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Ludwig Van Beethoven: Die Wut Uber Den Verlorenen Groschen Op.129

The famous Rondo a Capriccio is an example of the lighter side of the composer, who is usually labeled as a weighty and earnest master. Written in 1794/95, it was inexplicably left unpublished . This firework of dazzling ideas presents the cheeky theme in ever new variations and ends after two Intermezzi in g minor and E flat major with an exuberant finale.

Camille Saint-Saëns: Cavatine Op.144

Camille Saint-Saëns was always trying to expand the rather sparse repertoire for chamber music for wind instruments, something that is not least also shown by his three late wind sonatas for oboe, clarinet and bassoon respectively (HN 964, 965, 966). The Trombone also came into its own as a solo instrument with the Cavatine, composed in 1915. It displays here its lyrical, romantic side. To date the Cavatine, an effective recital piece, is a milestone in the solo literature for advanced Trombone players. This Henle Urtext edition is the first to take into account also the autograph in Paris.

Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Study Score)

Wolfgang Amadeus Mozart 's A Musical Joke is filled with intentional mistakes by the composer, who inserted odd notes into this amusing and mischievous piece in order to take an angry side-swipe at dilettante composer-colleagues of his time, whose lack of imagination and artless compositional technique are here mercilessly demonstrated - the piece was not intended to parody musicians who play wrong notes as its later title “Village Musicians” suggests. A musical and intellectual delight for today’s performers and audiences alike, this piece is now performable for the first time using a genuine Urtext quality edition based on the autograph in Berlin. A Musical Joke is scored for 2 Violins, Viola, Basso and 2 Horns in F.

Wolfgang Amadeus Mozart: A Musical Joke K. 522 (Parts)

Wolfgang Amadeus Mozart 's A Musical Joke is filled with intentional mistakes by the composer, who inserted odd notes into this amusing and mischievous piece in order to take an angry side-swipe at dilettante composer-colleagues of his time, whose lack of imagination and artless compositional technique are here mercilessly demonstrated - the piece was not intended to parody musicians who play wrong notes as its later title “Village Musicians” suggests. A musical and intellectual delight for today’s performers and audiences alike, this piece is now performable for the first time using a genuine Urtext quality edition based on the autograph in Berlin. A Musical Joke is scored for 2 Violins, Viola, Basso and 2 Horns in F.

Robert Schumann: Exercices - Studies On A Theme By Beethoven

An Urtext edition of Robert Schumann's Exercices - Studies On A Theme By Beethoven, as edited by Robert Munster.

Max Reger: Leaves and Blossoms

From early childhood, Max Reger grew into the tradition of artisanal, practical composition in which Johann Sebastian Bach became his role model. Traditional forms such as canon, fugue, passacaglia and variation gave stable form to his means of expression. But there is also another Reger. In the “Blätter und Blüten” (“Leaves and Blossoms”), whose moods range from the humorous to the melancholic, we find a sentimental, romantic side to Reger that rarely receives attention. The pieces bear titles such as “Spring Song”, “Hunting Piece”, “Moment musical” or “Elegie”. Something of Schumann’s melodic charm, Brahms’s profundity and Grieg’s folk style resonates here. With this Urtextedition, pianists can discover these pieces for themselves. The fingerings are by Helmut Brauss, an expert on Reger’s piano music.

W.A. Mozart: 9 Variations On A Minuet By Duport KV. 573

It is said that in a recital given on 23 March 1783 with the celebrated composer Christoph Willibald Gluck most likely in attendance, Mozart improvised variations on the song “Unser dummer Pöbel meint” from Gluck’s Singspiel Die Pilgrime von Mekka. He later put them to paper and had them printed three years later. It is quite possibly Christoph Willibald GlIn April and May 1789, Mozart, along with Prince Lichnowsky, undertook a journey via Dresden and Leipzig to Berlin, where he presumably played before the Prussian King Friedrich Wilhelm II. No doubt as a friendly homage to the royal chamber music director and cellist Jean-Pierre Duport, he anticipated his meeting by writing during the journey nine variations on a Minuet, also by Duport. Today they belong among Mozart’s most beloved variation cycles. uck’s celebrity that was responsible for K. 455 being one of Mozart’s musically most demanding variation cycles.

Wolfgang Amadeus Mozart: Piano Sonata B flat major KV 570

Those wishing to get to know Mozart’s gentle, slightly elegiac side should play the opening movement of this lesser-known piano sonata K. 570. The second movement, too, marries the calm strains of horns with a somber melody in C minor. Only in the spirited B-flat major finale (“Allegretto”, in alla breve meter) does the mood shift to restrained gaiety. Strangely enough, this sonata was initially published (posthumously in 1796) as a violin sonata, a version that is not at all hard on the ears. If we didn’t have Mozart’s autograph manuscript of the piano sonata (albeit only in fragments), along with his entry in his own catalogue of works (Vienna, February 1789: “A sonata forpiano solo.”), one might presume that this sonata in B-flat major existed as a genuine pair of twins (with and without violin accompaniment).

Franz Schubert: Songs with Lyrics by Mayrhofer and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:Am Grabe Anselmos op. 6,3 D 504Am Strome op. 8,4 D 539An dieNachtigall op. 98,1 D 497Antigone und Oedip op. 6,2 D 542Der Jüngling auf dem Hügel op. 8,1 D 702Der Wanderer op. 65,2 D 649Der zürnenden Diana op. 36,1 D 707Erlafsee op. 8,3 D 586Heliopolis I op. 65,3 D 753Iphigenia op.98,3 D 573Lied eines Schiffers an die Dioskuren op. 65,1 D 360Memmon op. 6,1 D 541Nachtstück op. 36,2 D 672Sehnsucht op. 8,2 D 516Wiegenlied op. 98,2 D 498

Johannes Brahms: Four Songs with Lyrics by Klaus Groth ("Regenlied-Zyklus"), early versions from "Lieder und Gesänge" op. 59 (First Edition)

This first edition of the “ Regenlied Cycle ” is only available from G. Henle Publishers. In the preface, Michael Struck, an eminent Brahms scholar, writes about the distinctiveness of the work, until now a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth, whom he greatly admired. In the well-known song cycle Opus 59, published by Brahms himself, the Groth songs are also to be found together with other songs. The reason why Johannes Brahms ’ Violin Sonata no. 1 in G major op. 78 is also known as the “Regenlied” Sonata becomes clear on acquiring, studying and playing this “ Regenlied Cycle ”.

Max Reger: Variations and Fugue On A Theme By J.S. Bach Op.81 (Henle Urtext Edition)

The variation cycle and the fugue are genres in which Max Reger developed a special mastery. Thus one can speak of Reger’s unique Bach Variations op. 81 as the culmination of his piano oeuvre, offering everything that is typical and characteristic of Reger’s style. No other piano work by this great Bach admirer can measure up to this monumental composition in terms of sheer size and inner weight. Written in Munich in 1904, the Variations are considered challenging to play and difficult to comprehend, but aspiring pianists should not let themselves be deterred by this legend. Behind the complex notation are a clear structure and a wealth of expression. Technical complexity andaesthetics here correlate in an almost classical manner.

Franz Schubert: Songs with Lyrics by Goethe, Schiller and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:An Emma op. 58 D 113Auf dem See op. 92 D 543Der Alpenjäger op. 37D 588Der Jüngling am Bache op. 87 D 638Der Musensohn op. 92 D 764Der Pilgrim op. 37 D 794Der Unglückliche op. 87 D 713Des Mädchens Klage op. 58 D 191Geistes-Gruß op. 92 D 142Gesänge aus "Wilhelm Meister" op. 62 D877Gruppe aus dem Tartarus op. 24 D 583Hektors Abschied op. 58 D 312Hoffnung op. 87 D 637Lied der Mignon [Heiß mich nicht reden] op. 62 D 877Lied der Mignon [Nur wer die Sehnsucht kennt] op. 62 D 877Lied der Mignon [Solaßtmich scheinen] op. 62 D 877Mignon und der Harfner [Nur wer die Sehnsucht kennt] op. 62 D 877Schlaflied op. 24 D 527Sehnsucht op. 39 D 636Suleika II op. 31 D 717

Wolfgang Amadeus Mozart: Concerto For Flute And Orchestra In D KV314 (Flute And Piano)

Edited by András Adorján. Piano reduction by Siegfried Petrenz. Cadenzas by Robert D. Levin.

Wolfgang Amadeus Mozart: Concerto for Flute and Orchestra G major K.313 (Flute/Piano)

Edited by András Adorján. Piano reduction by Siegfried Petrenz. Cadenzas by Robert D. Levin.

Franz Schubert: Songs with Lyrics by various Poets

Johann Nepomuk Hummel: Sonata for Piano and Viola in Eb Major Op.5 No.3

Edited by Ernst Herttrich, with fingering of the Piano part by Klaus Schilde, and supplementary Viola part marked by Tabea Zimmermann.

Alexander Skrjabin: Piano Sonata No.5 Op.53

Edited by Valentina Rubcova, with fingering by Michael Schneidt.

Alexander Skrjabin: Vers la flamme Poeme Opus 72

Edited by Valentina Rubcova, with fingering by Michael Schneidt.

Claude Debussy: Estampes (Urtext Edition)

An Urtext edition of Claude Debussy's Estampes as edited by Ernst-Gunter Heinemann and fingered by Hans-Martin Theopold and prefaced by Francois Lesure.

Franz Joseph Haydn: Complete Piano Sonatas Volume 3 (Henle Urtext Edition)

Edited by Georg Feder with fingering by Hans-Martin Theopold.

Carl Stamitz: Viola Concerto No.1 In D (Viola/Piano)

An Urtext edition of Carl Stamitz's Viola Concerto No.1 In D arranged here with Piano reduction by Johannes Umbreit, with cadenzas and lead-ins by Robert D. Levin, and edited by Norbert Gertsch and Annemarie Weibezahn. Fingering and bowing by Jurgen Weber.

W.A. Mozart: 12 Variations On 'Ah, Vous Dirai-je Maman' K.265

W.A. Mozart's 12 Variations On 'Ah, Vous Dirai-je Maman' K.265 as edited by Ewald Zimmermann and fingered by Walther Lampe, with preface by Ulrich Konrad.

Max Bruch: Streichquintett Es-Dur Erstausgabe - Urtext (Study Score)

Small format score of this work by Max Bruch, edited by Michael Kube with a forword by Christopher Fifield. Max Bruch's String Quintet In E flat major.

Claude Debussy: L'Isle Joyeuse (Urtext Edition)

An Urtext edition of Claude Debussy's L'Isle Joyeuse, for solo Piano, as edited by Ernst-Gunter Heinemann, with fingering by Hans-Martin Theopold, and prefaced by Francois Lesure.

Gabriel Faure: Berceuse for Violin and Piano Op.16

Edited by Dominik Rahmer, with supplementary Violin part marked by Frank Peter Zimmermann.