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More and More Equal - Nancy E. Berg - Bog - Lexington Books - Plusbog.dk

Phenomenalism, Phenomenology, and the Question of Time - Adam Berg - Bog - Lexington Books - Plusbog.dk

Phenomenalism, Phenomenology, and the Question of Time - Adam Berg - Bog - Lexington Books - Plusbog.dk

Phenomenalism, Phenomenology and the Question of Time: A Comparative Study of the Theories of Mach, Husserl, and Boltzmann analyzes two interconnected themes: the split between phenomenalism and phenomenology, and the question of time in relation to physical processes and irreversibility in physics. The first theme is the overlooked connections between the modern phenomenology of Edmund Husserl (and his mentor Franz Brentano) and phenomenalism as associated with Ernst Mach. The book’s historical-conceptual perspective draws attention to the ways in which Husserl’s twentieth century advance of phenomenological method was conceived in relation to Mach’s late nineteenth century and early twentieth century work both in science and philosophy. At first glance, Mach’s phenomenalism appears to be in stark contrast to Husserl’s phenomenology, but on closer inspection, it influenced and informed its inception. By analyzing Husserl’s revolutionary method of phenomenology in connection to Mach’s earlier conceptions, the book elucidates the rise of modern physics, especially through the work of Ludwig Boltzmann, as an important context to both Mach’s philosophical work and Husserl’s early overtures into phenomenology and his later critique of the “crisis” of European sciences. The discursive affinities and differences between phenomenalism and phenomenology are examined in terms of a more contemporary debate over naturalizing phenomenology, either as a method continuous with science or reduced to it. This immanent tension is examined and evaluated specifically through the second thematic axis of the book, which deals with the question of time and irreversibility. Time in physics conforms to an explanatory scheme that relegates the issues of directionality and symmetry of time to concepts that are radically different from any phenomenological attempts to explain temporality in terms of intuition and consciousness. It is precisely through the notion of irreversibility that both perspectives, scientific and phenomenological, explicate time’s arrow not as a mere manifestation of sensory asymmetry, as Mach would have it, but rather, through indirect descriptions of time and temporal objects. The issue of time’s arrow, irreversibility, and Boltzmann’s physical hypotheses regarding the nature of time are introduced and comparatively assessed with Husserl’s work on phenomenology and the role of temporality to consciousness.

DKK 954.00
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Memory and Identity in the Narratives of Soledad Puertolas - Tamara L. Townsend - Bog - Lexington Books - Plusbog.dk

Memory and Identity in the Narratives of Soledad Puertolas - Tamara L. Townsend - Bog - Lexington Books - Plusbog.dk

Narratives of contemporary Spanish writer Soledad Puértolas (1947-), inducted into the Real Academia Española in 2010, depict the psychological struggles of the individual in postmodern democratic European society. Puértolas’s realist style emphasizes storytelling and character portrayal, and her urban middle-class characters seek satisfying interactions with others and a sense of purpose. Memory aids characters in their quest for meaning and identity, and their use of memory reveals their self-perception and outlook on life. This book maps four ways in which Puértolas’s narratives use memory to approach the fundamental problem of the individual’s search for purpose and identity.Some characters are burdened by memory in certain texts, especially Días del Arenal (1992) and Burdeos (1986). Reflection upon a painful self-defining memory affects their present mood and behavior. For some, this burden causes them to withdraw or to act irresponsibly; others accept and overcome the scars of the past. A second type of character takes an escapist approach to memory, as seen in Queda la noche (1989). Their nostalgic retreat indicates a restless dissatisfaction with the present. In a third type of memory, a secondary character provides the organizing force behind a protagonist’s reminiscences, often an extroverted foil to highlight the protagonist’s introspective nature. Memory of the relationship motivates the protagonist to mentally order his or her own life through the life review process; Una vida inesperada (1997) and La señora Berg (1998) provide examples. Finally, in the amnesic mode, Puértolas departs from realism to experiment with different forms of amnesia, as in La rosa de plata (1999) and Si al atardecer llegara el mensajero (1995). Memory loss highlights the centrality of memory to personhood and identity, while at the same time it draws attention to the inadequacy of memory to explain the totality of existence.

DKK 866.00
1