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Plate Tectonics - Allan Cox - Bog - John Wiley and Sons Ltd - Plusbog.dk

What is Power? - Byung Chul Han - Bog - John Wiley and Sons Ltd - Plusbog.dk

What is Power? - Byung Chul Han - Bog - John Wiley and Sons Ltd - Plusbog.dk

Power and Technology - Jan Van Dijk - Bog - John Wiley and Sons Ltd - Plusbog.dk

Power and Technology - Jan Van Dijk - Bog - John Wiley and Sons Ltd - Plusbog.dk

The definition of power varies across disciplines. Social scientists tend to deal with social power, philosophers of technology with the relation between technology and society, and ecologists with the relation between natural and social power. Concepts of power and technology are freely used but this relationship is complex and multifaceted. In this analytic and ambitious textbook, Jan van Dijk brings these perspectives together to provide a more comprehensive answer. In attempting to integrate social, technical, and natural power into one framework, he develops a general concept of power which unites all three – the first time such an attempt has been made. The author argues that it is important to look at these concepts together: natural power is not simply a resource for technology and society, and its inclusion is crucial given the ecological impact of technologies. Overall, nine forms of power which comprise the framework are discussed in each chapter – force, construction, coercion, domination, discipline, dependency, information, persuasion, and authority – and at all levels (individuals, organizations, and societies). Van Dijk concludes with some practical implications and asks two key questions: how can automatic and autonomous technology such as AI be controlled by humans? And, how can we find a more sustainable and less exploitive technology? Power and Technology contains many figures, tables and illustrations and is suitable for students and scholars of technology studies and the sociology, philosophy and history of technology.

DKK 538.00
1

Power and Technology - Jan Van Dijk - Bog - John Wiley and Sons Ltd - Plusbog.dk

Power and Technology - Jan Van Dijk - Bog - John Wiley and Sons Ltd - Plusbog.dk

The definition of power varies across disciplines. Social scientists tend to deal with social power, philosophers of technology with the relation between technology and society, and ecologists with the relation between natural and social power. Concepts of power and technology are freely used but this relationship is complex and multifaceted. In this analytic and ambitious textbook, Jan van Dijk brings these perspectives together to provide a more comprehensive answer. In attempting to integrate social, technical, and natural power into one framework, he develops a general concept of power which unites all three – the first time such an attempt has been made. The author argues that it is important to look at these concepts together: natural power is not simply a resource for technology and society, and its inclusion is crucial given the ecological impact of technologies. Overall, nine forms of power which comprise the framework are discussed in each chapter – force, construction, coercion, domination, discipline, dependency, information, persuasion, and authority – and at all levels (individuals, organizations, and societies). Van Dijk concludes with some practical implications and asks two key questions: how can automatic and autonomous technology such as AI be controlled by humans? And, how can we find a more sustainable and less exploitive technology? Power and Technology contains many figures, tables and illustrations and is suitable for students and scholars of technology studies and the sociology, philosophy and history of technology.

DKK 220.00
1

Performing Power - Marcus Morgan - Bog - John Wiley and Sons Ltd - Plusbog.dk

Performing Power - Marcus Morgan - Bog - John Wiley and Sons Ltd - Plusbog.dk

When the bronze statue of Edward Colston was thrown into the Bristol harbour, what was it about this spectacle that made it more effective than countless petitions to have the slaver’s icon removed? What animated Trump’s supporters to answer his rhetorical question ‘who’s going to pay for the wall?’ during his 2016 presidential campaign? Why do leaders of social movements, or those seeking public office, bother to appear in front of audiences when they could just as well spell out their positions in writing?The central contention of this book is that the exercise of power, and struggles for power, are inextricably linked to social performance. Political success can often be explained by the presence of engaging drama, just as political failure can be accounted for by its absence. The book explores the role of social performance in the exercise of power and evaluates the main ways in which performances of power have been understood in the social sciences, developing its own unique model for understanding them. Morgan argues persuasively that the social sciences need to take seriously the aesthetic dimensions of power, showing that in power struggles, appearance matters, and appearance is in large part achieved through performance. Clearly written and illustrated with a wide range of contemporary examples, Performing Power will be of great value to students and scholars in political sociology, cultural sociology, and politics.

DKK 619.00
1

Performing Power - Marcus Morgan - Bog - John Wiley and Sons Ltd - Plusbog.dk

Performing Power - Marcus Morgan - Bog - John Wiley and Sons Ltd - Plusbog.dk

When the bronze statue of Edward Colston was thrown into the Bristol harbour, what was it about this spectacle that made it more effective than countless petitions to have the slaver’s icon removed? What animated Trump’s supporters to answer his rhetorical question ‘who’s going to pay for the wall?’ during his 2016 presidential campaign? Why do leaders of social movements, or those seeking public office, bother to appear in front of audiences when they could just as well spell out their positions in writing?The central contention of this book is that the exercise of power, and struggles for power, are inextricably linked to social performance. Political success can often be explained by the presence of engaging drama, just as political failure can be accounted for by its absence. The book explores the role of social performance in the exercise of power and evaluates the main ways in which performances of power have been understood in the social sciences, developing its own unique model for understanding them. Morgan argues persuasively that the social sciences need to take seriously the aesthetic dimensions of power, showing that in power struggles, appearance matters, and appearance is in large part achieved through performance. Clearly written and illustrated with a wide range of contemporary examples, Performing Power will be of great value to students and scholars in political sociology, cultural sociology, and politics.

DKK 211.00
1

Narrative Power - Ken Plummer - Bog - John Wiley and Sons Ltd - Plusbog.dk

Narrative Power - Ken Plummer - Bog - John Wiley and Sons Ltd - Plusbog.dk

Prophecy and Power - Adonis - Bog - John Wiley and Sons Ltd - Plusbog.dk

The Power of Art - Markus Gabriel - Bog - John Wiley and Sons Ltd - Plusbog.dk

The Power of Art - Markus Gabriel - Bog - John Wiley and Sons Ltd - Plusbog.dk

We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.

DKK 406.00
1

The Power of Art - Markus Gabriel - Bog - John Wiley and Sons Ltd - Plusbog.dk

The Power of Art - Markus Gabriel - Bog - John Wiley and Sons Ltd - Plusbog.dk

We live in an era of aesthetics. Art has become both pervasive and powerful – it is displayed not only in museums and galleries but also on the walls of corporations and it is increasingly fused with design. But what makes art so powerful, and in what does its power consist? According to a widespread view, the power of art – its beauty – lies in the eye of the beholder. What counts as art appears to be a function of individual acts of evaluation supported by powerful institutions. On this account, the power of art stems from a force that is not itself aesthetic, such as the art market and the financial power of speculators. Art expresses, in a disguised form, the power of something else – like money – that lies behind it. In one word, art has lost its autonomy. In this short book, Markus Gabriel rejects this view. He argues that art is essentially uncontrollable. It is in the nature of the work of art to be autonomous to such a degree that the art world will never manage to overpower it. Ever since the cave paintings of Lascaux, art has taken hold of the human mind and implemented itself in our very being. Thanks to the emergence of art we became human beings, that is, beings who lead their lives in light of an image of the human being and its position in the world and in relation to other species. Due to its structural, ontological power, art itself is and remains radically autonomous. Yet, this power is highly ambiguous, as we cannot control its unfolding. In this book, a leading proponent of New Realism applies this philosophical perspective to art to create a new aesthetic realism.

DKK 140.00
1