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Harold T. Scull: Rise Up, O Men Of God

Rise Up, O Men Of God is a composition by Harold T. Scull for Unison Voices with Organ Accompaniment. It is a setting of words by W.P. Merrill.

Ernest Walker: I Will Lift Up Mine Eyes (ATB And Organ)

Twentieth century musician Ernest Walker was more widely known as a writer on music, educator, pianist and accompanist than as a composer, though his, mainly Choral, output is respected. Walker eschewed sentimentality or theatrical show in his compositions. His conservative style had room for chromatic harmony, as in I Will Lift Up Mine Eyes.

Tim Minchin: When I Grow Up (Matilda The Musical) - SATB/Piano

When I Grow Up comes from Matilda he Musical, the award-winning stage version of Roald Dahl?s classic children?s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood.Tim Minchin?s song is performed by the company led by Matilda. This choral version for SATB and piano accompaniment is arranged by Simon Foxley.

Up Bow, Down Bow For Violin

Richard Rodney Bennett. First position pieces for viola and piano, suitable for students of grades I and II.

Herbert Howells: King Of Glory

'King Of Glory', for mixed voice choir SATB with organ accompaniment, with 'The House of Mind' and 'God is gone up' make up the Three Motets.

Edward Elgar: There Are Seven That Pull The Thread (Score)

Work for Medium Voice and Ensemble.

Darke: Lift Up Your Heads for Double Choir

Henry Purcell: Blow Up The Trumpet In Sion

For SSSAATTTBB Choir and Organ.

Joseph Barnby: I Will Lift Up Mine Eyes

Anthem for SATB Choir and Organ.

Kenneth Leighton: Lift Up Your Heads, O Ye Gates

Anthem for SATB (unaccompanied), commissioned by Christ's Hospital, Horsham, for a service of thanksgiving in Westminster Abbey on October 7, 1966.

Malcolm Arnold: The Sound Barrier Rhapsody Op.38 (Score)

The Sound Barrier Rhapsody was composed in 1952. It is made up of five sections.

Herbert Howells: God Is Gone Up With A Merry Noise

From Three Motets (which also include King of Glory and House of Mind) in the Organ and Choir version.

Peter Jenkyns: The Little Spanish Town

Peter Jenkyns' The Little Spanish Town is an up-tempo piece for Unison Voices with Piano accompaniment, and is ideal for School Choirs and assembly use.

Walford Davies: Lift Up Your Hearts A Sacred Symphony Psalm 121 (Vocal Score)

Colin Evans: Cello Time

Cello Time is a sequel to Colin Evans' Take a Cello, and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

Principles Of Piano Technique And Interpretation

This book is essentially a practical guide, designed to stimulate and encourage the young performer and those embarking on a teaching career to give systematic and constructive thought to all the processes of learning, from the preliminary stages through to the building-up of an imaginative and mature interpretation.

Herbert Howells: Three Psalm Preludes Set 2

Herbert Howells ceased using opus numbers at about Op. 40, but each of the three Psalm-Preludes making up his second set is dated. Published in 1940, they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church, Woburn Square, in March 1939.

John Joubert: Hour Hand For Soprano And Recorder (Score)

Song cycle for soprano and recorder, op. 101The texts of the five songs which make up this cycle are all taken from the collection Time for Sale by Edward Lowbury, and, as the title indicates, are all in some way related to the idea of time. In 'The Hour Hand' the recorder imitates the ticking of a clock - albeit the minute hand.

Herbert Howells: The House of the Mind

The House Of The Mind is the second part of a set of 3 Motets by Herbert Howells. God Is Gone Up(NOV950203) and King Of Glory (NOV952666) complete the trilogy, which is written for SATB chorus and Organ. This motet was completed in 1954, with text based on a poem by Joseph Beaumont. Previously available only by Special Order.

Satie Children's Pieces Piano

Erik Satie (1866-1925) was an eccentric French composer and pianist, who is best known today for his Gymnopédies . However, he wrote many more Piano pieces that are simple and appropriate for the beginner, yet at the same time allowing any pianist the opportunity for great musical expression. Some of these are collected in Children’s Pieces For Piano . An ideal gift for all young pianists, this volume will liven up the repertoire of any developing Keyboard player.

Chatterley: 70 Simple Songs With Ostinati

Each song is provided with instrumental accompaniments based on the ostinato principle - short repeating melodic patterns for up to four classroom instruments. The ostinati can be learned easily by heart which enables players to concentrate on those aspects of music-making which are sometimes neglected such as dynamics, speed changes, careful listening to other parts and a general feeling for the music. The content is usefully divided into nursery rhymes, rounds, singing games, songs, hymns, carols and number songs.

Changing Voices: Songs For Boys

CHANGING VOICES is an exciting collection of songs specifically arranged for changing or ‘cambiata’ male voices. These arrangements are intended to be sung by boys aged approximately 11 years and upwards; precisely the time when many boys give up singing as their changing voices cease to fit comfortably within traditional vocal ranges. Progressive in difficulty and ranging from classic sea shanties to contemporary pop hits, the pieces in this collection provide a dynamic and eclectic selection of music for boys’ choral groups of all abilities.

Changing Voices: Christmas Songs For Boys

CHANGING VOICES CHRISTMAS is an exciting collection of Christmas carols and popular songs specifically arranged for changing or ‘cambiata’ male voices. These arrangements are intended to be sung by boys aged approximately 11 years and upwards; precisely the time when many boys give up singing as their changing voices cease to fit comfortably within traditional vocal ranges. Progressive in difficulty and ranging from classic carols to more contemporary Christmas hits, the pieces in this collection are suitable for performance in both sacred and secular settings. Together, they provide a dynamic and festive selection of music for boys’ choral groups of all abilities.

Richard Rodney Bennett: Four American Carols (Unison High Voices/Piano)

This is Bennett's first collection of choral pieces written specifically for the Christmas season. These four carols to American texts recall traditional music of the New World, the composer's home for many years, and bring a welcome fresh approach to the festive idiom: along with the well-loved Away In A Manger and I Wonder As I Wander, Bennett gives us his interpretation of two Spirituals - A Child of God and Rise Up, Shepherd, and Follow.For unison high voices with Piano accompaniment.Score and parts of an orchestral string accompaniment by the composer are available on hire from the publisher (Novello & Company).

J.S. Bach: St. Matthew Passion (Vocal Score)

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German, giving the individual choir the option of which language to perform in. This book contains a preface by the editor, Neil Jenkins, and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices, ripieno choir, 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.