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Representations of Political Power - - Bog - Pennsylvania State University Press - Plusbog.dk

Representations of Political Power - - Bog - Pennsylvania State University Press - Plusbog.dk

Representation of political power seems to have been necessary at all times in all complex urban societies. To secure order-to construct a certain social, ideological, religious, economic, and cultural stability-seems to be one of the main intentions of representation. When order breaks down or is threatened, political power comes under threat and the cohesion of the community is also in jeopardy. In times of impending change, crisis, or disorder, special effort is required to reassure the community of the rulers ability to maintain stability. What those in power did to convince the affected communities of their qualities as rulers, that is, their representational strategies - especially in times of change - is the subject of this book, explored through examination of case studies drawn from the ancient Near East. The volume is divided into three thematic parts: "Reestablishment of Order after Major Disruption," "Changing Order from Within," and "Perceptions of a New Order."

DKK 371.00
1

Art, Power, and Resistance in the Middle Ages - - Bog - Pennsylvania State University Press - Plusbog.dk

Art, Power, and Resistance in the Middle Ages - - Bog - Pennsylvania State University Press - Plusbog.dk

This volume addresses a vital point of intersection between images in the Middle Ages and those in the modern world: the potential of medieval works of art to convey messages of power and resistance. Provoked by the misuse of medieval imagery in modern discussions, the contributors to this volume assess how medieval images connect to discourses of power in both the past and the present. The contributors each began with a single question: In the eyes of their makers and viewers, how were medieval images understood to assert or to resist forces of power? Their case studies come from a wide range of cultural, geographic, and historical contexts: the Byzantine, Ottonian, and Valois courts; the Umayyad and Castilian regimes of the Iberian Peninsula; the pluralistic military and commercial zones of the eastern Mediterranean; and the metaphorical as well as personal battlegrounds linked to medieval “courtly love” culture. Over eight chapters, the authors highlight patterns of visual rhetoric still evident in art today. They invite readers to contemplate how modern priorities and sensibilities might amplify, mute, or transform the discourses related to power and resistance that were threaded through the visual culture of the Middle Ages. This insightful book should be of value to anyone interested in medieval art history and art’s relationship to power and authority in society. In addition to the editor, the contributors include Heather A. Badamo, Elena N. Boeck, Thomas E. A. Dale, Martha Easton, Eliza Garrison, Anne D. Hedeman, Tom Nickson, and Avinoam Shalem.

DKK 851.00
1

Decentralization, Democratization, and Informal Power in Mexico - Andrew Selee - Bog - Pennsylvania State University Press - Plusbog.dk

Decentralization, Democratization, and Informal Power in Mexico - Andrew Selee - Bog - Pennsylvania State University Press - Plusbog.dk

Explores the democratization and decentralization of governance in Mexico and finds that informal political networks continue to mediate citizens’ relationships with their elected authorities. Analyzes the linkages between informal and formal power by comparing how they worked in three Mexican cities: Tijuana, Ciudad Nezahualcóyotl, and Chilpancingo.

DKK 624.00
1

Decentralization, Democratization, and Informal Power in Mexico - Andrew Selee - Bog - Pennsylvania State University Press - Plusbog.dk

Decentralization, Democratization, and Informal Power in Mexico - Andrew Selee - Bog - Pennsylvania State University Press - Plusbog.dk

Explores the democratization and decentralization of governance in Mexico and finds that informal political networks continue to mediate citizens’ relationships with their elected authorities. Analyzes the linkages between informal and formal power by comparing how they worked in three Mexican cities: Tijuana, Ciudad Nezahualcóyotl, and Chilpancingo.

DKK 352.00
1

Languages of Power in the Age of Richard II - Justin Hall - Bog - Pennsylvania State University Press - Plusbog.dk

Languages of Power in the Age of Richard II - Justin Hall - Bog - Pennsylvania State University Press - Plusbog.dk

In this book the distinguished medievalist Lynn Staley turns her attention to one of the most dramatic periods in English history, the reign of Richard II, as seen through a range of texts including literary, political, chronicle, and pictorial. Richard II, who ruled from 1377 to 1399, succeeded to the throne as a child after the fifty-year reign of Edward III, and found himself beset throughout his reign by military, political, religious, economic, and social problems that would have tried even the most skilled of statesmen. At the same time, these years saw some of England’s most gifted courtly writers, among them Chaucer and Gower, who were keenly attuned to the political machinations erupting around them. In Languages of Power in the Age of Richard II Staley does not so much “read” literature through history as offer a way of “reading” history through its refractions in literature. In essence, the text both isolates and traces what is an actual search for a language of power during the reign of Richard II and scrutinizes the ways in which Chaucer and other courtly writers participated in these attempts to articulate the concept of princely power. As one who took it upon himself to comment on the various means by which history is made, Chaucer emerges from Staley’s narrative as a poet without peer.

DKK 381.00
1

A Song of Power and the Power of Song - - Bog - Pennsylvania State University Press - Plusbog.dk

A Song of Power and the Power of Song - - Bog - Pennsylvania State University Press - Plusbog.dk

The very nature of the Book of Deuteronomy attracts the attention of all who work in the disciplines of biblical theology and historical-critical methodology. This volume collects twenty-five seminal articles (several published for the first time in English) that provide a vital introduction to the major interpretive issues surrounding Deuteronomy. This volume will serve as a primary or supplementary textbook in upper-level Deuteronomy or Pentateuch courses and will be an invaluable resource to all students and scholars working in the Book of Deuteronomy.

DKK 430.00
1

Power and the Sacred in Revolutionary Russia - Glennys Young - Bog - Pennsylvania State University Press - Plusbog.dk

Power and the Sacred in Revolutionary Russia - Glennys Young - Bog - Pennsylvania State University Press - Plusbog.dk

After the 1917 Revolution in Russia, the Bosheviks launched a massive assault on religion. Although we know a great deal about how the Bolsheviks went about doing this—propaganda, persecution of clergy and laity, seizing church property—scholars have not devoted much attention to the other side of the story: the people who were being persecuted and how they responded to their persecutors. Glennys Young shows how ordinary Russian peasants devised ways of asserting their religious faith during the difficult period of New Economic Policy, 1921–28, when the Party-state was ideologically obsessed with eradicating religion. Faced with persecution, torture, and the creation of antireligious organizations such as the League of the Godless, Orthodox clergy and laity organized themselves against the Bolsheviks. They revived factional politics, even using the village soviets, the intended cornerstone of Soviet power in the countryside, to defend their religious interests. When they achieved some degree of success in their resistance, the Bosheviks were forced to respond and adapt their strategies—a conclusion that scholars have not put forward previously. Based on extensive research in archives and published sources, Young's book will force historians of Soviet Russia to confront religious issues as central to rural politics. Her work also draws upon cultural anthropology and theories of peasant politics, making it of great interest to any scholars studying the processes of secularization and desacralization in other cultures.

DKK 361.00
1

Power in Verse - Jane Hedley - Bog - Pennsylvania State University Press - Plusbog.dk

Power in Verse - Jane Hedley - Bog - Pennsylvania State University Press - Plusbog.dk

English lyric poetry from Wyatt to Donne falls into three consecutive stylistic phases. Tottel's Miscellany presided over the first, making the lyrics of Wyatt and Surrey available for imitation by mid-century poets like Barnabe Googe, George Turberville, and George Gascoigne. The Shepheardes Calender and Sidney's Defense of Poesy ushered in the second, the Elizabethan or "Golden" phase of the 1580s and 1590s. In the third phase Donne and Jonson, reacting against the stylistic orientation of the Elizabethan poets, reconceived the status of "poesy" and resituated the lyric for a post-Elizabethan audience. Chapter 7 is shared between Donne and Jonson, post-Elizabethan writers who used metonymy to subvert the metaphoric stance of Elizabethan poetry. In a Postscript Hedley takes on the "metaphysical conceit" for a final demonstration of the explanatory power of Jakobson's theory of language. Professor Hedley uses the semiotic theory of Roman Jakobson to create stylistic profiles for each of these three phases of early Renaissance poetry. Along with the poetry itself she reexamines contemporary treatises, "defenses," and "notes of instruction" to highlight key features of poetic practice. She proposes that early and mid-Tudor poetry is "metonymic," that the collective orientation of the Elizabethan poets is "metaphoric," and that Donne and Jonson bring metonymy to the fore once again. Chapter 1 sets out the essentials of Jakobson's theory. Hedley uses particular poems to show what is involved in claiming that a writer or a piece of writing has metaphoric or a metonymic basis. Chapter 2 explains how the metaphoric bias of Elizabethan poetry was produced, as "poesy" became part of England's national identity. This chapter broadens out beyond the lyric to include other modes of writing whose emergence belongs to an Elizabethan "moment" in the history of English literature. Beyond chapter 2, each chapter has a double purpose: to create stylistic profile for a single poetic generation and to highlight a particular aspect or feature of the poetry as an index of difference from one generation to the next. In the third chapter Hedley shows how Wyatt and Surrey used deixis metonymically to give their poems particular occasions. Chapter 4 explains how the metonymic bias of the mid-Tudor poets affected their use of metaphor, and highlights Gascoigne's appreciation of a metaphor as a social gambit or an instrument of moral suasion. Chapters 5 and 6 are centered in the Elizabethan period, but with perspectives into earlier and subsequent phases of metonymic writing. In chapter 5, a comprehensive discussion of the sonnet and the sonnet sequence shows how metaphoric writing cooperates with the "poetic function" of language. Chapter 6 deals with love poetry, as a social/political activity whose orientation differs radically from one generation of English Petrarchists to the next.

DKK 630.00
1

Power in Verse - Jane Hedley - Bog - Pennsylvania State University Press - Plusbog.dk

Power in Verse - Jane Hedley - Bog - Pennsylvania State University Press - Plusbog.dk

English lyric poetry from Wyatt to Donne falls into three consecutive stylistic phases. Tottel's Miscellany presided over the first, making the lyrics of Wyatt and Surrey available for imitation by mid-century poets like Barnabe Googe, George Turberville, and George Gascoigne. The Shepheardes Calender and Sidney's Defense of Poesy ushered in the second, the Elizabethan or "Golden" phase of the 1580s and 1590s. In the third phase Donne and Jonson, reacting against the stylistic orientation of the Elizabethan poets, reconceived the status of "poesy" and resituated the lyric for a post-Elizabethan audience. Chapter 7 is shared between Donne and Jonson, post-Elizabethan writers who used metonymy to subvert the metaphoric stance of Elizabethan poetry. In a Postscript Hedley takes on the "metaphysical conceit" for a final demonstration of the explanatory power of Jakobson's theory of language. Professor Hedley uses the semiotic theory of Roman Jakobson to create stylistic profiles for each of these three phases of early Renaissance poetry. Along with the poetry itself she reexamines contemporary treatises, "defenses," and "notes of instruction" to highlight key features of poetic practice. She proposes that early and mid-Tudor poetry is "metonymic," that the collective orientation of the Elizabethan poets is "metaphoric," and that Donne and Jonson bring metonymy to the fore once again. Chapter 1 sets out the essentials of Jakobson's theory. Hedley uses particular poems to show what is involved in claiming that a writer or a piece of writing has metaphoric or a metonymic basis. Chapter 2 explains how the metaphoric bias of Elizabethan poetry was produced, as "poesy" became part of England's national identity. This chapter broadens out beyond the lyric to include other modes of writing whose emergence belongs to an Elizabethan "moment" in the history of English literature. Beyond chapter 2, each chapter has a double purpose: to create stylistic profile for a single poetic generation and to highlight a particular aspect or feature of the poetry as an index of difference from one generation to the next. In the third chapter Hedley shows how Wyatt and Surrey used deixis metonymically to give their poems particular occasions. Chapter 4 explains how the metonymic bias of the mid-Tudor poets affected their use of metaphor, and highlights Gascoigne's appreciation of a metaphor as a social gambit or an instrument of moral suasion. Chapters 5 and 6 are centered in the Elizabethan period, but with perspectives into earlier and subsequent phases of metonymic writing. In chapter 5, a comprehensive discussion of the sonnet and the sonnet sequence shows how metaphoric writing cooperates with the "poetic function" of language. Chapter 6 deals with love poetry, as a social/political activity whose orientation differs radically from one generation of English Petrarchists to the next.

DKK 317.00
1