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The Rhetoric of Dystopia - Christopher Carter - Bog - Lexington Books - Plusbog.dk

Existential Science Fiction - Ryan Lizardi - Bog - Lexington Books - Plusbog.dk

Existential Science Fiction - Ryan Lizardi - Bog - Lexington Books - Plusbog.dk

State Criminality - Dawn L. Rothe - Bog - Lexington Books - Plusbog.dk

State Criminality - Dawn L. Rothe - Bog - Lexington Books - Plusbog.dk

Twentieth Century Forcible Child Transfers - Ruth Amir - Bog - Lexington Books - Plusbog.dk

Retrieving Darwin's Revolutionary Idea - Samuel Grove - Bog - Lexington Books - Plusbog.dk

Divergent Paths - Norman Levine - Bog - Lexington Books - Plusbog.dk

Divergent Paths - Norman Levine - Bog - Lexington Books - Plusbog.dk

Divergent Paths is the first volume of a groundbreaking three-volume work. Its purpose is to explore the relationship between Hegel and Marx; to define the relationship between Hegel and Engels; and to distinguish between the theories of Marxism and Engelsism. Marx used Feuerbach towards the critique and ultimate transformation of Hegel''s phenomenology and humanism. This transformation, which cut out Hegel''s idealism by identifying the environment in which people produced their sustenance as the subject of history, marks the genesis of historical materialism. Marx continued to use Hegel''s logical categories. In chapter three of Divergent Paths, Norman Levine conducts an in depth study of Marx''s 1841 doctoral dissertation, The Difference Between Democritus'' and Epicurus'' Philosophy of Nature. It is the center of gravity and controversy of Levine''s study. Placed alongside Hegel''s Philosophy of History, Levine isolates the categories Marx appropriated from Hegel to show, conclusively, that Marx was not a dialectical materialist. Levine then claims that Engels totally distorted the Hegelian legacy, and this debasement is enshrined in his 1887 essay ''Ludwig Feuerbach and The End of Classical German Philosophy.'' Levine brilliantly locates Marxism as the theory of Marx, and Engelsism the theory of Engels. According to Levine both embodied a separate view of history and society, and their contradictions are expressive, in part, of their divergent receptions of Hegel. This is an analysis like no other published to date with two more volumes planned. Philosophers, sociologists, anthropologists and historiographers of Marx and Engels cannot afford to miss this study.

DKK 423.00
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Popular Culture as Art and Knowledge - George A. Gonzalez - Bog - Lexington Books - Plusbog.dk

Popular Culture as Art and Knowledge - George A. Gonzalez - Bog - Lexington Books - Plusbog.dk

This volume settles the debate between analytic and continental philosophy. It turns to art, more specifically popular culture, to demonstrate the validity of continental philosophy. Drawing on the philosophy of Georg Hegel (perhaps the most important of continental philosophers), James Kreines holds that reason in the world metaphysically exists. Reasons of the world are reasons of the Hegelian Absolute. Thus, similar to the fact that gravity is curves in the space-time continuum along which matter moves – reasons are the grooves in the Absolute along which human decision-making occurs. Art allows us to conceptualize, understand, speculate about the grooves (reasons) of the Absolute.Two key points can be drawn from Kreines’s position: first, normative values are embedded in reality. Thus, in complete contradistinction to analytic philosophy, there is no bifurcation between the empirical and the normative – to exist is to have normative value. Secondly, the role of social science is to cogitate, explore, identify the reasons of the world that shape social, political norms. Such an approach would decisively move the social sciences away from an emphasis on statistically significant patterns of human behavior (e.g., voting studies) and toward an approach that seeks to analyze the reasons of the world that motivate/shape social and political decisions. Art (particularly popular culture) becomes an important source in identifying the way that people reason about the world and how they perceive political elites reasoning in the world.To adjudicate between continental and analytic philosophy this book on relies on the broadcast iterations of Star Trek, as well as Nazi cinema. With regard to contemporary American politics, in addition to Star Trek, it draws on the television series Game of Thrones, Veep, House of Cards, and The Man in the High Castle. Popular culture is germane to philosophy and contemporary politics because television/movie creators frequently try to attract viewers by conveying authentic philosophical and political motifs. Conversely, viewers seek out authentic movies and television shows. This is in contrast to opinion surveys (for instance), as the formation of the data begins with the surveyor seeking to directly solicit an opinion – however impromptu or shallow.

DKK 826.00
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