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The Sonic Color Line - Jennifer Lynn Stoever - Bog - New York University Press - Plusbog.dk

The Sonic Color Line - Jennifer Lynn Stoever - Bog - New York University Press - Plusbog.dk

The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as "the listening ear." Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called "dialect stories," folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted "race," so that we may hear our contemporary world differently.

DKK 278.00
1

The Sonic Color Line - Jennifer Lynn Stoever - Bog - New York University Press - Plusbog.dk

The Sonic Color Line - Jennifer Lynn Stoever - Bog - New York University Press - Plusbog.dk

The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see "difference." At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as "the listening ear." Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called "dialect stories," folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted "race," so that we may hear our contemporary world differently.

DKK 777.00
1

Disabilities of the Color Line - Dennis Tyler - Bog - New York University Press - Plusbog.dk

Disabilities of the Color Line - Dennis Tyler - Bog - New York University Press - Plusbog.dk

ASALH 2023 Book Prize Finalist Reveals how disability and disablement have shaped Black social life in America Through both law and custom, the color line has cast Black people as innately disabled and thus unfit for freedom, incapable of self-governance, and contagious within the national body politic. Disabilities of the Color Line maintains that the Black literary tradition historically has inverted this casting by exposing the disablement of racism without disclaiming disability.In place of a triumphalist narrative of overcoming where both disability and disablement alike are shunned, Dennis Tyler argues that Black authors and activists have consistently avowed what he calls the disabilities of the color line : the historical and ongoing anti-Black systems of division that maim, immobilize, and stigmatize Black people. In doing so, Tyler reveals how Black writers and activists such as David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley have engaged in a politics and aesthetics of redress: modes of resistance that, in the pursuit of racial and disability justice, acknowledged the disabling violence perpetrated by anti-Black regimes in order to conceive or engender dynamic new worlds that account for people of all abilities. While some writers have affirmed disability to capture how their bodies, minds, and health have been made vulnerable to harm and impairment by the state and its citizens, others’ assertion of disability symbolizes a sense of community as well as a willingness to imagine and create a world distinct from the dominant social order.

DKK 757.00
1

Disabilities of the Color Line - Dennis Tyler - Bog - New York University Press - Plusbog.dk

Disabilities of the Color Line - Dennis Tyler - Bog - New York University Press - Plusbog.dk

Winner of the 2023 Phi Beta Kappa Christian Gauss Award Honorable Mention for the 2022 Robert K. Martin Book Prize from the Canadian Association for American Studies (CAAS) ASALH 2023 Book Prize Finalist Reveals how disability and disablement have shaped Black social life in America Through both law and custom, the color line has cast Black people as innately disabled and thus unfit for freedom, incapable of self-governance, and contagious within the national body politic. Disabilities of the Color Line maintains that the Black literary tradition historically has inverted this casting by exposing the disablement of racism without disclaiming disability. In place of a triumphalist narrative of overcoming where both disability and disablement alike are shunned, Dennis Tyler argues that Black authors and activists have consistently avowed what he calls the disabilities of the color line: the historical and ongoing anti-Black systems of division that maim, immobilize, and stigmatize Black people. In doing so, Tyler reveals how Black writers and activists such as David Walker, Henry Box Brown, William and Ellen Craft, Charles Chesnutt, James Weldon Johnson, and Mamie Till-Mobley have engaged in a politics and aesthetics of redress: modes of resistance that, in the pursuit of racial and disability justice, acknowledged the disabling violence perpetrated by anti-Black regimes in order to conceive or engender dynamic new worlds that account for people of all abilities. While some writers have affirmed disability to capture how their bodies, minds, and health have been made vulnerable to harm and impairment by the state and its citizens, others' assertion of disability symbolizes a sense of community as well as a willingness to imagine and create a world distinct from the dominant social order.

DKK 270.00
1

The Gender Line - Nancy Levit - Bog - New York University Press - Plusbog.dk

The Gender Line - Nancy Levit - Bog - New York University Press - Plusbog.dk

Despite tremendous advances in civil rights, we live in a world where the sexes remain sharply segregated from birth to death: in names, clothing, social groupings, and possessions; in occupations, civic association, and domestic roles. Gender separatism, so pervasive as to be almost invisible, permeates the fabric of our daily social routines. Preferring a notion of gender that is fluid and contextual, and denying that separatism is inevitable, Nancy Levit dismantles the myths of gender essentialism Drawing on a wealth of interdisciplinary data regarding the biological and cultural origins of sex differences, Levit provides a fresh perspective on gendered behaviors and argues the need for careful cultivation of new relations between the sexes. With its focus particularly on men, The Gender Line offers an insightful overview of the construction of gender and the damaging effects of its stereotypes. Levit analyzes the ways in which law legitimizes the social segregation of the sexes through legal decisions regarding custody, employment, education, sexual harassment, and criminal law. In so doing, she illustrates the ways in which men''s and women''s oppressions are intertwined and how law molds the very definition of masculinity. Applying feminist methodology to the doctrine of feminism itself, Levit artfully demonstrates that gender separatism infects even our contemporary views of feminism. Levit asks questions that have been too long been unspoken--those that lie at the core of the feminist project, yet threaten its very foundations. Revealing masculinity as both a privileged and a victimized condition, she calls for a step forward, past the bounds of contemporary feminism and its conflicts, toward a more egalitarian and inclusive feminism. This brand of feminism would reshape traditional masculinity, invite men into feminist dialogue, and claim men as political allies.

DKK 248.00
1

Orthodoxy on the Line - Aram G. Sarkisian - Bog - New York University Press - Plusbog.dk

Orthodoxy on the Line - Aram G. Sarkisian - Bog - New York University Press - Plusbog.dk

Working-class immigration, religion, and labor history in the United States At the turn of the twentieth century, thousands of immigrants from the borderlands of the Russian and Austro-Hungarian Empires built a transnational church in North America. The community that church leaders called American Orthodox Rus' was created by and for working people, and transformed believers' identities as Eastern European migrants, as Orthodox Christians, and as American workers. Given how strongly the Russian Orthodox Christian community was tied to working class industrial life, this book makes the case that we cannot understand the scope of working class and immigrant religion in the United States without understanding American Orthodox Rus'. The work Russian Orthodox immigrants did in the Progressive Era United States occurred in factories, foundries, and mines; they lived mainly in industrial cities and mining towns; and they almost immediately got caught up in the most pivotal—and sometimes violent—political and social crises of their times, both nationally and internationally. To address their needs in these contexts, the Russian Orthodox Church expanded its missionary efforts in North America, forming a network of social and material aid for working-class believers. This book traces the rapid growth of this transnational religious world, then explores its unexpected collapse under the weight of the First World War, a global pandemic, and the transnational reach of revolutionary political change in Russia. A story of challenge and resilience, Orthodoxy on the Line complicates dominant paradigms in the study of labor and North American Religions.

DKK 473.00
1

White Property, Black Trespass - Andrew Krinks - Bog - New York University Press - Plusbog.dk

White Property, Black Trespass - Andrew Krinks - Bog - New York University Press - Plusbog.dk

Uncovers the inherently religious structure of the criminalization of Black, Indigenous, and dispossessed peoples Most popular critical accounts of mass criminalization interpret police and prisons as purely social or political phenomena. While such accounts have been indispensable in moving millions into collective action and resistance, the carceral state remains as pervasive as ever. White Property, Black Trespass argues that understanding why we have police and prisons, and building a world of safety and abundance beyond them, requires that we acknowledge the inherently religious function that criminalization fulfills for a colonial and racial capitalist order that puts its faith in cops and cages to save it from the existential threat of disorder that its own structural violence creates. The story of criminalization, Krinks shows, begins with the eurochristian aspiration to become God at the expense of all others—an aspiration that gives rise to the pseudo-sacred powers of whiteness and property, and, by extension, the police power that exists to serve and protect them. Tracing the historical continuity and religiosity of the color line, the property line, and the thin blue line, Krinks reveals police power as the pseudo-divine power to exile nonwhite and dispossessed trespassers to carceral hell. At once incisive and expansive, this groundbreaking work deepens understanding of racial capitalism and mass criminalization by illuminating the religious mythologies that animate them. It concludes with thoughts on what might be entailed in a religion rooted in rejection of the religious idolatry of mass criminalization—a religion of abolition.

DKK 866.00
1

White Property, Black Trespass - Andrew Krinks - Bog - New York University Press - Plusbog.dk

White Property, Black Trespass - Andrew Krinks - Bog - New York University Press - Plusbog.dk

Uncovers the inherently religious structure of the criminalization of Black, Indigenous, and dispossessed peoples Most popular critical accounts of mass criminalization interpret police and prisons as purely social or political phenomena. While such accounts have been indispensable in moving millions into collective action and resistance, the carceral state remains as pervasive as ever. White Property, Black Trespass argues that understanding why we have police and prisons, and building a world of safety and abundance beyond them, requires that we acknowledge the inherently religious function that criminalization fulfills for a colonial and racial capitalist order that puts its faith in cops and cages to save it from the existential threat of disorder that its own structural violence creates. The story of criminalization, Krinks shows, begins with the eurochristian aspiration to become God at the expense of all others—an aspiration that gives rise to the pseudo-sacred powers of whiteness and property, and, by extension, the police power that exists to serve and protect them. Tracing the historical continuity and religiosity of the color line, the property line, and the thin blue line, Krinks reveals police power as the pseudo-divine power to exile nonwhite and dispossessed trespassers to carceral hell. At once incisive and expansive, this groundbreaking work deepens understanding of racial capitalism and mass criminalization by illuminating the religious mythologies that animate them. It concludes with thoughts on what might be entailed in a religion rooted in rejection of the religious idolatry of mass criminalization—a religion of abolition.

DKK 296.00
1

Brains Confounded by the Ode of Abu Shaduf Expounded, with Risible Rhymes - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Brains Confounded by the Ode of Abu Shaduf Expounded, with Risible Rhymes - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes , a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.An English-only edition.

DKK 354.00
1

Brains Confounded by the Ode of Abu Shaduf Expounded - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Brains Confounded by the Ode of Abu Shaduf Expounded - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes , a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.An English-only edition.

DKK 354.00
1

Forging a Laboring Race - Paul R.d. Lawrie - Bog - New York University Press - Plusbog.dk

Forging a Laboring Race - Paul R.d. Lawrie - Bog - New York University Press - Plusbog.dk

Foregrounds the working black body as both a category of analysis and lived experience“How does it feel to be a problem?” asked W.E.B. DuBois in The Souls of Black Folk. For many thinkers across the color line, the “Negro problem” was inextricably linked to the concurrent “labor problem,” occasioning debates regarding blacks’ role in the nation’s industrial past, present and future. With blacks freed from the seemingly protective embrace of slavery, many felt that the ostensibly primitive Negro was doomed to expire in the face of unbridled industrial progress. Yet efforts to address the so-called “Negro problem” invariably led to questions regarding the relationship between race, industry and labor writ large. In consequence, a collection of thinkers across the natural and social sciences developed a new culture of racial management, linking race and labor to color and the body. Evolutionary theory and industrial management combined to identify certain peoples with certain forms of work and reconfigured the story of races into one of development and decline, efficiency and inefficiency, and the thin line between civilization and savagery. Forging a Laboring Race charts the history of an idea—race management—building on recent work in African American, labor, and disability history to analyze how ideas of race, work, and the “fit” or “unfit” body informed the political economy of early twentieth-century industrial America.

DKK 240.00
1

Forging a Laboring Race - Paul R.d. Lawrie - Bog - New York University Press - Plusbog.dk

Forging a Laboring Race - Paul R.d. Lawrie - Bog - New York University Press - Plusbog.dk

Foregrounds the working black body as both a category of analysis and lived experience“How does it feel to be a problem?” asked W.E.B. DuBois in The Souls of Black Folk. For many thinkers across the color line, the “Negro problem” was inextricably linked to the concurrent “labor problem,” occasioning debates regarding blacks’ role in the nation’s industrial past, present and future. With blacks freed from the seemingly protective embrace of slavery, many felt that the ostensibly primitive Negro was doomed to expire in the face of unbridled industrial progress. Yet efforts to address the so-called “Negro problem” invariably led to questions regarding the relationship between race, industry and labor writ large. In consequence, a collection of thinkers across the natural and social sciences developed a new culture of racial management, linking race and labor to color and the body. Evolutionary theory and industrial management combined to identify certain peoples with certain forms of work and reconfigured the story of races into one of development and decline, efficiency and inefficiency, and the thin line between civilization and savagery. Forging a Laboring Race charts the history of an idea—race management—building on recent work in African American, labor, and disability history to analyze how ideas of race, work, and the “fit” or “unfit” body informed the political economy of early twentieth-century industrial America.

DKK 674.00
1

Brains Confounded by the Ode of Abu Shaduf Expounded, with Risible Rhymes - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Brains Confounded by the Ode of Abu Shaduf Expounded, with Risible Rhymes - Yusuf Al Shirbini - Bog - New York University Press - Plusbog.dk

Witty, bawdy, and vicious, Yūsuf al-Shirbīnī’s Brains Confounded pits the “coarse” rural masses against the “refined” urban population. In Volume One, al-Shirbīnī describes the three rural “types”—peasant cultivator, village man-of-religion, and rural dervish—offering anecdotes testifying to the ignorance, dirtiness, and criminality of each. In Volume Two, he presents a hilarious parody of the verse-and-commentary genre so beloved by scholars of his day, with a 47-line poem supposedly written by a peasant named Abū Shādūf, who charts the rise and fall of his fortunes. Wielding the scholarly tools of elite literature, al-Shirbīnī responds to the poem with derision and ridicule, dotting his satire with digressions into love, food, and flatulence. Volume Two of Brains Confounded is followed by Risible Rhymes , a concise text that includes a comic disquisition on “rural” verse, mocking the pretensions of uneducated poets from Egypt’s countryside. Risible Rhymes also examines various kinds of puzzle poems, which were another popular genre of the day, and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Together, Brains Confounded and Risible Rhymes offer intriguing insight into the intellectual concerns of Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics and shedding light on the literature of the era.An English-only edition.

DKK 165.00
1

The New American Zionism - Theodore Sasson - Bog - New York University Press - Plusbog.dk

The New American Zionism - Theodore Sasson - Bog - New York University Press - Plusbog.dk

In The New American Zionism, Theodore Sasson challenges the conventional view of waning American Jewish support for Israel. Instead, he shows that we are in the midst of a shift from a "mobilization" approach, which first emerged with the new state and focused on supporting Israel through big, centralized organizations, to an "engagement" approach marked by direct and personal relations with the Jewish state. Today, growing numbers of American Jews travel to Israel, consume Israeli news and culture, and focus their philanthropy and lobbying in line with their personal political viewpoints. As a result, American Jews find Israel more personally meaningful than ever before. Yet, at the same time, their ability to impact policy has diminished as they no longer speak with a unified voice.

DKK 224.00
1

Muslims of the Heartland - Edward E. Curtis Iv - Bog - New York University Press - Plusbog.dk

Muslims of the Heartland - Edward E. Curtis Iv - Bog - New York University Press - Plusbog.dk

Winner of the 2023 Evelyn Shakir Non-Fiction Book Award from the Arab American National Museum Choice Outstanding Academic Title 2023 Uncovers the surprising history of Muslim life in the early American Midwest The American Midwest is often thought of as uniformly white, and shaped exclusively by Christian values. However, this view of the region as an unvarying landscape fails to consider a significant community at its very heart. Muslims of the Heartland uncovers the long history of Muslims in a part of the country where many readers would not expect to find them. Edward E. Curtis IV, a descendant of Syrian Midwesterners, vividly portrays the intrepid men and women who busted sod on the short-grass prairies of the Dakotas, peddled needles and lace on the streets of Cedar Rapids, and worked in the railroad car factories of Michigan City. This intimate portrait follows the stories of individuals such as farmer Mary Juma, pacifist Kassem Rameden, poet Aliya Hassen, and bookmaker Kamel Osman from the early 1900s through World War I, the Roaring 20s, the Great Depression, and World War II. Its story-driven approach places Syrian Americans at the center of key American institutions like the assembly line, the family farm, the dance hall, and the public school, showing how the first two generations of Midwestern Syrians created a life that was Arab, Muslim, and American, all at the same time. Muslims of the Heartland recreates what the Syrian Muslim Midwest looked, sounded, felt, and smelled like—from the allspice-seasoned lamb and rice shared in mosque basements to the sound of the trains on the Rock Island Line rolling past the dry goods store. It recovers a multicultural history of the American Midwest that cannot be ignored.

DKK 269.00
1

Muslims of the Heartland - Edward E. Curtis Iv - Bog - New York University Press - Plusbog.dk

Muslims of the Heartland - Edward E. Curtis Iv - Bog - New York University Press - Plusbog.dk

Winner of the 2023 Evelyn Shakir Non-Fiction Book Award from the Arab American National Museum Choice Outstanding Academic Title 2023 Uncovers the surprising history of Muslim life in the early American Midwest The American Midwest is often thought of as uniformly white, and shaped exclusively by Christian values. However, this view of the region as an unvarying landscape fails to consider a significant community at its very heart. Muslims of the Heartland uncovers the long history of Muslims in a part of the country where many readers would not expect to find them. Edward E. Curtis IV, a descendant of Syrian Midwesterners, vividly portrays the intrepid men and women who busted sod on the short-grass prairies of the Dakotas, peddled needles and lace on the streets of Cedar Rapids, and worked in the railroad car factories of Michigan City. This intimate portrait follows the stories of individuals such as farmer Mary Juma, pacifist Kassem Rameden, poet Aliya Hassen, and bookmaker Kamel Osman from the early 1900s through World War I, the Roaring 20s, the Great Depression, and World War II. Its story-driven approach places Syrian Americans at the center of key American institutions like the assembly line, the family farm, the dance hall, and the public school, showing how the first two generations of Midwestern Syrians created a life that was Arab, Muslim, and American, all at the same time. Muslims of the Heartland recreates what the Syrian Muslim Midwest looked, sounded, felt, and smelled like—from the allspice-seasoned lamb and rice shared in mosque basements to the sound of the trains on the Rock Island Line rolling past the dry goods store. It recovers a multicultural history of the American Midwest that cannot be ignored.

DKK 189.00
1

Dislike-Minded - Jonathan Gray - Bog - New York University Press - Plusbog.dk

Dislike-Minded - Jonathan Gray - Bog - New York University Press - Plusbog.dk

Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media's failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu's famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

DKK 254.00
1

Dislike-Minded - Jonathan Gray - Bog - New York University Press - Plusbog.dk

Dislike-Minded - Jonathan Gray - Bog - New York University Press - Plusbog.dk

Explains why audiences dislike certain media and what happens when they do The study and discussion of media is replete with talk of fans, loves, stans, likes, and favorites, but what of dislikes, distastes, and alienation? Dislike-Minded draws from over two-hundred qualitative interviews to probe what the media's failures, wounds, and sore spots tell us about media culture, taste, identity, representation, meaning, textuality, audiences, and citizenship. The book refuses the simplicity of Pierre Bourdieu's famous dictum that dislike is (only) snobbery. Instead, Jonathan Gray pushes onward to uncover other explanations for what it ultimately means to dislike specific artifacts of television, film, and other media, and why this dislike matters. As we watch and listen through gritted teeth, Dislike-Minded listens to what is being said, and presents a bold case for a new line of audience research within communication, media, and cultural studies.

DKK 777.00
1

Risible Rhymes - Muhammad Ibn Mahfuz Al Sanhuri - Bog - New York University Press - Plusbog.dk

Risible Rhymes - Muhammad Ibn Mahfuz Al Sanhuri - Bog - New York University Press - Plusbog.dk

Written in mid-seventeenth-century Egypt, Risible Rhymes is in part a short, comic disquisition on “rural” verse, mocking the pretensions and absurdities of uneducated poets from Egypt’s countryside. The interest in the countryside as a cultural, social, economic, and religious locus in its own right that is hinted at in this work may be unique in pre-twentieth-century Arabic literature. As such, the work provides a companion piece to its slightly younger contemporary, Yūsuf al-Shirbīnī’s Brains Confounded by the Ode of Abū Shādūf Expounded , which also takes examples of mock-rural poems and subjects them to grammatical analysis. The overlap between the two texts may indicate that they both emanate from a common corpus of pseudo-rural verse that circulated in Ottoman Egypt. Risible Rhymes also examines various kinds of puzzle poems—another popular genre of the day—and presents a debate between scholars over a line of verse by the fourth/tenth-century poet al-Mutanabbī. Taken as a whole, Risible Rhymes offers intriguing insight into the critical concerns of mid-Ottoman Egypt, showcasing the intense preoccupation with wordplay, grammar, and stylistics that dominated discussions of poetry in al-Sanhūrī''s day and shedding light on the literature of this understudied era.A bilingual Arabic-English edition.

DKK 270.00
1

Are Racists Crazy? - Sander L. Gilman - Bog - New York University Press - Plusbog.dk

Are Racists Crazy? - Sander L. Gilman - Bog - New York University Press - Plusbog.dk

The connection and science behind race, racism, and mental illness In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness. An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

DKK 674.00
1

Are Racists Crazy? - James M. Thomas - Bog - New York University Press - Plusbog.dk

Are Racists Crazy? - James M. Thomas - Bog - New York University Press - Plusbog.dk

The connection and science behind race, racism, and mental illness In 2012, an interdisciplinary team of scientists at the University of Oxford reported that - based on their clinical experiment - the beta-blocker drug, Propranolol, could reduce implicit racial bias among its users. Shortly after the experiment, an article in Time Magazine cited the study, posing the question: Is racism becoming a mental illness? In Are Racists Crazy? Sander Gilman and James Thomas trace the idea of race and racism as psychopathological categories., from mid-19th century Europe, to contemporary America, up to the aforementioned clinical experiment at the University of Oxford, and ask a slightly different question than that posed by Time: How did racism become a mental illness? Using historical, archival, and content analysis, the authors provide a rich account of how the 19th century ‘Sciences of Man’ - including anthropology, medicine, and biology - used race as a means of defining psychopathology and how assertions about race and madness became embedded within disciplines that deal with mental health and illness. An illuminating and riveting history of the discourse on racism, antisemitism, and psychopathology, Are Racists Crazy? connects past and present claims about race and racism, showing the dangerous implications of this specious line of thought for today.

DKK 242.00
1