating and changing living things—a charge often leveled at promoters of advanced technologies, like biologists, who are accused of "playing God." To the contrary, man is depicted as being the co-creator of the world. Although Atlan believes that the fabrication of life "from scratch" will take place in the near future, he posits that this achievement will not really amount to creating life current biology and biotechnologies have demonstrated that there is no absolute distinction between life and non-life, no critical threshold whose crossing would be taboo. He also debunks and demystifies our belief in free will and our conviction, of theological origin, that there would be no possibility for ethics if free will were shown to be an illusion. Throughout, he combines science, religion, and ancient and modern philosophy in unexpected and inspired ways. His radical, uncompromising Spinozism allows him to propose a complete revision of cognitive science and philosophy of mind, while showing that their current impasses stem from remnants of traditional dualism. From his brilliant reflections on time, he also derives exciting considerations for medicine and epidemiology.

DKK 1133.00
1

The Sparks of Randomness, Volume 1 - Henri Atlan - Bog - Stanford University Press - Plusbog.dk

The Sparks of Randomness, Volume 1 - Henri Atlan - Bog - Stanford University Press - Plusbog.dk

The Sparks of Randomness , Henri Atlan''s magnum opus, develops his whole philosophy with a highly impressive display of knowledge, wisdom, depth, rigor, and intellectual and moral vigor. Atlan founds an ethics adapted to the new power over life that modern scientific knowledge has given us. He holds that the results of science cannot ground any ethical or political truth whatsoever, while human creative activity and the conquest of knowledge are a double-edged sword. This first volume, Spermatic Knowledge , begins with the Talmudic tale about the prophet Jeremiah''s creation of a golem, or artificial man. Atlan shows that the Jewish tradition does not demonize man for creating and changing living things—a charge often leveled at promoters of advanced technologies, like biologists, who are accused of "playing God." To the contrary, man is depicted as being the co-creator of the world. Although Atlan believes that the fabrication of life "from scratch" will take place in the near future, he posits that this achievement will not really amount to creating life current biology and biotechnologies have demonstrated that there is no absolute distinction between life and non-life, no critical threshold whose crossing would be taboo. He also debunks and demystifies our belief in free will and our conviction, of theological origin, that there would be no possibility for ethics if free will were shown to be an illusion. Throughout, he combines science, religion, and ancient and modern philosophy in unexpected and inspired ways. His radical, uncompromising Spinozism allows him to propose a complete revision of cognitive science and philosophy of mind, while showing that their current impasses stem from remnants of traditional dualism. From his brilliant reflections on time, he also derives exciting considerations for medicine and epidemiology.

DKK 252.00
1

Desire Against the Law - James F. Burke - Bog - Stanford University Press - Plusbog.dk

Desire Against the Law - James F. Burke - Bog - Stanford University Press - Plusbog.dk

The churches and manuscripts of medieval Europe incessantly juxtapose imagery depicting sacred themes with likenesses of the crudest and basest nature. This book examines such contrasts in six major works of pre-1350 Spanish literature, arguing that medieval writers and artists subscribed to the classical belief that one must introduce the contrary of a concept in order to elucidate it fully. To explain this play of opposites, the author draws on the contrast between Bakhtin''s concept of the carnivalesque, which embodies and portrays the realm of desire, and the domain of the law, which imposes the social and behavioral restraints upon which civilized conduct is based. Four of the works in question—the Poema de Mio Cid, the Razón de amor, the Libro de buen amor, and the Libro del Conde Lucanor— clearly display such contrary elements. The remaining works covered—the Auto de los reyes magos and the Milagros of Gonzalo de Berceo—would, on the surface, appear merely to affirm contemporary orthodoxy. The author argues, however, that even these works must be understood intertextually, that elements within them refer to a strongly contrastive other beyond their textual confines. When this theory is applied back to the other four texts, they, too, prove to bear within them allusions to an outside system of supplementary meanings. How, then, can we account for this polar structure in medieval art and letters? The author argues that people of the time tended to understand artistic works in a manner analogous to the layout of a medieval manuscript page. The central part carries the most important message, yet in the periphery (the margin) one finds a commentary that is often essential to a complete understanding of the whole. Moreover, text and commentary oscillate: what is central can become peripheral, and what is "outside" can move to the core of a document''s explicitly thematized concerns.

DKK 674.00
1