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Bettina Lockemann: Thinking the Photobook - - Bog - Hatje Cantz - Plusbog.dk

Bettina Lockemann: Thinking the Photobook - - Bog - Hatje Cantz - Plusbog.dk

The photobook visually and materially contextualizes arrangements of photographs and brings them into a sensually tangible form. The book format, the materiality of the paper, and the type of binding have just as much effect on the viewer as the selection of images, their positioning in the layout, typography, and texts. The artist and theorist Bettina Lockemann provides an approach to the medium from a research perspective: considering the photobook as an independent subject of art studies, phenomenological discussions complement methodological lines of thought. An important contribution to the photobook as an independent field of research, Lockemann elaborates precise terms for analyzing this medium of renditions. Through a practice-based examination of contemporary photobooks, this reader gets to the root of the field of photo books.

DKK 222.00
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Ann Mandelbaum - - Bog - Hatje Cantz - Plusbog.dk

Ann Mandelbaum - - Bog - Hatje Cantz - Plusbog.dk

This is the fourth monograph of the American artist Ann Mandelbaum. It offers both analogue black and white work from 1990–2000 and also digital colour images from 2007–present. None of the 100 examples have been exhibited or published before. The richness of the volume lies in the 35 year process delineated. It reveals a continual obsession with the organic world—woven within abstraction and sensation—and processed originally through the depths of the darkroom and subsequently on the digital screen. The varied imagery spans the history of the medium, including the photogram and multiple printing. Throughout, surreal techniques employ sculpture, collage, and the language of drawing. Regardless of medium, Mandelbaum consistently reinvents and rediscovers a language of surprise.

DKK 527.00
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Ingo Gerken - - Bog - Hatje Cantz - Plusbog.dk

Ingo Gerken - - Bog - Hatje Cantz - Plusbog.dk

Ingo Gerken’s monographic catalog literally opens a new chapter in his series of works Bibliosculptures. Images of open exhibition publications or art magazines become the object of investigation here. Seemingly randomly opened book pages create a play of forces or connections between text and image compositions. By depicting these views of books in the book, the medium itself is both the object and subject of analysis – typical of Gerken’s artistic practice.

DKK 387.00
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Julie Mehretu - - Bog - Hatje Cantz - Plusbog.dk

Julie Mehretu - - Bog - Hatje Cantz - Plusbog.dk

Monograph on artist Julie MehretuAmerican artist Julie Mehretu is renowned for her powerful and often monumental works. Drawing on histories of art and architecture, they also speak to urgent contemporary issues such as revolution, migration, global capitalism and climate change. Published to coincide with the Museum of Contemporary Art Australia's major career survey, and focusing on new and recent works Julie Mehretu: A Transcore of the Radical Imaginatory will include monumental and medium-format paintings, as well as works on paper dating from the mid-1990s to the present. The catalogue will provide new and important scholarship on an artist regarded as one of the most significant painters of her generation.

DKK 410.00
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Rosa Barba: On the Anarchic Organization of Cinematic Spaces - Rosa Barba - Bog - Hatje Cantz - Plusbog.dk

Rosa Barba: On the Anarchic Organization of Cinematic Spaces - Rosa Barba - Bog - Hatje Cantz - Plusbog.dk

The work of the Berlin-based artist and filmmaker Rosa Barba is distinguished by her conceptual exploration of film. In this publication she devises a progressive vision for the cinema of the future. Barba translates questions of composition and plasticity into precisely staged arrangements that open up new ways of looking at both the material and the conceptual conditions of the medium of film. Starting with Barba’s artistic research, this volume deals with the concept of an anarchical organization of filmic spaces—a work principle that could shape a new way of thinking by destabilizing traditional cinematic structures. Through this, the author undertakes a journey to an imaginary political trope for today’s cinema.

DKK 211.00
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Strange Clay - - Bog - Hatje Cantz - Plusbog.dk

Strange Clay - - Bog - Hatje Cantz - Plusbog.dk

Few materials have experienced a similar revaluation in contemporary art as clay has in the past few years. This timely publication accompanies a large-scale exhibition at the Hayward Gallery, London, exploring how contemporary artists are using clay and ceramics in inventive and surprising ways, and pushing the boundaries of the medium. Featuring the work of over 20 international artists—from Grayson Perry to Woody De Othello—an introductory essay by curator Cliff Lauson, a text on the history of fine art and ceramics by writer and critic Amy Sherlock, and a round table discussion with artists from the exhibition, this catalogue is a meaningful contribution to the ongoing conversation about the relationship between art and craft.

DKK 371.00
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Annette Kierulf, Caroline Kierulf - - Bog - Hatje Cantz - Plusbog.dk

Annette Kierulf, Caroline Kierulf - - Bog - Hatje Cantz - Plusbog.dk

Since the mid-1990s, Annette and Caroline Kierulf have practiced what they themselves call “woodcut as cultural critique”. Drawing on the medium's rich history as a means of communication and protest, the Norwegian artists strive to revive woodcut as a discursive tool. With subtle humor, the sisters use the visual reductiveness of the low-tech medium to critically reflect on the social, economic, and cultural changes shaping our high-tech societies. Incorporating references to pop culture and folk art, Caroline Kierulf's work explores the often overlooked aspects of everyday life, Annette Kierulf focuses on a feminist reinterpretation of the landscape genre. The publication provides insights into the artists' production and working methods, as well as their longstanding collaboration.

DKK 429.00
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Fringe of the Fringe - - Bog - Hatje Cantz - Plusbog.dk

Fringe of the Fringe - - Bog - Hatje Cantz - Plusbog.dk

Since its beginnings in the nineteen-seventies, the medium of video has been closely linked to the subcultural and countercultural movements of its time, both in art and in everyday culture in Germany. Art and music videos in particular demonstrate great subversive potential: artists and musicians oppose traditional values, transgress and repeatedly explore social norms and gender stereotypes. In this volume, queer academic as well as artistic research approaches and archival practices are reviewed in the context of a history of punk and its offshoots. Among our many contributors are Tiffany Florvil (University of New Mexico), Marina Grzinic (Academy of Fine Arts Vienna), Jack Halberstam (Columbia University in the City of New York), Angela McRobbie (University of London), Peter Rehberg (Schwules Museum Berlin), and artist Wolfgang Muller.

DKK 390.00
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Jorinde Voigt (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Jorinde Voigt (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Jorinde Voigt’s new body of work On Reality, created in 2021 and 2022, continues the artist’s investigation of using sculptural elements to expand on the medium of drawing. Using coloured paper, Voigt combines her visual vocabulary of drawing, writing and numbering with new techniques: By layering cut out shapes, and dispensing with any trace of drawing by replacing it with the cut of the scalpel, she creates compositions on the threshold between collage and assemblage. By introducing a third dimension to her conceptual works on paper Voigt finds a new way to further develop her notational systems of grids, line networks, and patterns that translate parameters such as distance, speed, or frequency into visual compositions. Featured are also sketch-like works that spontaneously transfer situational experiences into graphic gestures.

DKK 328.00
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Elizaveta Porodina - - Bog - Hatje Cantz - Plusbog.dk

Elizaveta Porodina - - Bog - Hatje Cantz - Plusbog.dk

Porodina’s early years were impacted by the brutalist buildings in Moscow and her mother who introduced art to Porodina’s mind. Stored in her subconscious, art is what became the extension and expression of "her self", implying that every single one of her photographs is a self-portrait. Art became—and still is—an inevitable, and inseparable, part of her. Porodina’s academic upbringing in post-Soviet Russia and her interest in emotional behavior led her to study clinical psychology.This background and her striving towards greater understanding of herself, her environment and others, informed her move to photography. It became a frame by which she is not limited—photography is just another medium to her that allows to stimulate the mind by showing, rather than by speaking, since the subconscious is not verbal either.

DKK 469.00
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Mark Forbes: Collected memories - - Bog - Hatje Cantz - Plusbog.dk

Mark Forbes: Collected memories - - Bog - Hatje Cantz - Plusbog.dk

As Time Passes and Details Fade, Photographs Turn into Memories “As time passes and details fade, the photographs that we choose to hold onto become our memories. As a result when an image is made, explicitly or subconsciously, decisions are being made about how things will be remembered.” These images are Australian photographer’s Mark Forbes Collected Memories. His debut monograph presents a cohesive blend of carefully composed scenes, from faded interiors and common, relatable spaces, to the romance of our environment being reclaimed by nature. Turning the pages there is a stirring sense of both subtle ordinary beauty and inherent personality sprinkled across each of the large plates. Forbes’ photographic preference, using medium format film, is slow and methodical–and this approach can be felt throughout the quiet pages.

DKK 488.00
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German Film - - Bog - Hatje Cantz - Plusbog.dk

German Film - - Bog - Hatje Cantz - Plusbog.dk

Comprehensive German film history This lavishly illustrated volume tells the story of German film through the collection of the Deutsche Kinemathek. From its beginnings in 1895 to the present day, it illustrates the artistic and technical, political, and social developments that have shaped and continue to shape, the history of film in Germany. Organized by decade and divided into twelve chapters, more than 420 essays explore films both famous and obscure. It celebrates this important cultural medium and its spectators as well as all the personalities who have shaped the diversity of German film through their creativity. More than 2,700 objects from all areas of the collection and spanning a period of around 130 years, many of them published for the first time, provide a comprehensive insight into the Kinemathek’s archive holdings and an in-depth understanding of film history.

DKK 689.00
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Female View - - Bog - Hatje Cantz - Plusbog.dk

Female View - - Bog - Hatje Cantz - Plusbog.dk

Female View puts the focus on women fashion photography. Although this medium has been shaped by female photographers for decades, a large number of publications or exhibitions have focused primarily on the male gaze of the female body. Numerous female fashion photographers worked for influential magazines such as Harper’s Bazaar or Vogue, thus shaping the style of their time. Using exemplary positions, this book traces the transformation of the photographic image from the 1930s to the present day: from the fashion magazine to the showroom and the coffee table book to videos and digital self-staging in social media today. On display will be works by: Lillian Bassman, Sibylle Bergemann, Petra F. Collins, Corinne Day, Cass Bird, Madame d'Ora, Charlotte March, Ute Mahler, Sarah Moon, Amber Pinkerton, Regina Relang, Alice Springs (June Newton), Bettina Rheims, Ellen von Unwerth, and Yva.

DKK 331.00
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Marius Glauer - - Bog - Hatje Cantz - Plusbog.dk

Marius Glauer - - Bog - Hatje Cantz - Plusbog.dk

Marius Glauer focuses his attention on the borderline between photography and sculpture. With his sculptural-based photography, he traverses the entire material and discursive range of what can be considered photography today. Glauer's camera takes an intimate and revealing look at his protagonists: glittering surfaces, objets trouvés and flowers become hyperreal actors or monumental facades. As expansive, three-dimensional assemblages, his works simultaneously question the translatability of the world into the two-dimensional medium of photography. This monograph is the first to provide detailed insights into the artist's experimental oeuvre and presents the groups of works he produced over the course of the last decade. Concise texts accompany and position his oeuvre in the social and art-historical discourse. Texts by Clara Brender, Simon Elson, Christian Ganzenberg, Lydia Korndörfer, Josephine Pryde, Gernot Seeliger, Stephen A. Worsley, Diandra Donecker, Marius Glauer

DKK 465.00
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Andreas Gefeller: Works 2023 - 1996 - - Bog - Hatje Cantz - Plusbog.dk

Andreas Gefeller: Works 2023 - 1996 - - Bog - Hatje Cantz - Plusbog.dk

Optical illusions that reveal a hidden reality “Like a visitor from outer space, I try to take a look at the human habitat from the outside - curious, but also with horror.” Exploring the possibilities of the photographic medium to the limits, Andreas Gefeller explores the liminal space where reality takes on the quality of a phantasmic phenomenon. From early documentary series to unusual perspectives and digital multi-image collages, this publication brings together previously unpublished photographs, key images from Gefeller’s well-known series as well as his recent work. The retrospective reveals how the artist uses techniques ranging from extreme long- and overexposures to high-speed flashes to challenge our visual perception. Examining the human influence on nature, he creates images of an almost sublime abstract-painterly quality and then breaks the enchantment to reveal the hidden reality of the seemingly familiar.

DKK 465.00
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Jeff Wall - - Bog - Hatje Cantz - Plusbog.dk

Jeff Wall - - Bog - Hatje Cantz - Plusbog.dk

Elaborate Photographic Compositions Since the late 1970s, the Canadian artist Jeff Wall has contributed significantly to establishing photography as an autonomous medium, and is regarded as one of the key vanguards of “staged photography”. Referring to his approach as “near documentary”, his images resemble documentary photographs in style and manner, but instead are meticulously composed, multilayered compositions. Synthesizing photography with elements from other art forms such as painting, cinema, and literature—in a complex mode that he calls “cinematography”—his deeply intellectual work stages fictional realities, memories and past experiences in an elaborate process. Featuring more than fifty works, this catalogue accompanying the large-scale exhibition at the Fondation Beyeler juxtaposes Wall’s iconic backlit color transparencies with his more recent black and white photographs and color C-prints, revealing a variety of references in content and form.

DKK 565.00
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Tina Gillen: Faraway So Close (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Tina Gillen: Faraway So Close (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Concerned primarily with the medium of painting, the work of Tina Gillen examines how we relate to the world around us, namely through the themes of landscape and dwelling. Her paintings often originate in photographic images that she modifies, simplifies, pictorially "translates," and pairs with other elements to arrive at compositions that purposefully nurture a certain ambiguity, somewhere between abstraction and figuration, construction and improvisation, the surface of the canvas and the translation of a space. This book is being published in conjunction with her exhibition Faraway So Close, presented at the Luxembourg Pavilion as part of the 59th International Art Exhibition – La Biennale di Venezia. Richly illustrated, the catalogue also includes three essays addressing various aspects of Tina Gillen’s work—the relationship between painting and space, the ties between painting and photography, and the meaning of landscape today—as well as an extensive interview with the artist.

DKK 395.00
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The Picasso Connection - Kunsthalle Bremen - Bog - Hatje Cantz - Plusbog.dk

The Picasso Connection - Kunsthalle Bremen - Bog - Hatje Cantz - Plusbog.dk

Without a doubt, Picasso is one of the most important and versatile artistic personalities of the twentieth century. But how does a body of work become so successful, and how does it wind up in major collections, museums, and exhibitions? Not infrequently, it is the courage of individuals who recognize genius in the works and advocate for them in the face of conservatism and criticism. In Picasso’s case, this role in Germany fell to the Bremen art dealer Michael Hertz. His commitment in the post-war period is not only due to Picasso's exhibition at the documenta 3 in 1964, but also to the Kunsthalle Bremen, which has one of the most extensive collections of the artist’s prints. This volume brings together the outstanding printworks, including lithographs, linocuts, and artist’s books. Picasso’s oeuvre of prints can be regarded as a fascinating collection, in which can be read the triumph of the affordable medium in post-war Germany, as well as the dealer's strong commitment.

DKK 425.00
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Hiroshi Sugimoto: Time Machine - - Bog - Hatje Cantz - Plusbog.dk

Hiroshi Sugimoto: Time Machine - - Bog - Hatje Cantz - Plusbog.dk

Magical images that defy time from the grand master of conceptual photography. Through his expansive exploration of the possibilities of still images, the internationally renowned artist and photographer Hiroshi Sugimoto has created some of the most alluringly enigmatic photographs of our time; pictures that are meticulously crafted and deeply thought-provoking, familiar yet tantalisingly ambiguous. Hiroshi Sugimoto: Time Machine is a comprehensive survey of work produced over the past five decades, featuring selections from all of Sugimoto’s major photographic series, as well as lesser-known works that illuminate his innovative, conceptually-driven approach to making pictures. Texts by a collection of international writers, artists and scholars - including Geoffrey Batchen, Edmund de Waal, Mami Kataoka, Ralph Rugoff, Lara Strongman and Margaret Wertheim - will highlight his work’s philosophical yet playful inquiry into the nature of representation and art, our understanding of time and memory, and the paradoxical character of photography as a medium suited to both documenting and invention.

DKK 469.00
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Soft Power (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Soft Power (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Textile art and political powerSoft Power celebrates the ability of textiles to store and communicate a multiplicity of (hi)stories that act as a disruptive force against dominant social and cultural narratives. The political entanglements inherent to the medium demonstrate the power of textile art to move people, things, stories, and ideas in and out of visibility. Soft Power does not focus solely on textiles as hand-crafted or industrially-fabricated objects, but understands them as being a part of systems. This includes the webs of production and trade that continue to connect textiles and people across the globe as well as the histories, cartographies, cosmologies and rituals that unfold around fabrics. With works by Magdalena Abakanowicz, Caroline Achaintre, El Anatsui, Leonor Antunes, Rufina Bazlova, Edith Dekyndt, Gee’s Bend Quiltmakers, William Kentridge, Joanna Louca, Rosemary Mayer, Malgorzata Mirga-Tas, Sandra Mujinga, Otobong Nkanga, Willem de Rooij, Gabriele Stötzer, Sung Tieu, Rosemarie Trockel, Johanna Unzueta, Hamid Zénati a. o.

DKK 368.00
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Daniel Richter - - Bog - Hatje Cantz - Plusbog.dk

Daniel Richter - - Bog - Hatje Cantz - Plusbog.dk

"As a politically thinking person, I am not a morally thinking person.” While German painting of the postwar period essentially concerned itself with coming to terms with the past and presenting it in gestures ranging from the heroic to the ironic, Daniel Richter focuses on positioning himself in the present. Time and again he devises new ways of being “modern” in a medium that has long been labeled old-fashioned and anachronistic. His pictures constantly challenge the spectator by their painterly and contextually excessive demands, but they do not lecture on moral issues. In five chapters featuring more than 200 examples of his works, the author Eva Meyer-Hermann traces the chronological development of Richter’s artistic output for the first time. The turns from abstraction to figuration and back again that until now have been described as abrupt, prove on closer examination to be a logical consequence and a sign of conscious artistic action.

DKK 725.00
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Gabriele Rothemann: Works (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Gabriele Rothemann: Works (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

“A single decision is enough to fundamentally, genuinely fundamentally, rethink and change everything.” Gabriele Rothemann’s photographs do not simply depict an object or a situation, but rather carve out the unseen: a relationship to things long gone, a connection to times past and spaces lost. In each image resonates the reverberation of other images, in each, a wealth of possibilities of how the world can be perceived and represented is condensed. Since 1984, the Vienna-based artist has used the medium of photography in a way that does not freeze the object, but fills it with imaginary life. Rothmann’s work revolves around existential questions—especially the most fundamental of them all: the finitude of life. Often abstract and precise, yet at the same time full of rich detail, her motifs from her series Dead Animals to her Miniatures about Disappearance take on a haunting presence. Thus she appeals to the empathy of her viewers and touches them not least through the sensual quality of her images, their clear-cut visual language and expressive beauty.

DKK 565.00
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Black Masculinities - - Bog - Hatje Cantz - Plusbog.dk

Black Masculinities - - Bog - Hatje Cantz - Plusbog.dk

Showing The Great Diversity of Black Masculinities Black Masculinities explores the broad spectrum and diversity of Black masculinities through the medium of contemporary photography. Seen through the lenses of 22 Black (or) People of Color (BPoC) from around the world, the stereotypic entanglement of Black identity and masculinity is deconstructed and charged with a new set of values. Embedded in a long history of slavery, racism and oppression, the topos of Black masculinity continues to be subtly represented as aggressive, hypersexual and violent to this day. This richly illustrated book breaks down and visualizes the common mechanisms of representation in visual culture through carefully edited images and a textual contextualization. It acts as an introductory index and platform for BPoC photographers, who have been underrepresented at all levels of art production since the beginnings of photography, and makes their work visible. For all of us. FEATURED PHOTOGRAPHERS: Kemka Ajoku, Kwaku Alston, Namafu Amutse, Eric Asamoah, Nuits Balnéaires, Arielle Bobb-Willis, Braylen Dion, Kofi Duah, Yannis Davy Guibinga, Jabari Jacobs, Kelvin Konadu, Jude Lartey, Naomi Mukadi, Maganga Mwagogo, Lakin Ogunbanwo, Ruby Okoro, Rogers Ouma, Micha Serraf, Ngadi Smart, Isaac West, Jozef Wright, Ussi’n Yala

DKK 387.00
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Etel Adnan (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

Etel Adnan (Bilingual edition) - - Bog - Hatje Cantz - Plusbog.dk

A bridger of worlds A poet, painter and philosopher, Etel Adnan’s life and work was shaped by a profound and vibrant exchange between Arab and Western cultures. In 2024, the King Abdulaziz Center for World Culture in Dhahran is organizing the first major exhibition in Saudi Arabia dedicated to one of the most important voices in modern American-Arab literature and visual art. Living a life between Lebanon, France and California, and influenced by her travels to Mexico and North Africa, Adnan’s work is characterized by her openness to different media and languages, both literary and visual. Refusing to continue writing in French to show solidarity with Algeria during the Algerian War of Independence, she began to paint using bright colors as a universal language. Alongside this, leporellos became her signature medium: the pocket-sized books unfold into several meters long, lavishly illustrated tapestries of poetry and painting. Opening up new perspectives, this catalogue brings together a large number of works from all periods that emphasize the richness and diversity of Adnan’s oeuvre, and explores various themes essential to a deeper understanding of her work. A comprehensive chronology will also enrich the book, making it not least a reference tool in Arabic.

DKK 469.00
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