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A Bio-Bibliography For Biruni - M. Kamiar - Bog - Scarecrow Press - Plusbog.dk

Sarah Caldwell - Daniel Kessler - Bog - Scarecrow Press - Plusbog.dk

Sarah Caldwell - Daniel Kessler - Bog - Scarecrow Press - Plusbog.dk

Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell''s genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell''s undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell''s life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti''s Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of "stage wizardry," and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.

DKK 701.00
1

Sarah Caldwell - Daniel Kessler - Bog - Scarecrow Press - Plusbog.dk

Sarah Caldwell - Daniel Kessler - Bog - Scarecrow Press - Plusbog.dk

Sarah Caldwell: The First Woman of Opera is the first biography of this significant musician, conductor, and director and documents Ms. Caldwell''s genius as an indomitable force for opera in America. Caldwell mounted many U.S. premieres and brought rare editions of standard works to her audiences. At the height of her career, she raised her baton over four of the top five orchestras, including the New York Philharmonic and the Boston Symphony Orchestra, and conducted orchestras in such cities as Pittsburgh, St. Louis, San Antonio, Atlanta, Mexico City, and Puerto Rico. She conducted ensembles in Canada, Sweden, South Africa, and Russia; was a musical director for Wolf Trap; and was the first woman to conduct at the Metropolitan Opera. She founded the renowned Opera Company of Boston, as well as the outreach effort Opera New England and a nation-wide touring enterprise, the American National Opera Company. Caldwell''s undeniable zeal was evident in whatever she undertook, and her accomplishments invite reflection, showing what an opera company could and should be in America. Daniel Kessler presents Ms. Caldwell''s life in flashbacks and explores her 1978 landmark production of Gaetano Donizetti''s Don Pasquale, which serves as a prime example of how she engaged with her creative Muse. He describes her personal and professional life, including her experience with the impresario Boris Goldovsky, her ability to create her own brand of ''stage wizardry,'' and her moments of overreaching and hubris, such as her unorthodox fundraising methods and her experience with Imelda Marcos. Complete with several illustrations, a bibliography, an index, and the comprehensive annals of her three opera companies, Sarah Caldwell demonstrates what one person of genius, imagination, and passion can accomplish single-handedly.

DKK 901.00
1

Inside Pierrot lunaire - Paul Mathews - Bog - Scarecrow Press - Plusbog.dk

Inside Pierrot lunaire - Paul Mathews - Bog - Scarecrow Press - Plusbog.dk

Inside Pierrot lunaire: Performing the Sprechstimme in Schoenberg''s Masterpiece is a handbook on the performance and interpretation of the recitation in Arnold Schoenberg''s Pierrot lunaire, op. 21. Presenting a guide for the listener and an aid to the interpreter of the 21 melodramas, the book provides an original English translation of each poem, annotated with references to other poems in the cycle, including some of the texts Schoenberg omitted. The volume also offers an analysis of the Sprechstimme in each melodrama in the context of the surrounding texture and directed by the principles of analysis Schoenberg established in his essays and lectures. Inside Pierrot lunaire makes a case for the importance of the notated pitches in a correct performance of the Sprechstimme. Acclaimed singer Phyllis Bryn-Julson and music theorist Paul Mathews provide a method for performing the Sprechstimme that considers Schoenberg''s performing directions, his sometimes-contradictory statements, the recording Schoenberg conducted in 1939, and the burgeoning scholarship on speech-melody. Bryn-Julson and Mathews also examine the role played by Albertine Zehme, the singing actress who commissioned Pierrot, whose part in its creation has been minimized in previous studies. The discussion of Sprechstimme is informed by a genuine oral tradition running from Eduard Steuermann, the pianist who coached Zehme''s premiere of the piece, to Ms. Bryn-Julson''s own interpretation. The volume also provides a bibliography of sources and an index.

DKK 641.00
1