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The Ladies Who Sing With the Band - Betty Bennett - Bog - Scarecrow Press - Plusbog.dk

The International Sweethearts of Rhythm - Antoinette D. Handy - Bog - Scarecrow Press - Plusbog.dk

Starting Out Right - Si Millican - Bog - Scarecrow Press - Plusbog.dk

Starting Out Right - Si Millican - Bog - Scarecrow Press - Plusbog.dk

Starting Out Right: Beginning Band Pedagogy is the only complete resource for organizing, planning, and teaching beginning woodwind, brass, and percussion students. The book covers every aspect of teaching beginning band students from the first sounds on the instruments through the first full-band performances. It is the only comprehensive reference that offers step-by-step guidelines for teaching each beginning band instrument, as well as organizing and running a successful beginning band program. Based on the public school teaching experience of the author, the book is designed for use in undergraduate methods and pedagogy classes as well as for clinics and workshops at the undergraduate and graduate levels. This book is also designed to be a reference for the many novice teachers who lead beginning bands or those teachers whose expertise is not in the band realm. While the focus of the book is on teaching beginning band, much of the book can be of use to band instructors at any grade level. The book is divided into several parts, which cover the sound-to-sign-to-theory approach to teaching musical literacy; child development as it relates to teaching music; recruiting and retaining students; developing fundamental sounds and skills on each woodwind, brass, and percussion instrument; teaching students to read tonal and rhythmic music notation; and selecting and rehearsing beginning band solo, ensemble, and full-band music. The book also addresses curriculum design, scheduling, and staffing of band programs. Ideas about managing student records, inventory, and equipment are also given special attention. Written in a casual narrative style, the book features real-world examples of how the principles in the book might be applied to actual teaching situations. Another special feature of the book is a set of early field-experience application exercises. Starting Out Right guides readers as they explore a comprehensive individual and ensemble approach to teaching each woodwind, brass, and percussion instrument.

DKK 724.00
1

Back Beats and Rim Shots - Warren W. Vache - Bog - Scarecrow Press - Plusbog.dk

Reading the Grateful Dead - - Bog - Scarecrow Press - Plusbog.dk

Bon Jovi - Margaret Olson - Bog - Scarecrow Press - Plusbog.dk

Bon Jovi - Margaret Olson - Bog - Scarecrow Press - Plusbog.dk

In 1986, when Bon Jovi’s third studio album, Slippery When Wet, was released, America had found its next superband. In Bon Jovi: America’s Ultimate Band, Margaret Olson chronicles the history and music of the band from its inception to present day. She closely examines Bon Jovi’s musical and social relevance to listeners past and present, exploring the remarkable ways the band has emerged as the expression and product of deep cultural needs and how, within a few years of commercial success, it has made a lasting impact on Generation X, the music business, and American culture. Through opportunities offered by cable television (particularly MTV), Hollywood, and corporate brands, Bon Jovi has been able to influence not only the music, film, and television industries but also the worlds of fashion, musical theater, art, philanthropy, and politics.Like any megaband, its members have struggled with addiction, the demands of fame, and a lack of critical respect. They have persevered, however, to become one of the United States’ world’s best-selling touring bands. Bon Jovi is a testament to the way modern culture and entertainment can become intertwined, and its success underscores the length of the band’s career, the professionalism of its management, the recognition of what audiences want, and the unique way the music—more than anything else—both reflects and shapes the social and musical American landscape it inhabits.Titles in the Tempo series are ideal introductions to major pop and rock artists, the music they produce, and their cultural and musical impact on society. Bon Jovi: America’s Ultimate Band should interest fans, students, and scholars alike.

DKK 556.00
1

Grateful Dead and the Art of Rock Improvisation - David Malvinni - Bog - Scarecrow Press - Plusbog.dk

Grateful Dead and the Art of Rock Improvisation - David Malvinni - Bog - Scarecrow Press - Plusbog.dk

More than fifteen years since the death of lead guitarist and singer Jerry Garcia, the Grateful Dead stand as a symbol of the unresolved cultural clashes of the 1960s. The band’s thirty-year odyssey is a testament to the American imagination, with thousands of live concert recordings by fans and the band itself, preserved alongside an impressive array of images, artwork, and paraphernalia. Most recently, the Grateful Dead have released from their vault their entire 1972 European tour, one of the largest boxed sets of live music—seventy-three compact discs—ever released. This publicly available archive of recorded music lays the groundwork for David Malvinni’s exploration of the band’s musical signature as the ultimate jam band in Grateful Dead and the Art of Rock Improvisation. Malvinni considers a select group of songs from the Dead’s early repertoire, from its unique covers of “Viola Lee Blues,” “Midnight Hour,” and “Love Light” to original masterpieces like “Dark Star.” Marrying basic music analysis to philosophical frames offered by improvisatory musings of Heidegger, Derrida, and Deleuze, Malvinni presents the core aesthetic underlying the Dead’s musical styling. In tracing the evolution of the band’s unique jam style, Malvinni outlines the Dead’s gift as gatherers and inventors of old and new soundscapes in their multifaceted improvisations. Like no other band, the Dead brought together a variety of styles from roots and folk to country and modal jazz to postmodern European art music. Devoted Deadheads reveled in the band’s polyglot, risk-filled approach to playing live and the joint band-audience quest to reach a type of sonic cosmic ecstasy, commonly described as the “X factor.”Although fans and scholars alike recognize the Grateful Dead as icons of psychedelic music, the band’s improvisatory approach still remains an enigma to the uninitiated. In Grateful Dead and the Art of Rock Improvisation, Malvinni unravels this mystery, walking readers through the band’s musical decision-making process. Written for rock music fans with little to no background in music theory, as well as scholars and students of popular music culture, the book reveals the method behind the seeming chaos of America’s greatest jam band.

DKK 556.00
1

Bands of Sisters - Jill M. Sullivan - Bog - Scarecrow Press - Plusbog.dk

Bands of Sisters - Jill M. Sullivan - Bog - Scarecrow Press - Plusbog.dk

On Saturday, November 14, 1944, radio listeners heard an enthusiastic broadcast announcer describe something they had never heard before: Women singing the "Marines' Hymn" instead of the traditional all-male United States Marine Band. The singers were actually members of its sister organization, The Marine Corps Women's Reserve Band of Camp Lejeune, North Carolina. Today, few remember these all-female military bands because only a small number of their performances were broadcast or pressed to vinyl. But, as Jill Sullivan argues in Bands of Sisters: U.S. Women's Military Bands during World War II, these gaps in the historical record can hardly be treated as the measure of their success. The novelty of these bands—initially employed by the U.S. military to support bond drives—drew enough spectators for the bands to be placed on tour, raising money for the war and boosting morale. The women, once discharged at the war's end, refused to fade into post-war domesticity. Instead, the strong bond fostered by youthful enthusiasm and the rare opportunity to serve in the military while making professional caliber music would come to last some 60 years. Based on interviews with over 70 surviving band members, Bands of Sisters tells the tale of this remarkable period in the history of American women. Sullivan covers the history of these ensembles, tracing accounts such as the female music teachers who would leave their positions to become professional musicians—no easy matter for female instrumentalists of the pre-war era. Sullivan further traces how some band members would later be among the first post-war music therapists based on their experience working with medical personnel in hospitals to treat injured soldiers. The opportunities presented by military service inevitably promoted new perspectives on what women could accomplish outside of the home, resulting in a lifetime of lasting relationships that would inspire future generations of musicians.

DKK 821.00
1

The Musical Instrument Desk Reference - Michael J. Pagliaro - Bog - Scarecrow Press - Plusbog.dk

The Musical Instrument Desk Reference - Michael J. Pagliaro - Bog - Scarecrow Press - Plusbog.dk

In The Musical Instrument Desk Reference, Michael Pagliaro, musical instrument authority extraordinaire, provides the one-stop shop for those in need of a quick, visually-rich reference guide to band and orchestral instruments. Descriptions and illustrations of everything from the physics of sound to detailed discussions of each orchestra and band instrument make this work the ideal desktop reference tool for the working musician. Through its Quick Start and In Depth features, readers can quickly decide how deeply they want to delve into the instrument at hand. Following a contemporary format designed to facilitate what any musician or music instructor needs to know, The Musical Instrument Desk Reference eliminates the need to leaf through multiple method books or trawl through websites to find information. The Musical Instrument Desk Reference includes general information on fingering, the anatomy of musical instruments, sound production, amplification, and control, as well as the science of sound. Readers will find individual chapters on woodwinds, brass instruments, non-fretted string instruments, and percussion instruments. In each category, Pagliaro delves deeper, describing for woodwinds such things as tuning, key systems, fingerings, sound production, tone holes, assembly, materials, embouchures, and reed use; for brass instruments such matters as valve systems, fingering patterns, French horn types, mouthpiece selection, and intonation; for non-fretted string instruments such issues as tuning and fingering, playing position, bowing technique, instrument parts, and materials; and for percussion instruments such elements as instrument types and their classifications, tuning procedures, and accessories. The Musical Instrument Desk Reference is the perfect guide for anyone interested in or responsible for working with varieties of instruments and their players. Teachers, students, teachers in training, music instructors, instrument technicians, and musicians can quickly locate any specific detail related to any band or orchestral instrument.

DKK 795.00
1

Pepper Adams' Joy Road - Gary Carner - Bog - Scarecrow Press - Plusbog.dk

Pepper Adams' Joy Road - Gary Carner - Bog - Scarecrow Press - Plusbog.dk

Pepper Adams'' Joy Road is more than a compendium of sessions and gigs done by the greatest baritone saxophone soloist in history. It''s a fascinating overview of Adams'' life and times, thanks to colorful interview vignettes, drawn from the author''s unpublished conversations with Adams and other musicians. These candid observations from jazz greats about Adams and his colleagues reveal previously unknown, behind-the-scenes drama about legendary recordings made by John Coltrane, Charles Mingus, Thelonious Monk, Dizzy Gillespie, Duke Pearson, Thad Jones, David Amram, Elvin Jones, and many others.All types of sound material—studio recordings, private tapes and broadcasts, film scores, audience tapes, and even jingles—are listed, and Adams'' oeuvre is pushed back from 1956 to 1947, when Adams was 16 years old, before he played baritone saxophone. Because of Carner''s access to Adams'' estate, just prior to its disposition in 1987, much new discographical material is included, now verified by Adams'' date books and correspondence.Since Adams worked in so many of the great bands of his era, Pepper Adams'' Joy Road is a refreshing, sometimes irreverent walk through a large swath of jazz history. This work also functions as a nearly complete band discography of the Thad Jones-Mel Lewis Orchestra, the most influential big band of its time. Adams was a founding member and stayed with the band until a year before Jones left to relocate in Denmark. Finally, Carner charts the ascent of Adams as an original yet still underappreciated composer, one who wrote 43 unique works, nearly half of them after August, 1977, when he left Jones-Lewis to tour the world as a soloist. Pepper Adams'' Joy Road, the first book ever published about Pepper Adams, is a companion to the author''s forthcoming biography on Adams.

DKK 503.00
1

Black Women in American Bands and Orchestras - Antoinette D. Handy - Bog - Scarecrow Press - Plusbog.dk

Dizzy Gillespie: The Bebop Years 1937-1952 - Ken Vail - Bog - Scarecrow Press - Plusbog.dk

Composers in the Classroom - James Michael Floyd - Bog - Scarecrow Press - Plusbog.dk

Composers in the Classroom - James Michael Floyd - Bog - Scarecrow Press - Plusbog.dk

Composers in the Classroom is a bio-bibliographical dictionary, chronicling the careers and work of over 120 composers associated with conservatories, colleges, and universities in the United States and Puerto Rico. Scholars and students of music seeking critical information about composers who have taken on the mantle of instruction will find a wealth of detail on their subjects. Painstakingly obtained through direct correspondence with the composers themselves, Floyd includes within each entry a short biography of the composer''s life and education, lists of previous positions, most prominent commissions, awards and honors, and notable performers of the subject''s work. Each entry also contains a discography of the recordings and a bibliography of writings by the composer.Researchers will find especially useful the organization of each subject''s compositions by a variety of types. These include vocal, choral/assembly, dramatic, keyboard, solo instrument, handbells, chamber music, jazz ensemble, band and wind ensemble, band and wind ensemble with solo instruments, orchestra, orchestra with solo instruments, film/television/commercial, electro-acoustic and multimedia, arrangements, transcriptions, and editions and reconstructions. Music scholars will find under each work not only the title and date of composition but also the date of revision, commission, and dedication information, as well as other pertinent details ranging from the names of collaborators to alternate titles under which works may circulate. Composers in the Classroom is an indispensable tool to scholars of modern music seeking to research the current state of musical composition and the compositional trends of the 21st century.

DKK 954.00
1

Celtic Modern - - Bog - Scarecrow Press - Plusbog.dk

Celtic Modern - - Bog - Scarecrow Press - Plusbog.dk

Good Vibes - Terry Gibbs - Bog - Scarecrow Press - Plusbog.dk

Gillo Pontecorvo - Carlo Celli - Bog - Scarecrow Press - Plusbog.dk

Elie Siegmeister, American Composer - Kenneth O. Boulton - Bog - Scarecrow Press - Plusbog.dk

Conducting and Rehearsing the Instrumental Music Ensemble - John F. Colson - Bog - Scarecrow Press - Plusbog.dk

Conducting and Rehearsing the Instrumental Music Ensemble - John F. Colson - Bog - Scarecrow Press - Plusbog.dk

Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsal process for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra, or band into its constituent components. Advanced students of conducting will find within the full range of conducting activities:• Chapters on the infrastructure of the rehearsal, the rehearsal environment, 10 rehearsal essentials, score study, music imagery, inner singing, and rehearsal procedures (with an emphasis on an integrated approach to rehearsing)• The technical priorities of intonation and tuning, rhythm patterns, ensemble sonority (tone, balance, blend, color and texture), and articulation• The musical priorities of tempo and ensemble precision, phrasing and the musical line, style and interpretation, dynamics and musical expression• Emphasizing the expectations of 21st-century conductors, the challenges of conducting and rehearsing contemporary music, preparing conductor profiles and self-evaluations, and moving from the rehearsal process to concert performanceConducting and Rehearsing the Instrumental Music Ensemble is a great resource for teachers and students of conducting, as well as current conductors wishing to further hone their skills.

DKK 892.00
1

The Story of Boogie-Woogie - Peter J. Silvester - Bog - Scarecrow Press - Plusbog.dk

The Jarmusch Way - Julian Rice - Bog - Scarecrow Press - Plusbog.dk

The Jarmusch Way - Julian Rice - Bog - Scarecrow Press - Plusbog.dk

Since the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema. Three of his films—Dead Man (1995), Ghost Dog (1999), and The Limits of Control (2009)—demonstrate the director’s unique take on Eastern and Aboriginal spirituality. In particular, they reflect Jarmusch’s rejection of Western monotheism’s fear-driven separation of life and death. While these films address historical issues of imperialism, colonialism, and genocide, they also demonstrate a uniquely spiritual form of resistance to conditions that political solutions have not resolved. The impact of Dead Man, Ghost Dog, and The Limits of Control cannot be fully felt without considering the multicultural sources from which the writer/director drew. In The Jarmusch Way, Julian Rice looks closely at these three films and explores their relation to Eastern philosophy and particular works of Western literature, painting, and cinema. This book also delves deeply into the films’ association with Native American culture, a subject upon which Rice has written extensively. Though he has garnered a passionate following in some circles, Jarmusch remains critically underappreciated. Making a case that this director deserves far more serious attention than he has received thus far, The Jarmusch Way thoroughly discusses three of his most intriguing films.

DKK 919.00
1

Jazz Fiction - David Rife - Bog - Scarecrow Press - Plusbog.dk

Jazz Fiction - David Rife - Bog - Scarecrow Press - Plusbog.dk

Nearly 700 works by over 500 authors are presented in Jazz Fiction: A History and Comprehensive Reader''s Guide, a comprehensive annotated bibliography of stories and novels that contain a jazz component. Presenting a valuable overview of the history of the genre from its beginnings to the near present, the book compartmentalizes the titles into literature genres, such as children, teen, and young adult stories; mystery and detective fiction; fantasy and science fiction; women and jazz; works based on the lives of actual jazz artists; international jazz fiction (representing over 20 countries); and even "Jazz" Fiction Sans Music: books that imply musical content but actually have none. A series of sub-genres such as "Big Band and Swing," "Blues," "Pulp and Smut," and "Novelizations" are identified, providing examples of works that characterize these categories and offering readers with specialized interests an easy reference. Also included are two short-lists, one for short stories, the other for novels, giving readers who desire to learn more about jazz fiction suggestions on where to begin. David Rife''s annotations qualify as short critical essays, generally providing a jargon-free, often witty presentation, making them a pleasure to read. Broad in scope, meticulously researched, and comprehensive with titles that have long been inaccessible, this definitive resource is essential for libraries and valuable to scholars and fans of jazz and literature.

DKK 644.00
1

Queer Males in Contemporary Cinema - Kylo Patrick R. Hart - Bog - Scarecrow Press - Plusbog.dk

Queer Males in Contemporary Cinema - Kylo Patrick R. Hart - Bog - Scarecrow Press - Plusbog.dk

Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don’t Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of “normalcy,” “deviance,” and “social otherness,” in ways that frequently have real—and sometimes detrimental—effects on actual people. Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don’t Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBTQ studies.

DKK 980.00
1

Queer Males in Contemporary Cinema - Kylo Patrick R. Hart - Bog - Scarecrow Press - Plusbog.dk

Queer Males in Contemporary Cinema - Kylo Patrick R. Hart - Bog - Scarecrow Press - Plusbog.dk

Over the past several decades, mainstream films have gradually featured queer content and characters. Depicted covertly at first, these characterizations have become much more prominent in recent years, most notably in such films as Philadelphia, Boys Don’t Cry, and Brokeback Mountain. In Queer Males in Contemporary Cinema: Becoming Visible, Kylo-Patrick R. Hart explores both latent and manifest representations of queer males in noteworthy cinema from the mid-20th to the early 21st century. Hart examines films pertaining to bisexual, gay, and transgender men, as well as transsexuals, transvestites, queer people with HIV/AIDS, queer teens, and others. Throughout, this book continually reminds readers that both mainstream and independent films communicate, reinforce, and perpetuate culturally pervasive notions of “normalcy,” “deviance,” and “social otherness,” in ways that frequently have real—and sometimes detrimental—effects on actual people. Covering a range of films, including From Here to Eternity, The Boys in the Band, Saturday Night Fever, Cruising, Point Break, The Doom Generation, Boys Don’t Cry, Hedwig and the Angry Inch, Kinsey, Brokeback Mountain, Transamerica, and Shortbus, this book shows not only how much has changed since the mid-20th century, but also how much has remained the same. Queer Males in Contemporary Cinema provides perceptive insights for students and academics interested in film history, cultural studies, gender studies, media studies, popular culture, and LGBTQ studies.

DKK 503.00
1