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War Pictures - Kent Puckett - Bog - Fordham University Press - Plusbog.dk

War Pictures - Kent Puckett - Bog - Fordham University Press - Plusbog.dk

In this original and engaging work, author Kent Puckett looks at how British filmmakers imagined, saw, and sought to represent its war during wartime through film. The Second World War posed unique representational challenges to Britain’s filmmakers. Because of its logistical enormity, the unprecedented scope of its destruction, its conceptual status as total, and the way it affected everyday life through aerial bombing, blackouts, rationing, and the demands of total mobilization, World War II created new, critical opportunities for cinematic representation.Beginning with a close and critical analysis of Britain’s cultural scene, War Pictures examines where the historiography of war, the philosophy of violence, and aesthetics come together. Focusing on three films made in Britain during the second half of the Second World War—Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), Lawrence Olivier’s Henry V (1944), and David Lean’s Brief Encounter (1945)—Puckett treats these movies as objects of considerable historical interest but also as works that exploit the full resources of cinematic technique to engage with the idea, experience, and political complexity of war. By examining how cinema functioned as propaganda, criticism, and a form of self-analysis, War Pictures reveals how British filmmakers, writers, critics, and politicians understood the nature and consequence of total war as it related to ideas about freedom and security, national character, and the daunting persistence of human violence. While Powell and Pressburger, Olivier, and Lean developed deeply self-conscious wartime films, their specific and strategic use of cinematic eccentricity was an aesthetic response to broader contradictions that characterized the homefront in Britain between 1939 and 1945. This stylistic eccentricity shaped British thinking about war, violence, and commitment as well as both an answer to and an expression of a more general violence.Although War Pictures focuses on a particularly intense moment in time, Puckett uses that particularity to make a larger argument about the pressure that war puts on aesthetic representation, past and present. Through cinema, Britain grappled with the paradoxical notion that, in order to preserve its character, it had not only to fight and to win but also to abandon exactly those old decencies, those “sporting-club rules,” that it sought also to protect.

DKK 283.00
1

The Popes on Air - Raffaella Perin - Bog - Fordham University Press - Plusbog.dk

The Popes on Air - Raffaella Perin - Bog - Fordham University Press - Plusbog.dk

The United States and the Second World War - - Bog - Fordham University Press - Plusbog.dk

Sword and Olive Branch - John Carpenter - Bog - Fordham University Press - Plusbog.dk

Sword and Olive Branch - John Carpenter - Bog - Fordham University Press - Plusbog.dk

Oliver Otis Howard devoted his life to the service of his country, both as a distinguished army officer in two wars and as the founder of two universities. Oliver Otis Howard was a graduate of Bowdoin College and of West Point. Being reared in a pious New England (Maine) atmosphere gave him a deep sense of obligation to lead a Christian life, for the good of others and for the development of his own best self. He was often disturbed by the conflict presented him in his dual career in peace and war.General Howard’s strong sense of duty to his country brought about his distinguished career of command during the Civil War—at the Battle of Chancellorsville, itself a disappointing rout, and at Gettysburg, where he recovered any reputation the earlier defeat might have lost him. Under General Sherman, in the Atlanta campaign, and as a leader of the Army of the Tennessee he won special distinction. In total, Howard fought at the First Bull Run, Fair Oaks (where severe wounds forced the amputation of his right arm), Second Bull Run, Fredericksburg, Chancellorsville, and Gettysburg.The same strong sense of duty made him accept the commission of the Freedmen’s Bureau and the promotion of African–American education. Following his service in the Nez Perce Campaign of 1877 he was superintendent of West Point and the founder of Lincoln Memorial University. His greatest service to education, however, was as founder and president of Howard University, where his name and career are held in honor.

DKK 295.00
1

Sword and Olive Branch - John Carpenter - Bog - Fordham University Press - Plusbog.dk

Sword and Olive Branch - John Carpenter - Bog - Fordham University Press - Plusbog.dk

Oliver Otis Howard devoted his life to the service of his country, both as a distinguished army officer in two wars and as the founder of two universities. Oliver Otis Howard was a graduate of Bowdoin College and of West Point. Being reared in a pious New England (Maine) atmosphere gave him a deep sense of obligation to lead a Christian life, for the good of others and for the development of his own best self. He was often disturbed by the conflict presented him in his dual career in peace and war.General Howard’s strong sense of duty to his country brought about his distinguished career of command during the Civil War—at the Battle of Chancellorsville, itself a disappointing rout, and at Gettysburg, where he recovered any reputation the earlier defeat might have lost him. Under General Sherman, in the Atlanta campaign, and as a leader of the Army of the Tennessee he won special distinction. In total, Howard fought at the First Bull Run, Fair Oaks (where severe wounds forced the amputation of his right arm), Second Bull Run, Fredericksburg, Chancellorsville, and Gettysburg.The same strong sense of duty made him accept the commission of the Freedmen’s Bureau and the promotion of African–American education. Following his service in the Nez Perce Campaign of 1877 he was superintendent of West Point and the founder of Lincoln Memorial University. His greatest service to education, however, was as founder and president of Howard University, where his name and career are held in honor.

DKK 716.00
1

Imperfect Equality - Richard Fuke - Bog - Fordham University Press - Plusbog.dk

Imperfect Equality - Richard Fuke - Bog - Fordham University Press - Plusbog.dk

In Imperfect Equality , Richard Fuke has explores the immediate aftermath of slavery in Maryland, which differed in important ways from the slaveholding states of the South: it never left the Union; white radicals had a period of access to power; and even prior to legal emancipation, a large free black population resided there. Moreover, the presence of Baltimore, a major city and port, provided abundant evidence with which to compare the rural and the urban experience of black Marylanders. This state study is therefore uniquely revealing of the successes and failures of the post-emancipation period. The transition in Maryland from a slave to a free society, Fuke argues, presented to black Marylanders opportunities to achieve previously inaccessible goals. Blacks were able to realize some goals, such as greater land ownership, control over the labor of their children, education, and the formation of independent cultural and social organizations, through their own intrepidity combined with the support of white radicals as well as with the assistance of the Freedmen’s Bureau, the United States Army, and some state-controlled agencies. Other goals—such as social equality, economic opportunity and advancement, and suffrage—remained beyond the reach of blacks, not only because of conservative white opposition, but also, Fuke argues, because of the attitudinal limitations of white radicals unable to confront the full range of post-emancipation possibilities. Calling upon a very broad range of sources, Fuke demonstrates that after emancipation, "Black Marylanders neither enjoyed total freedom nor suffered absolute coercion, but their struggle made two things clear: much of whatever they might accomplish, they would have to do by themselves; and such efforts would remain confined by white attitudes determined to regulate them."

DKK 313.00
1

New Bedford's Civil War - Earl F. Mulderink Iii - Bog - Fordham University Press - Plusbog.dk

New Bedford's Civil War - Earl F. Mulderink Iii - Bog - Fordham University Press - Plusbog.dk

New Bedford’s Civil War examines the social, political, economic, and military history of New Bedford, Massachusetts, in the nineteenth century, with a focus on the Civil War homefront from 1861 to 1865 and on the city’s black community, soldiers, and veterans.Earl Mulderink’s engaging work contributes to the growing body of Civil War studies that analyzes the “war at home” by focusing on the bustling center of the world’s whaling industry in the nineteenth century. Using a broad chronological framework of the 1840s through the 1890s, this book contextualizes the rise and fall of New Bedford’s whaling enterprise and details the war’s multifaceted impacts between 1861 and 1865. A major goal of this book is to explore the war’s social history by examining how the conflict touched the city’s residents—both white and black.Known before the war for both its wealth and its antislavery fervor, New Bedford offered a congenial home for a sizeable black community that experienced a “different Civil War” than did native-born whites. Drawing upon military pension files, published accounts, and welfare records, this book pays particular attention to soldiers and families connected with the Fifty-fourth Massachusetts Volunteer Infantry, the “brave black regiment” (made famous by the Academy Award–winning 1989 film Glory) that helped shape national debates over black military enlistment, equal pay, and notions of citizenship. New Bedford’s enlightened white leaders, many of them wealthy whaling merchants with Quaker roots, actively promoted military enlistment that pulled 2,000 local citizen-soldiers (about 10 percent of the city’s total population) into the Union ranks.As the Whaling City gave way to a postwar landscape marked by textile manufacturing and heavy foreign immigration, the black community fought to keep alive the meaning and history of the Civil War. Joining their one-time neighbor Frederick Douglass, New Bedford’s black veterans used the memory of the war and their participation in it to push for full equality—a losing battle by the turn of the twentieth century.

DKK 248.00
1

New Bedford's Civil War - Earl F. Mulderink Iii - Bog - Fordham University Press - Plusbog.dk

New Bedford's Civil War - Earl F. Mulderink Iii - Bog - Fordham University Press - Plusbog.dk

New Bedford’s Civil War examines the social, political, economic, and military history of New Bedford, Massachusetts, in the nineteenth century, with a focus on the Civil War homefront from 1861 to 1865 and on the city’s black community, soldiers, and veterans.Earl Mulderink’s engaging work contributes to the growing body of Civil War studies that analyzes the “war at home” by focusing on the bustling center of the world’s whaling industry in the nineteenth century. Using a broad chronological framework of the 1840s through the 1890s, this book contextualizes the rise and fall of New Bedford’s whaling enterprise and details the war’s multifaceted impacts between 1861 and 1865. A major goal of this book is to explore the war’s social history by examining how the conflict touched the city’s residents—both white and black.Known before the war for both its wealth and its antislavery fervor, New Bedford offered a congenial home for a sizeable black community that experienced a “different Civil War” than did native-born whites. Drawing upon military pension files, published accounts, and welfare records, this book pays particular attention to soldiers and families connected with the Fifty-fourth Massachusetts Volunteer Infantry, the “brave black regiment” (made famous by the Academy Award–winning 1989 film Glory) that helped shape national debates over black military enlistment, equal pay, and notions of citizenship. New Bedford’s enlightened white leaders, many of them wealthy whaling merchants with Quaker roots, actively promoted military enlistment that pulled 2,000 local citizen-soldiers (about 10 percent of the city’s total population) into the Union ranks.As the Whaling City gave way to a postwar landscape marked by textile manufacturing and heavy foreign immigration, the black community fought to keep alive the meaning and history of the Civil War. Joining their one-time neighbor Frederick Douglass, New Bedford’s black veterans used the memory of the war and their participation in it to push for full equality—a losing battle by the turn of the twentieth century.

DKK 472.00
1