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A Vertical Art - Simon Armitage - Bog - Princeton University Press - Plusbog.dk

A Vertical Art - Simon Armitage - Bog - Princeton University Press - Plusbog.dk

From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry todayIn A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets.Based on Armitage's public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in "Like, Elizabeth Bishop," in which Armitage dissects-and tallies-the poet's predilection for similes. He discusses Bob Dylan's Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of "Ninety-Five Theses" on the principles and practice of poetry.An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.

DKK 201.00
1

Premises and Motifs in Renaissance Thought and Literature - C. A. Patrides - Bog - Princeton University Press - Plusbog.dk

Premises and Motifs in Renaissance Thought and Literature - C. A. Patrides - Bog - Princeton University Press - Plusbog.dk

Religion in Essence and Manifestation - Gerardus Van Der Leeuw - Bog - Princeton University Press - Plusbog.dk

Walking Four Ways in the Wind - John Allman - Bog - Princeton University Press - Plusbog.dk

Walking Four Ways in the Wind - John Allman - Bog - Princeton University Press - Plusbog.dk

Iran Between Two Revolutions - Ervand Abrahamian - Bog - Princeton University Press - Plusbog.dk

Iran Between Two Revolutions - Ervand Abrahamian - Bog - Princeton University Press - Plusbog.dk

Emphasizing the interaction between political organizations and social forces, Ervand Abrahamian discusses Iranian society and politics during the period between the Constitutional Revolution of 1905-1909 and the Islamic Revolution of 1977-1979. Presented here is a study of the emergence of horizontal divisions, or socio-economic classes, in a country with strong vertical divisions based on ethnicity, religious ideology, and regional particularism. Professor Abrahamian focuses on the class and ethnic roots of the major radical movements in the modem era, particularly the constitutional movement of the 1900s, the communist Tudeh party of the 1940s, the nationalist struggle of the early 1950s, and the Islamic upsurgence of the 1970s.In this examination of the social bases of Iranian politics, Professor Abrahamian draws on archives of the British Foreign Office and India Office that have only recently been opened; newspaper, memoirs, and biographies published in Tehran between 1906 and 1980; proceedings of the Iranian Majles and Senate; interviews with retired and active politicians; and pamphlets, books, and periodicals distributed by exiled groups in Europe and North America in the period between 1953 and 1980.Professor Abrahamian explores the impact of socio-economic change on the political structure, especially under the reigns of Reza Shah and Muhammad Reza Shah, and throws fresh light on the significance of the Tudeh party and the failure of the Shah''s regime from 1953 to 1978.

DKK 533.00
1

Principles of Animal Locomotion - R.mcneill Alexander - Bog - Princeton University Press - Plusbog.dk

Principles of Animal Locomotion - R.mcneill Alexander - Bog - Princeton University Press - Plusbog.dk

How can geckoes walk on the ceiling and basilisk lizards run over water? What are the aerodynamic effects that enable small insects to fly? What are the relative merits of squids'' jet-propelled swimming and fishes'' tail-powered swimming? Why do horses change gait as they increase speed? What determines our own vertical leap? Recent technical advances have greatly increased researchers'' ability to answer these questions with certainty and in detail. This text provides an up-to-date overview of how animals run, walk, jump, crawl, swim, soar, hover, and fly. Excluding only the tiny creatures that use cilia, it covers all animals that power their movements with muscle--from roundworms to whales, clams to elephants, and gnats to albatrosses. The introduction sets out the general rules governing all modes of animal locomotion and considers the performance criteria--such as speed, endurance, and economy--that have shaped their selection. It introduces energetics and optimality as basic principles. The text then tackles each of the major modes by which animals move on land, in water, and through air. It explains the mechanisms involved and the physical and biological forces shaping those mechanisms, paying particular attention to energy costs. Focusing on general principles but extensively discussing a wide variety of individual cases, this is a superb synthesis of current knowledge about animal locomotion. It will be enormously useful to advanced undergraduates, graduate students, and a range of professional biologists, physicists, and engineers.

DKK 665.00
1

Post-Imperial Possibilities - Frederick Cooper - Bog - Princeton University Press - Plusbog.dk

Post-Imperial Possibilities - Frederick Cooper - Bog - Princeton University Press - Plusbog.dk

A history of three transnational political projects designed to overcome the inequities of imperialismAfter the dissolution of empires, was the nation-state the only way to unite people politically, culturally, and economically? In Post-Imperial Possibilities, historians Jane Burbank and Frederick Cooper examine three large-scale, transcontinental projects aimed at bringing together peoples of different regions to mitigate imperial legacies of inequality. Eurasia, Eurafrica, and Afroasia—in theory if not in practice—offered alternative routes out of empire. The theory of Eurasianism was developed after the collapse of imperial Russia by exiled intellectuals alienated by both Western imperialism and communism. Eurafrica began as a design for collaborative European exploitation of Africa but was transformed in the 1940s and 1950s into a project to include France’s African territories in plans for European integration. The Afroasian movement wanted to replace the vertical relationship of colonizer and colonized with a horizontal relationship among former colonial territories that could challenge both the communist and capitalist worlds. Both Eurafrica and Afroasia floundered, victims of old and new vested interests. But Eurasia revived in the 1990s, when Russian intellectuals turned the theory’s attack on Western hegemony into a recipe for the restoration of Russian imperial power. While both the system of purportedly sovereign states and the concentrated might of large economic and political institutions continue to frustrate projects to overcome inequities in welfare and power, Burbank and Cooper’s study of political imagination explores wide-ranging concepts of social affiliation and obligation that emerged after empire and the reasons for their unlike destinies.

DKK 293.00
1

The Colony and the Company - Malick W. Ghachem - Bog - Princeton University Press - Plusbog.dk

The Colony and the Company - Malick W. Ghachem - Bog - Princeton University Press - Plusbog.dk

A new account of how Haiti under French colonial rule became a violent sugar plantation stateIn the early eighteenth century, France turned to its New World colonies to help rescue the monarchy from the wartime debts of Louis XIV. This short-lived scheme ended in the first global stock market crash, known as the Mississippi Bubble. Saint-Domingue (now Haiti) was indelibly marked by the crisis, given its centrality in the slave-trading monopoly controlled by the French East Indies Company. Rising prices for enslaved people and devaluation of the Spanish silver supply triggered a diffuse rebellion that broke the company’s monopoly and paved the way for what planters conceived as “free trade.” In The Colony and the Company, Malick Ghachem describes how the crisis that began in financial centers abroad reverberated throughout Haiti. Beginning on the margins of white society before spreading to wealthy planters, the revolt also created political openings for Jesuit missionaries and people of color. The resulting sugar revolution, Ghachem argues, gave rise to an increasingly violent, militarized planter state from which the colony, and later Haiti, would never recover. Ghachem shows that the wealthy planters who co-opted the rebellion were simultaneously locked in a showdown with maroon resistance. The conflict between the planters’ militant defense of their prerogatives and maroon rebellion laid the foundations for a brutal history of marginalization and immiseration. Haiti became a full-fledged plantation colony held together by a ruthless form of white supremacy and enslavement, triggering a cycle of escalating violence that led to the Haitian Revolution. Tragically, Haiti’s postrevolutionary future remained captive to the imperial sway of money and debt.

DKK 304.00
1

Slavery and the Culture of Taste - Simon Gikandi - Bog - Princeton University Press - Plusbog.dk

Slavery and the Culture of Taste - Simon Gikandi - Bog - Princeton University Press - Plusbog.dk

It would be easy to assume that, in the eighteenth century, slavery and the culture of taste--the world of politeness, manners, and aesthetics--existed as separate and unequal domains, unrelated in the spheres of social life. But to the contrary, Slavery and the Culture of Taste demonstrates that these two areas of modernity were surprisingly entwined. Ranging across Britain, the antebellum South, and the West Indies, and examining vast archives, including portraits, period paintings, personal narratives, and diaries, Simon Gikandi illustrates how the violence and ugliness of enslavement actually shaped theories of taste, notions of beauty, and practices of high culture, and how slavery''s impurity informed and haunted the rarified customs of the time. Gikandi focuses on the ways that the enslavement of Africans and the profits derived from this exploitation enabled the moment of taste in European--mainly British--life, leading to a transformation of bourgeois ideas regarding freedom and selfhood. He explores how these connections played out in the immense fortunes made in the West Indies sugar colonies, supporting the lavish lives of English barons and altering the ideals that defined middle-class subjects. Discussing how the ownership of slaves turned the American planter class into a new aristocracy, Gikandi engages with the slaves'' own response to the strange interplay of modern notions of freedom and the realities of bondage, and he emphasizes the aesthetic and cultural processes developed by slaves to create spaces of freedom outside the regimen of enforced labor and truncated leisure. Through a close look at the eighteenth century''s many remarkable documents and artworks, Slavery and the Culture of Taste sets forth the tensions and contradictions entangling a brutal practice and the distinctions of civility.

DKK 288.00
1