17 resultater (0,25311 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

A Most Valuable Medium - Richard Bauman - Bog - Indiana University Press - Plusbog.dk

A Most Valuable Medium - Richard Bauman - Bog - Indiana University Press - Plusbog.dk

Between 1895 and 1920, the United States saw a sharp increase in commercial sound recording, the first mass medium of home entertainment. As companies sought to discover what kinds of records would appeal to consumers, they turned to performance forms already familiar to contemporary audiences—sales pitches, oratory, sermons, and stories. In A Most Valuable Medium, Richard Bauman explores the practical problems that producers and performers confronted when adapting familiar oral genres to this innovative medium of sound recording. He also examines how audiences responded to these modified and commoditized presentations. Featuring audio examples throughout and offering a novel look at the early history of sound recording, A Most Valuable Medium reveals how this new technology effected monumental change in the ways we receive information.

DKK 539.00
1

Early Cinema in Asia - - Bog - Indiana University Press - Plusbog.dk

Early Cinema in Asia - - Bog - Indiana University Press - Plusbog.dk

Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.

DKK 749.00
1

Artificial Women - Julie Wosk - Bog - Indiana University Press - Plusbog.dk

Artificial Women - Julie Wosk - Bog - Indiana University Press - Plusbog.dk

Enhanced by artificial intelligence, today's simulated females are becoming ever more lifelike as the virtual vies with the real. They have already had a dramatic impact on personal relationships, on our views of women, and our ideas about what it means to be human. From sex dolls to Siri, talking Barbies to robotic mothers, Artificial Women explores the ways in which today's simulated females, both real and fictional, reflect and expose our own ideas about sexuality, gender, and the impact of simulations on social relationships. Join Julie Wosk as she probes the realm of compliant robot sex workers, nurturing genial caregivers and companions, virtual assistants like Siri and Alexa, and rebellious creations in film, television, literature, art, photography, and current developments in robotics. These simulated women often reflect old stereotypes, but also highlight a new breed of female robots, cyborgs, and dolls that possess agency, self-awareness, and autonomy. Artificial Women pushes the boundaries of culture studies to consider how new digital technologies, artificial intelligences, and burgeoning simulations affect our own understandings of ourselves.

DKK 246.00
1

Meaning and Interpretation of Music in Cinema - David P. Neumeyer - Bog - Indiana University Press - Plusbog.dk

Meaning and Interpretation of Music in Cinema - David P. Neumeyer - Bog - Indiana University Press - Plusbog.dk

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.

DKK 674.00
1

Meaning and Interpretation of Music in Cinema - David P. Neumeyer - Bog - Indiana University Press - Plusbog.dk

Meaning and Interpretation of Music in Cinema - David P. Neumeyer - Bog - Indiana University Press - Plusbog.dk

By exploring the relationship between music and the moving image in film narrative, David Neumeyer shows that film music is not conceptually separate from sound or dialogue, but that all three are manipulated and continually interact in the larger acoustical world of the sound track. In a medium in which the image has traditionally trumped sound, Neumeyer turns our attention to the voice as the mechanism through which narrative (dialog, speech) and sound (sound effects, music) come together. Complemented by music examples, illustrations, and contributions by James Buhler, Meaning and Interpretation of Music in Cinema is the capstone of Neumeyer's 25-year project in the analysis and interpretation of music in film.

DKK 224.00
1

Israel in the Making - Hagar Salamon - Bog - Indiana University Press - Plusbog.dk

Israel in the Making - Hagar Salamon - Bog - Indiana University Press - Plusbog.dk

The brilliant kaleidoscope of everyday creativity in Israel is thrown into relief in this study, which teases out the abiding national tensions and contradictions at work in the expressive acts of ordinary people. Hagar Salamon examines creativity in Israel's public sphere through the lively discourse of bumper stickers, which have become a potent medium for identity and commentary on national and religious issues. Exploring the more private expressive sphere of women's embroidery, she profiles a group of Jerusalem women who meet regularly and create "folk embroidery." Salamon also considers the significance of folk expressions at the intersections of the public and private that rework change and embrace transformation. Far ranging and insightful, Israel in the Making captures the complex creative essence of a nation state and vividly demonstrates how its citizens go about defining themselves, others, and their country every day.

DKK 303.00
1

Israel in the Making - Hagar Salamon - Bog - Indiana University Press - Plusbog.dk

Israel in the Making - Hagar Salamon - Bog - Indiana University Press - Plusbog.dk

The brilliant kaleidoscope of everyday creativity in Israel is thrown into relief in this study, which teases out the abiding national tensions and contradictions at work in the expressive acts of ordinary people. Hagar Salamon examines creativity in Israel's public sphere through the lively discourse of bumper stickers, which have become a potent medium for identity and commentary on national and religious issues. Exploring the more private expressive sphere of women's embroidery, she profiles a group of Jerusalem women who meet regularly and create "folk embroidery." Salamon also considers the significance of folk expressions at the intersections of the public and private that rework change and embrace transformation. Far ranging and insightful, Israel in the Making captures the complex creative essence of a nation state and vividly demonstrates how its citizens go about defining themselves, others, and their country every day.

DKK 674.00
1

For the Love of Cinema - David T. Johnson - Bog - Indiana University Press - Plusbog.dk

For the Love of Cinema - David T. Johnson - Bog - Indiana University Press - Plusbog.dk

What role does love—of cinema, of cinema studies, of teaching and learning—play in teaching film? For the Love of Cinema brings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself; others reflect on how their own cinephilia informs the way they teach cinema; and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.

DKK 606.00
1

For the Love of Cinema - David T. Johnson - Bog - Indiana University Press - Plusbog.dk

For the Love of Cinema - David T. Johnson - Bog - Indiana University Press - Plusbog.dk

What role does love—of cinema, of cinema studies, of teaching and learning—play in teaching film? For the Love of Cinema brings together a wide range of film scholars to explore the relationship between cinephilia and pedagogy. All of them ask whether cine-love can inform the serious study of cinema. Chapter by chapter, writers approach this question from various perspectives: some draw on aspects of students' love of cinema as a starting point for rethinking familiar films or generating new kinds of analyses about the medium itself; others reflect on how their own cinephilia informs the way they teach cinema; and still others offer new ways of writing (both verbally and audiovisually) with a love of cinema in the age of new media. Together, they form a collection that is as much a guide for teaching cinephilia as it is an energetic dialogue about the ways that cinephilia and pedagogy enliven and rejuvenate one another.

DKK 248.00
1

Imaging Culture - Candace M. Keller - Bog - Indiana University Press - Plusbog.dk

Imaging Culture - Candace M. Keller - Bog - Indiana University Press - Plusbog.dk

Imaging Culture is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu. Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market. Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well. Imaging Culture is an important and visually interesting book which will become a standard source for those who study African photography and its global impact.

DKK 230.00
1

Gaming the System - David J. Gunkel - Bog - Indiana University Press - Plusbog.dk

Gaming the System - David J. Gunkel - Bog - Indiana University Press - Plusbog.dk

Gaming the System takes philosophical traditions out of the ivory tower and into the virtual worlds of video games. In this book, author David J. Gunkel explores how philosophical traditions—put forth by noted thinkers such as Plato, Descartes, Kant, Heidegger, and Žižek—can help us explore and conceptualize recent developments in video games, game studies, and virtual worlds. Furthermore, Gunkel interprets computer games as doing philosophy, arguing that the game world is a medium that provides opportunities to model and explore fundamental questions about the nature of reality, personal identity, social organization, and moral conduct. By using games to investigate and innovate in the area of philosophical thinking, Gunkel shows how areas such as game governance and manufacturers' terms of service agreements actually grapple with the social contract and produce new postmodern forms of social organization that challenge existing modernist notions of politics and the nation state. In this critically engaging study, Gunkel considers virtual worlds and video games as more than just "fun and games," presenting them as sites for new and original thinking about some of the deepest questions concerning the human experience.

DKK 640.00
1

Pink 2.0 - Noah A. Tsika - Bog - Indiana University Press - Plusbog.dk

Pink 2.0 - Noah A. Tsika - Bog - Indiana University Press - Plusbog.dk

In an era where digital media converges with new technologies that allow for cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity—a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet's early and intense associations with gay male consumers (and vice versa) have not only survived the medium's dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive.

DKK 217.00
1

Pink 2.0 - Noah A. Tsika - Bog - Indiana University Press - Plusbog.dk

Pink 2.0 - Noah A. Tsika - Bog - Indiana University Press - Plusbog.dk

In an era where digital media converges with new technologies that allow for cropping, remixing, extracting, and pirating, a second life for traditional media appears via the internet and emerging platforms. Pink 2.0 examines the mechanisms through which the internet and associated technologies both produce and limit the intelligibility of contemporary queer cinema. Challenging conventional conceptions of the internet as an exceptionally queer medium, Noah A. Tsika explores the constraints that publishers, advertisers, and content farms place on queer cinema as a category of production, distribution, and reception. He shows how the commercial internet is increasingly characterized by the algorithmic reduction of diverse queer films to the dimensions of a highly valued white, middle-class gay masculinity—a phenomenon that he terms "Pink 2.0." Excavating a rich set of online materials through the practice of media archaeology, he demonstrates how the internet's early and intense associations with gay male consumers (and vice versa) have not only survived the medium's dramatic global expansion but have also shaped a series of strategies for producing and consuming queer cinema. Identifying alternatives to such corporate and technological constraints, Tsika uncovers the vibrant lives of queer cinema in the complex, contentious, and libidinous pockets of the internet where resistant forms of queer fandom thrive.

DKK 606.00
1

African Energy Worlds in Film and Media - Carmela Garritano - Bog - Indiana University Press - Plusbog.dk

African Energy Worlds in Film and Media - Carmela Garritano - Bog - Indiana University Press - Plusbog.dk

Can you imagine a post-petroleum world? African Energy Worlds in Film and Media joins energy humanists committed to undoing our deep dependence on fossil fuels and advancing equitable energy transitions by advancing this vision with a spotlight on African perspectives. African cinema is a rich and varied medium for investigating the entanglements and social embeddedness of energy with global modernity and for imagining a world that leaves fossil fuels behind for unrealized green energy futures. African Energy Worlds in Film and Media shows us how African cinema makes sensible the energetic aspects of life in the ecological mesh that is planet Earth and grounds us in the everyday of the postcolonial, bringing attention to the enduring legacies of racism and colonialism that unevenly distribute energy-related violence and risk and amplifying Africans' demands for access to the energy networks that undergird modernity. With a focus on feature, documentary, and arthouse films, including canonical films by Ousmane Sembène and Djbril Diop Mambety and new work by emergent directors Nelson Makengo and Djo Tunda Wa Munga, author Carmela Garritano examines how these stories depict an array of energy sources from mineral extraction to wind and the by-products of these energy processes, like plastic and electronic waste. Situated at the intersection of film studies, African studies, and energy humanities, African Energy Worlds in Film and Media analyzes the political, social, and economic dimensions of global energy forms and systems as represented in African cinema.

DKK 246.00
1

African Energy Worlds in Film and Media - Carmela Garritano - Bog - Indiana University Press - Plusbog.dk

African Energy Worlds in Film and Media - Carmela Garritano - Bog - Indiana University Press - Plusbog.dk

Can you imagine a post-petroleum world? African Energy Worlds in Film and Media joins energy humanists committed to undoing our deep dependence on fossil fuels and advancing equitable energy transitions by advancing this vision with a spotlight on African perspectives. African cinema is a rich and varied medium for investigating the entanglements and social embeddedness of energy with global modernity and for imagining a world that leaves fossil fuels behind for unrealized green energy futures. African Energy Worlds in Film and Media shows us how African cinema makes sensible the energetic aspects of life in the ecological mesh that is planet Earth and grounds us in the everyday of the postcolonial, bringing attention to the enduring legacies of racism and colonialism that unevenly distribute energy-related violence and risk and amplifying Africans' demands for access to the energy networks that undergird modernity. With a focus on feature, documentary, and arthouse films, including canonical films by Ousmane Sembène and Djbril Diop Mambety and new work by emergent directors Nelson Makengo and Djo Tunda Wa Munga, author Carmela Garritano examines how these stories depict an array of energy sources from mineral extraction to wind and the by-products of these energy processes, like plastic and electronic waste. Situated at the intersection of film studies, African studies, and energy humanities, African Energy Worlds in Film and Media analyzes the political, social, and economic dimensions of global energy forms and systems as represented in African cinema.

DKK 593.00
1