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Felix Mendelssohn: Lieder Ohne Worte (Urtext Study Score)

Felix Mendelssohn: Lieder Ohne Worte (Urtext Study Score)

When Mendelssohn learned from his publisher Nikolaus Simrock that he was to receive an additional honorarium for a part of his “Lieder ohne Worte”, he effusively thanked him for this gift. However, the gift that Mendelssohn, in his turn, made to posterity with these Songs Without Words could probably not have been foreseen even by him at the time. These “Original Melodies”, “Romanzen” or “Clavierstücke”, which only later gained the title “Lieder ohne Worte”, enjoyed great success during the composer’s lifetime, and should be included amongst the most rewarding pieces of 19th-century piano literature. Our volume contains the complete “Lieder ohne Worte” published during hislifetime and posthumously.

DKK 230.00
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Carmen Fantasy Op. 25

Carmen Fantasy Op. 25

The 19th century was a heyday for arrangements of all kinds. So it was natural that the composer and violin virtuoso Sarasate should turn to this genre to expand his repertoire. He composed numerous fantasies on successful operasof the time, but pride of place undoubtedly belongs to his Carmen Fantasy. For this arrangement, composed in 1881, Sarasate deliberately chose those numbers that most clearly convey the Spanish atmosphere of the opera. Besides aversion for violin and piano, Sarasate also wrote one with orchestral accompaniment. Both have since then delighted audiences and critics alike. This Henle Urtext edition is the first-ever critical edition of the work, and takesthe sources for both versions into account. The solo part has been annotated by Augustin Hadelich.

DKK 213.00
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Variations In F Minor

Variations In F Minor

Haydn’s last piano work is also considered to be his most famous single work for this instrument. The minor theme is filled with emotional depth: “a melancholy andante in f minor, with variations, as only a genius can do them, that almost sounds like a free fantasia” (thus described in a review of the time). The form is also demanding: not merely one theme but two one in a major key, the other in a minor one are varied in turn. The autograph gives one to believe that the work was originally intended to be the first movement of a sonata. This single edition has been taken from the recently revised volume of “Piano pieces” (HN 224) and furnished with a detailed commentary.Henle also recently published a facsimile of Haydn’s autograph of the Variations in f minor: HN 3218.?

DKK 103.00
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Zwölf Gedichte Opus 35 : Liederreihe nach Kerner

Zwölf Gedichte Opus 35 : Liederreihe nach Kerner

As with the Dichterliebe (HN 549), Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550), the Kerner Cycle op. 35 was written in 1840, Schumann’s “Liederjahr”. Yet it has a special place: it was composed in the time immediately following Schumann’s marriage to Clara Wieck. Schumann set a series of poems to music in November, during a “quiet week, which went by with composing and much loving and kissing”, and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue, many of the songs were published individually and the “Wanderlied” soon became a core piece in the repertoire. With Henle’s edition the songs in Schumann’s cycle are once again being published together in a single volume.

DKK 213.00
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Klaviersonate Nr. 6 F-dur Opus 10 Nr. 2 : Piano Sonata no. 6 in F major op. 10 no. 2

Klaviersonate Nr. 6 F-dur Opus 10 Nr. 2 : Piano Sonata no. 6 in F major op. 10 no. 2

After composing the three Piano Sonatas op. 2 between 1794/95, Beethoven presumably planned a further trilogy without delay. Because of its enormous scope, the Grande Sonata op. 7 was removed from this new project and published separately. But by the beginning of 1798, the next group of three, the Sonatas in C minor, F major, and D major, had already been completed and it was published in Vienna that year as opus 10. Like the Sonata in C minor, op. 10 no. 1, the Sonata in F major has only three movements, diverging from the four-movement model established in opuses 2 and 7 - the result of intensive experimentation with different variants of the minuet, all of which would ultimately be discarded. Beethoven’s autograph manuscripts for opus 10 no longer survive, leaving the team Perahia/Gertsch to turn primarily to the first edition. As always, our edition has an extensive commentary and proven fingerings by Murray Perahia.

DKK 103.00
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