27 resultater (0,29949 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Al-Ghazali and the Asharite School - Richard M. Frank - Bog - Duke University Press - Plusbog.dk

Al-Ghazali and the Asharite School - Richard M. Frank - Bog - Duke University Press - Plusbog.dk

Widely regarded among students of medieval thought as the most important of the medieval Islamic thinkers, al-Ghazali (1058–1111) remains an extremely complex figure whose texts continue to present serious challenges for scholars. In this book, Richard M. Frank confronts the traditional view of al-Ghazali as a loyal supporter of Ash arite doctrine and reexamines his relationship to the school theologians. This reexamination, Frank argues, is essential to an understanding of al-Ghazali’s work, a diverse series of texts made difficult by the various postures and guises assumed by their author. Statements by al-Ghazali regarding the kalam (the speculative theology of the schools) and its status as a religious science provide the focus for a detailed analysis that contrasts the traditional school theology with his own. From this, the question of al-Ghazali’s relationship to the Ash arite school becomes a key to the basic characteristics of his method and language and therefore to the overall sense that governs much of his work. Finally, as reflected in the chronological sequence of al-Ghazali’s writings, Frank’s analysis demonstrates al-Ghazali’s commitment to basic elements of Avicennian philosophy and his progressive alienation from the Ash arite establishment. Al-Ghazali and the Ash arite School offers an important and provocative reassessment of a major medieval Islamic thinker. It will be of interest not only to specialists in the field, but also to a broad range of historians of the period and to those interested in all aspects of Islam.

DKK 581.00
1

Venezuela's Movimiento al Socialismo - Steve Ellner - Bog - Duke University Press - Plusbog.dk

Venezuela's Movimiento al Socialismo - Steve Ellner - Bog - Duke University Press - Plusbog.dk

Teodoro Petkoff and the other members of the Movimiento al Socialismo (MAS) in Venezuela had aroused the ire of the orthodox communist leaders by claiming to be both authentic communists and true nationalists, not bound by the dictates of either the Moscow or Maoist/Beijing wings of the party. To infuriate the traditionalists even further, Petkoff and his associates succeeded in being more than isolated critics, as MAS quickly eclipsed the traditional Venezuelan Communist Party and became that country's leading leftist group.The author places MAS in its international national, and historical contexts in order to determine the extent to which it is a unique communist party, as it claims to be. He traces the theory of "national democratic revolution, " which MAS rejects, back to Lenin, and discusses the Latin American left's reevaluation of that thesis. Ellner examines the guerrilla movement in Venezuela, the student movement of the late 1960s, and the emergence of the "New Left" in other countries, especially noting their influence on the formation of MAS. He also discusses the group's role in Venezuelan elections and it's relations with the other parties.

DKK 766.00
1

Thomas Muntzer and the German Peasants' War at 500 Years - - Bog - Duke University Press - Plusbog.dk

Thomas Muntzer and the German Peasants' War at 500 Years - - Bog - Duke University Press - Plusbog.dk

Marking the 500th anniversary of the end of the German Peasants’ War, topics in this special issue include the war’s intellectual and political legacy; Thomas MÜntzer as a historical, political, and theological figure; liberation theory; radical political movements in national and transnational context; and debates about utopia in critical theory and Marxism. Contributors. Ernst Bloch, Loren Goldman, Andrea Messner, Anne Norton, O. L. Silverman, Massimilano Tomba, Éric Vuillard, Alejandro Zorzin

DKK 149.00
1

Hound Dog - Eric Weisbard - Bog - Duke University Press - Plusbog.dk

Hound Dog - Eric Weisbard - Bog - Duke University Press - Plusbog.dk

Many listeners first heard "Hound Dog" when Elvis Presley's single topped the pop, country, and R&B charts in 1956. But some fans already knew the song from Big Mama Thornton's earlier recording, a giant but exclusively R&B hit. In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis's appropriation of a Black woman's anthem. He rethinks the history and influences of rock music in light of Rolling Stone's replacement of Presley's "Hound Dog" with Thornton's version in its 2021 "500 Greatest Songs of All Time" list. Taking readers from Presley and Thornton to Patti Page's "Doggie in the Window," the Stooges' "I Wanna Be Your Dog," and other dog ditties, Weisbard uses "Hound Dog" to reflect on one of rock's fundamental dilemmas: the whiteness of the wail.

DKK 732.00
1

Hound Dog - Eric Weisbard - Bog - Duke University Press - Plusbog.dk

Hound Dog - Eric Weisbard - Bog - Duke University Press - Plusbog.dk

Many listeners first heard "Hound Dog" when Elvis Presley's single topped the pop, country, and R&B charts in 1956. But some fans already knew the song from Big Mama Thornton's earlier recording, a giant but exclusively R&B hit. In Hound Dog Eric Weisbard examines the racial, commercial, and cultural ramifications of Elvis's appropriation of a Black woman's anthem. He rethinks the history and influences of rock music in light of Rolling Stone's replacement of Presley's "Hound Dog" with Thornton's version in its 2021 "500 Greatest Songs of All Time" list. Taking readers from Presley and Thornton to Patti Page's "Doggie in the Window," the Stooges' "I Wanna Be Your Dog," and other dog ditties, Weisbard uses "Hound Dog" to reflect on one of rock's fundamental dilemmas: the whiteness of the wail.

DKK 189.00
1

The Ghana Reader - - Bog - Duke University Press - Plusbog.dk

The Ghana Reader - - Bog - Duke University Press - Plusbog.dk

Covering 500 years of Ghana''s history, The Ghana Reader provides a multitude of historical, political, and cultural perspectives on this iconic African nation. Whether discussing the Asante kingdom and the Gold Coast''s importance to European commerce and transatlantic slaving, Ghana''s brief period under British colonial rule, or the emergence of its modern democracy, the volume''s eighty selections emphasize Ghana''s enormous symbolic and pragmatic value to global relations. They also demonstrate that the path to fully understanding Ghana requires acknowledging its ethnic and cultural diversity and listening to its population''s varied voices. Readers will encounter selections written by everyone from farmers, traders, and the clergy to intellectuals, politicians, musicians, and foreign travelers. With sources including historical documents, poems, treaties, articles, and fiction, The Ghana Reader conveys the multiple and intersecting histories of Ghana''s development as a nation, its key contribution to the formation of the African diaspora, and its increasingly important role in the economy and politics of the twenty-first century.

DKK 884.00
1

Security from the South - - Bog - Duke University Press - Plusbog.dk

Security from the South - - Bog - Duke University Press - Plusbog.dk

Contributors to this special issue use a pluriversal lens to trace the colonial continuities, the imperial geographies, and the forms of difference through which people become subjects of, resist, and shore up security regimes across the world. Using a transnational feminist approach, the authors contest the boundedness of the category Global South, instead emphasizing the fluidity between supposedly separate scales, such as North/South and intimate/global. Essay topics include imperial warfare in East Africa, national security and the politics of protest at India’s borderlands, the diasporic politics of race and class in Jamaica’s security dynamics, the use of religion to designate state-sanctioned violence as legitimate, and securitizing patriarchies in postcolonial India. Contributors. Samar Al-Bulushi, Sahana Ghosh, Inderpal Grewal, Dipin Kaur, Negar Razavi, Sasha Sabherwal, Deborah A. Thomas

DKK 157.00
1

Media Primitivism - Delinda Collier - Bog - Duke University Press - Plusbog.dk

Media Primitivism - Delinda Collier - Bog - Duke University Press - Plusbog.dk

In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

DKK 230.00
1

Media Primitivism - Delinda Collier - Bog - Duke University Press - Plusbog.dk

Media Primitivism - Delinda Collier - Bog - Duke University Press - Plusbog.dk

In Media Primitivism Delinda Collier provides a sweeping new understanding of technological media in African art, rethinking the assumptions that have conceptualized African art as unmediated, primary, and natural. Collier responds to these preoccupations by exploring African artworks that challenge these narratives. From one of the first works of electronic music, Halim El-Dabh’s Ta’abir Al-Zaar (1944), and Souleymane Cissé's 1987 film, Yeelen, to contemporary digital art, Collier argues that African media must be understood in relation to other modes of transfer and transmutation that have significant colonial and postcolonial histories, such as extractive mining and electricity. Collier reorients modern African art within a larger constellation of philosophies of aesthetics and technology, demonstrating how pivotal artworks transcend the distinctions between the constructed and the elemental, thereby expanding ideas about mediation and about what African art can do.

DKK 963.00
1

Everyday Intimacies of the Middle East - - Bog - Duke University Press - Plusbog.dk

Everyday Intimacies of the Middle East - - Bog - Duke University Press - Plusbog.dk

A special issue of the Journal of Middle East Women’s Studies This issue provides an area-studies perspective on intimacy and explores the analytic, theoretical, and political work that intimacy promises as a concept. The contributors explore how multiple domains and forms of intimacies are defined and transformed across the cultural and social worlds of the Middle East, looking in particular at Egypt, Turkey, and Israel. Focusing on everyday constructions of intimacies, the contributors engage with questions about how we should calibrate the evolving nature of intimacy in times of rapid transition, what intimacy means for individual and social lives, and what social, political, and economic possibilities it creates. Topics include physical exercise, Turkish beauty salons, transnational surrogacy arrangements, gender reassignment, and coffee shops as intimate spaces for men outside the family. Article Contributors: Aymon Kreil, Claudia Liebelt, Sibylle Lustenberger, Sertaç Sehlikoglu, Asli Zengin Review and Third Space Contributors: Dena Al-Adeeb, Adam George Dunn, Rima Dunn, Meral Düzgün, Iklim Goksel, Didem Havlioglu, Sarah Ihmoud, Sarah Irving, Adi Kuntsman, Shahrzad Mojab, Afsaneh Najmabadi, Rachel Rothendler, Afiya Zia

DKK 154.00
1

Carnalities - Mariana Ortega - Bog - Duke University Press - Plusbog.dk

Carnalities - Mariana Ortega - Bog - Duke University Press - Plusbog.dk

In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.

DKK 1179.00
1

The Florida Room - Alexandra T. Vazquez - Bog - Duke University Press - Plusbog.dk

The Florida Room - Alexandra T. Vazquez - Bog - Duke University Press - Plusbog.dk

In The Florida Room Alexandra T. Vazquez listens to the music and history of Miami to offer a lush story of place and people, movement and memory, dispossession and survival. She transforms the “Florida room”-an actual architectural phenomenon-into a vibrant spatial imaginary for Miami’s musical cultures and everyday life. Drawing on songs, ephemera, and oral histories from artists, families, and inheritors of their traditions, Vazquez hears Miami as a city that has long been shaped by Indigenous Florida, the Bahamas, the Caribbean, and southern Georgia. She draws connections between seemingly disparate artists, sounds, and stories, from singer Gwen McCrae to pirate radio innovator DJ Uncle Al, from the Miccosukee rock band Tiger Tiger to the Cuban-American songwriter Desmond Child, among the percussionists Dafnis Prieto, Obed Calvaire, and Yosvany Terry, and through the notes of Eloise Lewis, Betty Wright, and the Miami Bass group Anquette. By listening to musical collaborations and ancestral ties across place and time, Vazquez brings together formal musical details, the histories of people and locations they hold, and the aesthetic traditions transformed inside them.

DKK 222.00
1

Carnalities - Mariana Ortega - Bog - Duke University Press - Plusbog.dk

Carnalities - Mariana Ortega - Bog - Duke University Press - Plusbog.dk

In Carnalities, Mariana Ortega presents a phenomenological study of aesthetics grounded in the work of primarily Latinx artists. She introduces the idea of carnal aesthetics informed by carnalities, creative practices shaped by the self’s affective attunement to the material, cultural, historical, communal, and spiritual. For Ortega, carnal aesthetics offers a way to think about the affective and bodily experiences of racialized selves. Drawing on Gloria Anzaldúa, Chela Sandoval, José Esteban Muñoz, Alia Al-Saji, Helen Ngo, Maurice Merleau-Ponty, Roland Barthes, and others, Ortega examines photographic works on Latinx subjects. She analyzes the photography of Laura Aguilar, Verónica Gabriela Cárdenas, and Susan Meiselas, among others, theorizing photography as a carnal, affective medium that is crucial for processes of self-formation, resistance, and mourning in Latinx life. She ends with an intimate reading of photography through a reflection of her own crossing from Nicaragua to the United States in 1979. Motivated by her experience of loss and exile, Ortega argues for the importance of carnal aesthetics in destabilizing and transforming normative, colonial, and decolonial subjects, imaginaries, and structures.

DKK 278.00
1

On Fire - Larry W. Schwarm - Bog - Duke University Press - Plusbog.dk

On Fire - Larry W. Schwarm - Bog - Duke University Press - Plusbog.dk

Inaugural Winner The Center for Documentary Studies/Honickman First Book Prize in Photography A startling, mesmerizing series of photographs of prairie fires, On Fire transports us from moments of almost apocalyptic splendor to the stillness of near abstraction. For over a decade Kansas-based photographer Larry Schwarm has been making extraordinary color photographs of the dramatic prairie fires that sweep across the vast grasslands of his native state each spring. Based on this stunning and extensive body of work, Schwarm was chosen from over 500 submissions as the inaugural winner of the CDS/Honickman Foundation First Book Prize in Photography. With publication of On Fire , Duke University Press, in association with the Center for Documentary Studies and The Honickman Foundation, launches this major biennial book prize for American photographers. Fire is an essential element of the ecosystem. Every spring, the expanses of tallgrass prairie in the Flint Hills of east-central Kansas undergo controlled burning. For photographer Larry Schwarm, documenting these fires has become a passion. He captures the essence of the fires and their distinct personalities—ranging from calm and lyrical to angry and raging. His photos allow us to see the redemptive power of fire and to remove ourselves from its tragic elements. Through Schwarm’s lens, the horizon takes on new meaning as we view the sublime, mystical, and sensual character of the burning landscape. Schwarm connects the enormous power and devastation of fire to what can only be identified as another kind of creation—the creation of beauty. Published by Duke University Press in association with Lyndhurst Books of the Center for Documentary Studies To view images from the book, please visit http://cds.aas.duke.edu/books/fire.html The Center for Documentary Studies/Honickman First Book Prize in Photography is open to American photographers who use their cameras for creative exploration, whether it be of places, people, or communities; of the natural or social world; of beauty at large or the lack of it; of objective or subjective realities. Information and guidelines about the prize are available at http://cds.aas.duke.edu/grants

DKK 400.00
1

Okwui Enwezor - - Bog - Duke University Press - Plusbog.dk

Okwui Enwezor - - Bog - Duke University Press - Plusbog.dk

This special issue is dedicated to the memory of Okwui Enwezor (1963–2019), the first African and Black curator and director of documenta11 (2002) and the 56th Venice Biennale (2015). The articles and personal tributes collected here recognize the profound impact left by the Nigerian art historian, curator, poet, and educator who transformed the curatorial present of global exhibitions and anticipated their decolonizing futures. Enwezor created political platforms and artistic manifestos that not only changed the form and function of global exhibitions, but also opened up new ways to align activism with aesthetic practices, performative displays, and curatorial initiatives. Contributors—art historians and critics, curators, and artists—address how Enwezor’s approach to the exhibition as a “space of public discourse” intersects with theories of affect, indigeneity, race, queer studies, and feminism. Contributors: David Adjaye, Hoor Al Qasimi, Natasha Becker, Naomi Beckwith, María Magdalena Campos-Pons, Jody B. Cutler-Bittner, Jane Chin Davidson, Shane Doyle, Tamar Garb, Kendell Geers, Salah M. Hassan, Amelia G. Jones, Abdellah Karroum, Monique Kerman, Mohammed Ibrahim Mahama, Julie Mehretu, Susette S. Min, Wangechi Mutu, Sabine Dahl Nielsen, Chika Okeke-Agulu, Alpesh Kantilal Patel, Anne Ring Petersen, Yinka Shonibare, Penny Siopis, Mary Ellen Strom, Przemyslaw Strozek, Mikhael Subotzky

DKK 242.00
1

Nuyorican and Diasporican Visual Art - - Bog - Duke University Press - Plusbog.dk

Nuyorican and Diasporican Visual Art - - Bog - Duke University Press - Plusbog.dk

Although Puerto Rican artists have always been central figures in contemporary American and international art worlds, they have largely gone unrecognized and been excluded from art history canons. Nuyorican and Diasporican Visual Art provides a critical survey of Puerto Rican art production in the United States from the 1960s to the present. The contributors assert the importance and contemporaneity of the Nuyorican art movement by tracing its emergence alongside other American vanguardist movements, highlighting its innovations, and exploring it as an expression of Puerto Rican culture beyond New York to include cities such as Chicago, Philadelphia, and Orlando. They also foreground the contributions and radical aesthetics of female, Black, and queer Puerto Rican artists. Following the expansion and decentralization of the Puerto Rican diaspora and its artistic output, this volume is a call to action for scholars, curators, and artists to address the historical inequalities that have marginalized Diasporican artists and reassess the presence of Puerto Rican artists. With: Néstor David Pastor, Gabriel Magraner, and Nikki Myers Contributors. Joseph Anthony Cáceres, Taína Caragol, Arnaldo M. Cruz-Malavé, Deborah Cullen-Morales, Arlene Dávila, Kerry Doran, Elizabeth Ferrer, Yomaira C. Figueroa-Vásquez, Al Hoyos-Twomey, Teréz Iacovino, Johnny Irizarry, Johana Londoño, Urayoán Noel, Néstor David Pastor, Yasmin Ramirez, Melissa M. Ramos Borges, Raquel Reichard, Rojo Robles, Abdiel D. Segarra Ríos, Wilson Valentín-Escobar

DKK 292.00
1

Soul Covers - Michael Awkward - Bog - Duke University Press - Plusbog.dk

Soul Covers - Michael Awkward - Bog - Duke University Press - Plusbog.dk

Soul Covers is an engaging look at how three very different rhythm and blues performers—Aretha Franklin, Al Green, and Phoebe Snow—used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers’ statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes. Awkward sees Franklin’s early album Unforgettable: A Tribute to Dinah Washington , released shortly after Washington’s death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green’s album Call Me (1973) reveals the performer’s attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow’s album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists.

DKK 224.00
1

Soul Covers - Michael Awkward - Bog - Duke University Press - Plusbog.dk

Soul Covers - Michael Awkward - Bog - Duke University Press - Plusbog.dk

Soul Covers is an engaging look at how three very different rhythm and blues performers—Aretha Franklin, Al Green, and Phoebe Snow—used cover songs to negotiate questions of artistic, racial, and personal authenticity. Through close readings of song lyrics and the performers’ statements about their lives and work, the literary critic Michael Awkward traces how Franklin, Green, and Snow crafted their own musical identities partly by taking up songs associated with artists such as Dinah Washington, Hank Williams, Willie Nelson, George Gershwin, Billie Holiday, and the Supremes. Awkward sees Franklin’s early album Unforgettable: A Tribute to Dinah Washington , released shortly after Washington’s death in 1964, as an attempt by a struggling young singer to replace her idol as the acknowledged queen of the black female vocal tradition. He contends that Green’s album Call Me (1973) reveals the performer’s attempt to achieve formal coherence by uniting seemingly irreconcilable aspects of his personal history, including his career in popular music and his religious yearnings, as well as his sense of himself as both a cosmopolitan black artist and a forlorn country boy. Turning to Snow’s album Second Childhood (1976), Awkward suggests that through covers of blues and soul songs, Snow, a white Jewish woman from New York, explored what it means for non-black enthusiasts to perform works considered by many to be black cultural productions. The only book-length examination of the role of remakes in American popular music, Soul Covers is itself a refreshing new take on the lives and work of three established soul artists.

DKK 766.00
1

Jameson on Jameson - Fredric Jameson - Bog - Duke University Press - Plusbog.dk

Jameson on Jameson - Fredric Jameson - Bog - Duke University Press - Plusbog.dk

Fredric Jameson is one of the most influential literary and cultural critics writing today. He is a theoretical innovator whose ideas about the intersections of politics and culture have reshaped the critical landscape across the humanities and social sciences. Bringing together ten interviews conducted between 1982 and 2005, Jameson on Jameson is a compellingly candid introduction to his thought for those new to it, and a rich source of illumination and clarification for those seeking deeper understanding. Jameson discusses his intellectual and political preoccupations, most prominently his commitment to Marxism as a way of critiquing capitalism and the culture it has engendered. He explains many of his key concepts, including postmodernism, the dialectic, metacommentary, the political unconscious, the utopian, cognitive mapping, and spatialization. Jameson on Jameson displays Jameson’s extraordinary grasp of contemporary culture—architecture, art, cinema, literature, philosophy, politics, psychoanalysis, and urban geography—as well as the challenge that the geographic reach of his thinking poses to the Eurocentricity of the West. Conducted by accomplished scholars from United States, Egypt, Korea, China, Sweden, and England, the interviews elicit Jameson’s reflections on the broad international significance of his ideas and their applicability and implications in different cultural and political contexts, including the present phase of globalization. The volume includes an introduction by Jameson and a comprehensive bibliography of his publications in all languages. Interviewers Mona Abousenna Abbas Al-Tonsi Srinivas Aravamudan Jonathan Culler Sara Danius Leonard Green Sabry Hafez Stuart Hall Stefan Jonsson Ranjana Khanna Richard Klein Horacio Machin Paik Nak-chung Michael Speaks Anders Stephanson Xudong Zhang

DKK 766.00
1

Jameson on Jameson - Fredric Jameson - Bog - Duke University Press - Plusbog.dk

Jameson on Jameson - Fredric Jameson - Bog - Duke University Press - Plusbog.dk

Fredric Jameson is one of the most influential literary and cultural critics writing today. He is a theoretical innovator whose ideas about the intersections of politics and culture have reshaped the critical landscape across the humanities and social sciences. Bringing together ten interviews conducted between 1982 and 2005, Jameson on Jameson is a compellingly candid introduction to his thought for those new to it, and a rich source of illumination and clarification for those seeking deeper understanding. Jameson discusses his intellectual and political preoccupations, most prominently his commitment to Marxism as a way of critiquing capitalism and the culture it has engendered. He explains many of his key concepts, including postmodernism, the dialectic, metacommentary, the political unconscious, the utopian, cognitive mapping, and spatialization. Jameson on Jameson displays Jameson’s extraordinary grasp of contemporary culture—architecture, art, cinema, literature, philosophy, politics, psychoanalysis, and urban geography—as well as the challenge that the geographic reach of his thinking poses to the Eurocentricity of the West. Conducted by accomplished scholars from United States, Egypt, Korea, China, Sweden, and England, the interviews elicit Jameson’s reflections on the broad international significance of his ideas and their applicability and implications in different cultural and political contexts, including the present phase of globalization. The volume includes an introduction by Jameson and a comprehensive bibliography of his publications in all languages. Interviewers Mona Abousenna Abbas Al-Tonsi Srinivas Aravamudan Jonathan Culler Sara Danius Leonard Green Sabry Hafez Stuart Hall Stefan Jonsson Ranjana Khanna Richard Klein Horacio Machin Paik Nak-chung Michael Speaks Anders Stephanson Xudong Zhang

DKK 224.00
1

Next of Kin - Richard T. Rodriguez - Bog - Duke University Press - Plusbog.dk

Next of Kin - Richard T. Rodriguez - Bog - Duke University Press - Plusbog.dk

As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin , Richard T. Rodríguez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging. Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán , and José Armas’s La Familia de La Raza . Rodríguez analyzes representations of the family in the films I Am Joaquín , Yo Soy Chicano , and Chicana ; the Los Angeles public affairs television series ¡Ahora! ; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood , the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia ’s symbolic power and a hopeful call for a more inclusive cultural politics.

DKK 766.00
1

Next of Kin - Richard T. Rodriguez - Bog - Duke University Press - Plusbog.dk

Next of Kin - Richard T. Rodriguez - Bog - Duke University Press - Plusbog.dk

As both an idea and an institution, the family has been at the heart of Chicano/a cultural politics since the Mexican American civil rights movement emerged in the late 1960s. In Next of Kin , Richard T. Rodríguez explores the competing notions of la familia found in movement-inspired literature, film, video, music, painting, and other forms of cultural expression created by Chicano men. Drawing on cultural studies and feminist and queer theory, he examines representations of the family that reflect and support a patriarchal, heteronormative nationalism as well as those that reconfigure kinship to encompass alternative forms of belonging. Describing how la familia came to be adopted as an organizing strategy for communitarian politics, Rodríguez looks at foundational texts including Rodolfo Gonzales’s well-known poem “I Am Joaquín,” the Chicano Liberation Youth Conference’s manifesto El Plan Espiritual de Aztlán , and José Armas’s La Familia de La Raza . Rodríguez analyzes representations of the family in the films I Am Joaquín , Yo Soy Chicano , and Chicana ; the Los Angeles public affairs television series ¡Ahora! ; the experimental videos of the artist-activist Harry Gamboa Jr.; and the work of hip-hop artists such as Kid Frost and Chicano Brotherhood. He reflects on homophobia in Chicano nationalist thought, and examines how Chicano gay men have responded to it in works including Al Lujan’s video S&M in the Hood , the paintings of Eugene Rodríguez, and a poem by the late activist Rodrigo Reyes. Next of Kin is both a wide-ranging assessment of la familia ’s symbolic power and a hopeful call for a more inclusive cultural politics.

DKK 224.00
1