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Eric H. Thiman: Crossing The Bar

Vocal score for Eric H. Thiman's   Crossing The Bar.   Short anthem for SATB choir with Organ accompaniment.

Harold T. Scull: Rise Up, O Men Of God

Rise Up, O Men Of God is a composition by Harold T. Scull for Unison Voices with Organ Accompaniment. It is a setting of words by W.P. Merrill.

Ernest Walker: I Will Lift Up Mine Eyes (ATB And Organ)

Twentieth century musician Ernest Walker was more widely known as a writer on music, educator, pianist and accompanist than as a composer, though his, mainly Choral, output is respected. Walker eschewed sentimentality or theatrical show in his compositions. His conservative style had room for chromatic harmony, as in I Will Lift Up Mine Eyes.

C. Hubert Parry: Crossing The Bar

For Mixed Chorus.

Tim Minchin: When I Grow Up (Matilda The Musical) - SATB/Piano

When I Grow Up comes from Matilda he Musical, the award-winning stage version of Roald Dahl?s classic children?s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood.Tim Minchin?s song is performed by the company led by Matilda. This choral version for SATB and piano accompaniment is arranged by Simon Foxley.

Musgrave: Four Portraits Bar for Clarinet and Piano

Up Bow, Down Bow For Violin

Richard Rodney Bennett. First position pieces for viola and piano, suitable for students of grades I and II.

Edward Elgar: There Are Seven That Pull The Thread (Score)

Work for Medium Voice and Ensemble.

Herbert Howells: King Of Glory

'King Of Glory', for mixed voice choir SATB with organ accompaniment, with 'The House of Mind' and 'God is gone up' make up the Three Motets.

Joseph Barnby: I Will Lift Up Mine Eyes

Anthem for SATB Choir and Organ.

Darke: Lift Up Your Heads for Double Choir

Henry Purcell: Blow Up The Trumpet In Sion

For SSSAATTTBB Choir and Organ.

Kenneth Leighton: Lift Up Your Heads, O Ye Gates

Anthem for SATB (unaccompanied), commissioned by Christ's Hospital, Horsham, for a service of thanksgiving in Westminster Abbey on October 7, 1966.

Herbert Howells: God Is Gone Up With A Merry Noise

From Three Motets (which also include King of Glory and House of Mind) in the Organ and Choir version.

Malcolm Arnold: The Sound Barrier Rhapsody Op.38 (Score)

The Sound Barrier Rhapsody was composed in 1952. It is made up of five sections.

Henry Purcell: Evening Hymn On A Ground (Voice/Piano)

This hymn of Purcell’s sets words by Dr William Fuller, Lord Bishop of Lincoln, and was the opening work of Henry Playford’s 1688 Harmonia Sacra. It is unclear how or when the piece would have been performed, as it does not fit any liturgical function.However, the hymn is untainted Purcell in style and quality. Purcell laid out the five-bar ground bass at the start of the work and shifts it only slightly and effectively for emphasis in the middle of the song.

Tarik O?Regan: Alice Changes

Alice Changes , by Tarik O'Regan , is a short piece for solo Violin, composed for Thomas Gould. The work progresses through a series of increasingly intricate figurations, which sit on top of the same underlying chord progression found in Charlie Parker?s Blues for Alice (1951). A variation of the twelve-bar blues, this harmonic sequence goes by several names, such as: ?Bird blues?, ?Bird changes?, or ?Alice changes? . Thomas Gould premiered Alice Changes at Ronnie Scott?s Jazz Club in London on 30 March, 2014.

Walford Davies: Lift Up Your Hearts A Sacred Symphony Psalm 121 (Vocal Score)

Peter Jenkyns: The Little Spanish Town

Peter Jenkyns' The Little Spanish Town is an up-tempo piece for Unison Voices with Piano accompaniment, and is ideal for School Choirs and assembly use.

Colin Evans: Cello Time

Cello Time is a sequel to Colin Evans' Take a Cello, and Basic Bass. Cellists who have moved on from the open string writing can now take up the challenge of these seven new pieces written for the first position.

John Joubert: Dance Suite Op.21 For Piano

Dance Suite was written at the Christmas vacation of 1955-56 for the pianist Adolph Hallis.No attempt is made at evoking the stylised courtly dances of the Baroque suite: the dance element here is an once more generalised and less sophisticated, veering from the sinuous and balletic (nos. 2 & 4), to the folk-like and primitive (nos. 3 & 5). All the five pieces are studies in rhythm of various kinds, some slow (nos. 2 & 4), some fast (nos. 1, 3 & 5); some regular in metre (nos. 1, 2 & 4), some irregular (nos. 3 & 5). In no. 3 the basic time signature is 7/8; in no. 5 the time signature changes every bar.© John Joubert

Principles Of Piano Technique And Interpretation

This book is essentially a practical guide, designed to stimulate and encourage the young performer and those embarking on a teaching career to give systematic and constructive thought to all the processes of learning, from the preliminary stages through to the building-up of an imaginative and mature interpretation.

Herbert Howells: Three Psalm Preludes Set 2

Herbert Howells ceased using opus numbers at about Op. 40, but each of the three Psalm-Preludes making up his second set is dated. Published in 1940, they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church, Woburn Square, in March 1939.

John Joubert: Hour Hand For Soprano And Recorder (Score)

Song cycle for soprano and recorder, op. 101The texts of the five songs which make up this cycle are all taken from the collection Time for Sale by Edward Lowbury, and, as the title indicates, are all in some way related to the idea of time. In 'The Hour Hand' the recorder imitates the ticking of a clock - albeit the minute hand.

Herbert Howells: The House of the Mind

The House Of The Mind is the second part of a set of 3 Motets by Herbert Howells. God Is Gone Up(NOV950203) and King Of Glory (NOV952666) complete the trilogy, which is written for SATB chorus and Organ. This motet was completed in 1954, with text based on a poem by Joseph Beaumont. Previously available only by Special Order.