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Sirenengesang Score

Sirenengesang Score

Programme Note SIRENENGESANG was composed in the spring 1994 and was commis-sioned by the AVANTI! Chamber Orchestra. The work was written with support from NOMUS. The music is not a romantic reflection on presumed siren songs. The title expresses an impalpable conception which manifests itself in dense quartertone-distorted melodies and manic, almost frozen tone-repetitions. Sometimes the music becomes static screams, sometimes there is room for small naive fragments of melody. By the end of the piece a fragment from the 'Angel-Duet' of my THE ECHOING GARDEN emerges. SIRENENGESANG is dedicated to Per Nørgård. Bent Sørensen

DKK 978.00
1

The Lustful Mother : Version with Piano and String Orchestra - Score)

The Lustful Mother : Version with Piano and String Orchestra - Score)

A song cycle for baritone voice, string orchestra and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures" A song cycle for baritone voice, string orchestra and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures"

DKK 663.00
1

The Lustful Mother : Version with Piano and String Quartet - Parts)

The Lustful Mother : Version with Piano and String Quartet - Parts)

A song cycle for baritone voice, string quartet and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures". Score available: WH33187 A song cycle for baritone voice, string quartet and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures". Score available: WH33187

DKK 616.00
1

The Lustful Mother : Version with Piano and String Quartet - Score)

The Lustful Mother : Version with Piano and String Quartet - Score)

A song cycle for baritone voice, string quartet and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures". Parts available: WH33187A A song cycle for baritone voice, string quartet and piano. The composer writes: "Naarasäiti (The Lustful Mother) is about becoming a mother, an experience in which sexuality combines in a natural way with the birth of a new life. The texts of the cycle are from the collections of poems Äitejä, tyttäriä (Árbeeadni, The Time of the Lustful Mother, 2013) and Kylmä kumppani (Galbma rádna, My Cold Companion, 1999) by two contemporary Sámi poets, Rauni Magga Lukkari and Rose-Marie Huuva. The poems’ primitive, matriarchal beat is present throughout in the music: a dark, earthy solo viola accompanies the baritone while the sizzling, sparkling strings erupt at times in powerfultextures". Parts available: WH33187A

DKK 497.00
1

Michael Bojesen: Let The Angels Sing (SATB/REC)

Michael Bojesen: Let The Angels Sing (SATB/REC)

17 Christmas Carols arranged for mixed voices a cappella and recorder solo (optional) Contents: A Virgin most Pure Angelus ad Virginem Blessed be that Maid Mary Coventry Carol Gabriel's Message God Rest Ye Merry, Gentlemen Good King Wenceslas In dulci jubilo Infant Holy, Infant Lowly It Came upon the Midnight Clear King Jesus hath a Garden The Linden Tree Carol O come, O come, Emmanuel Rocking Unto us is born a Son Up! Good Christen Folk, and listen Zither Carol

DKK 339.00
1

Poul Ruders: Nightshade (Full Score)

Poul Ruders: Nightshade (Full Score)

Ruders writes: NIGHTSHADE is an instrumental dark-room, a grave-yard of low-pitched, tight-knitted, crawling chords sliced asunder by the cold extremely high positioned movements of the oboe and violin in particular: tones sustained to near-immobility and then scared into startling velocity, like geckoes on a Southern garden wall. Shades in the night are pale and gloomy phenomenons to behold; treacherous beauties in the mighty realm of invisibility and blackness. Belladonna (beautiful lady) is the morbid christening of that fearsome variety of flora: the deadly nightshade. The piece is, on one hand, a study in extreme sonorities; the infrequently used contrabass clarinet is being employed along with the contra-bassoon, forming the ultra-low foundation of the score and the bottom-register of the French horn and the trombone is set against the serene clarity of high violin and oboe. On the other hand, the piece is a tone-poem of sorts, on the various associations as they form within the mind of the individual listener when confronted with the very word NIGHTSHADE. Personally, I come to think of pale moonlight, tombstones, the compelling as well as frightening spell of a dark forest. A Study in black the piece has been called.

DKK 497.00
1

John Frandsen: REQUIEM (Organ reduction with percussion)

John Frandsen: REQUIEM (Organ reduction with percussion)

John Frandsen: REQUIEMStrumenti2 fl. grande1 fl. picc.2 oboi1 c. ingl.2 cl. in Bb1 cl. basso in Bb2 fagotti1 contrafag.4 corni in F3 trombe3 tromboni1 tubaarpapercussione (4 musici)Tubular bells4 chinese temple bellsTamtamCrotalesTuned gongsMarimbaGran cassaGlockenspielSnare drumLarge church bell in AThunder plateCymbals à 2Suspended cymbal2 x 5 tom-toms (in left & right side of the stage)CelestaXylophoneTringletimpaniarchiorgano

DKK 1746.00
1