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Solos For The Bassoon Player

Solos For The Bassoon Player

Twelve Solos for the Bassoon player, mainly adapted from Orchestral excerpts in order to give the performer practice at playing these solos in context with proper harmonic backing (Piano accompaniment). Selected and edited by Sol Schoenbach, these pieces range from J.S. Bach's Cello Suite to Leonard Bernstein's West Side Story. The bulk of this music falls under the 'intermediate' (Grade 4-6) category, however the Tchaikovsky and Berstain pieces are somewhat harder.

DKK 281.00
1

Giacomo Puccini: Tosca (Libretto)

Giacomo Puccini: Tosca (Libretto)

In 'Tosca', Puccini explored the dark side of human emotion, a marked change from the late-Romantic sentimentality of 'La Boheme'. Also in contrast to 'La Bohème' where the villain was fate and so the stage action was minimal, both heros and villains are humans who struggle on stage, and the clashes are always between single individuals. It is a story of cheating and doubt - nothing seems honest and direct, even love is troubled by jealousy.This is the Schirmer Ediiton of the Libretto, in the original Italian with an English translation by John Gutman.

DKK 118.00
1

Giacomo Puccini: Tosca (Vocal Score)

Giacomo Puccini: Tosca (Vocal Score)

In 'Tosca', Puccini explored the dark side of human emotion, a marked change from the late-Romantic sentimentality of 'La Boheme'. Also in contrast to 'La Bohème' where the villain was fate and so the stage action was minimal, both heros and villains are humans who struggle on stage, and the clashes are always between single individuals. It is a story of cheating and doubt - nothing seems honest and direct, even love is troubled by jealousy. Luigi Illica and Giuseppe Giacosa based the libretto on Victorien Sardou's play La Tosca (1887). This is the Schirmer edition of the Vocal Score and contains an English version by John Gutman.

DKK 348.00
1

Richard Wagner: Parsifal (Vocal Score)

Richard Wagner: Parsifal (Vocal Score)

'Parsifal' is the story of a young man whose virtue and compassion become the salvation of the Knights of the Holy Grail. He wards off temptation and danger to regain the spear with which Christ's side was pierced on the cross; in the process he heals the king, Amfortas, of a cursed wound, and relieves the fallen woman, Kundry, from her eternal wandering. It is a music drama in three acts. This version of the Vocal Score is in the original German with an English version by Stewart Robb.

DKK 348.00
1

Burns Patrick A Sempre Avanti Full Score

Burns Patrick A Sempre Avanti Full Score

Sempre Avanti , whose title translates as "Ever Forward", was written for the Bloomfield Youth Band and premiered by that ensemble on June 17, 2005. " Sempre Avanti " was the motto of Tony Marcopoto, a longtime supporter and fan of the Youth Band and a retired New Jersey Music Educator who taught at Newark's Arts High School for nearly 40 years. Well into his eighties, he practiced his Clarinet for an hour each day. Two years before he passed away, he suffered a stroke which paralyzed the entire right side of his face. Despite this unfortunate setback, Tony never gave up and, to everyone's amazement, found a way to not only play the Clarinet, but to once again resume his normal routine of an hour of practice each day. Tony's "ever forward" spirit was remarkable and serves as a terrific example for everyone.

DKK 126.00
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Karel Husa: Concerto For Wind Ensemble Score & Parts (Rev. 2008)

Karel Husa: Concerto For Wind Ensemble Score & Parts (Rev. 2008)

Commissioned by the Michigan State University Alumni Band, this three movement work by Karel Husa was the winner of the first Louis Sudler International Wind Band Composition Competition in 1983. A note from the composer: "Divided into three movements, this work is a display of virtuoso passages given to solo instruments as well as to the groups of the ensemble. In the Fanfare of the first movement, the Brass section concertises in groups of four Brass quintets (2 Trumpets, Horn, Trombone and Tuba or Baritone), spread from left to right in back. The Saxophones (SATB) are placed in front of the Brass quintets, and the Woodwinds occupy the front of the stage, with Percussion on the left and right side. These groups, like the Brass quintets, play in the concertante style, particularly in the first and last movements. "At the same time, each movement contains individual solo passages (for example, Timpani and Flute in Movement I - Drum Ceremony and English Horn and other low Woodwinds in Movement II - Elegy). The composition of this piece was prompted by the excellence of Wind and Percussion players today, and by the incredible growth of Wind ensembles, orchestras, and bands in the last 25 years. It is intended for their enjoyment."

DKK 1501.00
1

Selected Piano Solos By Romantic Composers Volume One

Selected Piano Solos By Romantic Composers Volume One

The first of three fabulous volumes of repertoire that form Selected Piano Solos By Romantic Composers , as edited by Harold Bauer. From Schumann to Tchaikovsky, this collection spans the great romantic composers, with superb examples of their solo Piano repertoire. These 40 pieces are ideal for the intermediate - late intermediate pianist. Harold Bauer (1873 - 1951) was a noted pianist and teacher who was born in Britain and settled in the United States. In between he studied in Paris and performed all across Europe and Russia.

DKK 150.00
1