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Peripheren - Katja Stuke - Bog - DruckVerlag Kettler - Plusbog.dk

Circus Noir - Oliver Stegmann - Bog - DruckVerlag Kettler - Plusbog.dk

Leiko Ikemura - Leiko Ikemura - Bog - DruckVerlag Kettler - Plusbog.dk

Marc Krause - Florian Siebeck - Bog - DruckVerlag Kettler - Plusbog.dk

Ardelle Schneider - Ardelle Schneider - Bog - DruckVerlag Kettler - Plusbog.dk

Gunter Valda - Gunter Valda - Bog - DruckVerlag Kettler - Plusbog.dk

Queer Tattoo - Andrew Burford - Bog - DruckVerlag Kettler - Plusbog.dk

Matthias Wittig - Frank Hilberg - Bog - DruckVerlag Kettler - Plusbog.dk

Nasan Tur - Berlinische Galerie - Bog - DruckVerlag Kettler - Plusbog.dk

Walking Distance - Olaf Unverzart - Bog - DruckVerlag Kettler - Plusbog.dk

Cosmic Culture - Dieter Seitz - Bog - DruckVerlag Kettler - Plusbog.dk

Black Mountain College as Multiverse - - Bog - DruckVerlag Kettler - Plusbog.dk

Benjamin Rubloff - Duncan Ballantyne Way - Bog - DruckVerlag Kettler - Plusbog.dk

Byron Smith: Testament '22 - Byron Smith - Bog - DruckVerlag Kettler - Plusbog.dk

Ernst Barlach - Ernst Barlach Haus Reemtsma - Bog - DruckVerlag Kettler - Plusbog.dk

Wonder and the World - Lysander Christo - Bog - DruckVerlag Kettler - Plusbog.dk

Peter Behrens - 1868 / 2018 - Cologne Makk - Bog - DruckVerlag Kettler - Plusbog.dk

Peter Behrens - 1868 / 2018 - Cologne Makk - Bog - DruckVerlag Kettler - Plusbog.dk

Peter Behrens (1868-1940) was one of the most innovative architects and designers of the early 20th century. He is widely recognised as a pioneer of modern industrial design. To this day, his buildings and designs inform our everyday lives. As head designer at AEG, Behrens created the company''s turbine hall in Berlin-Moabit. This construction ranks among the most famous buildings of industrial architecture and is known around the world. But Behrens also developed AEG''s logo and corporate design - long before this concept actually existed. He thus established a consistent and standardised visual appearance for all products and marketing materials, ranging from the company''s letterhead to its advertisements. In addition, he was an accomplished typographer and designed trademarks which are still extant, not the least of which is the iconic font for the inscription ''Dem deutschen Volke'' (To the German People) atop the Reichstag building in Berlin. T Themes included within the set: Romana Rebbelmund - Glassware by Peter Behrens ; Nuray Amrhein - The Schiedmayer Grand Piano by Peter Behrens ; Isabel Brass - Hollowware and Cutlery by Peter Behrens ; Romana Rebbelmund and Hans-Martin Zimmermann - Peter Behrens'' Shift Towards "New Objectivity" ; Tobias Wüstenbecker - Peter Behrens'' Design for the Deutz Suspension Bridge in Cologne ; Thorsten Scheer - Peter Behrens as Author ; Carsten Krohn - The AEG Turbine Factory in Berlin ; Holger Klein-Wiele - Architecture of the 1920s ; Magdalena Holzhey - The Correspondence Between Peter Behrens and Friedrich Deneken 1898 to 1912 ; Fabian Peters - Friedrich Deneken as Mentor for Peter Behrens ; Sabine Röder - Peter Behrens as Designer for AEG ; Thorsten Scheer - Behrens'' Design Language Between Eclecticism and Modernism .

DKK 579.00
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Alex Muller - Kunsthalle Nurnberg Im Kunstkulturquartier - Bog - DruckVerlag Kettler - Plusbog.dk

Philipp Froehlich - Kunst Und Museumsverein Wuppertal - Bog - DruckVerlag Kettler - Plusbog.dk

Migration as Avant-Garde - Michael Danner - Bog - DruckVerlag Kettler - Plusbog.dk

Migration as Avant-Garde - Michael Danner - Bog - DruckVerlag Kettler - Plusbog.dk

"The term ''avant-garde'' stands for progress and the way of a pioneer. Driven by the desire to give their lives meaning, and guided by their own integrity, migrants bring new perspectives and points of view to our society." - Michael Danner With his new book of photographs, Migration as Avant-Garde , Michael Danner delivers a moving, critical, and thought-provoking contribution to the current public debate on immigration. He skillfully combines his own photos and texts with historic images, and the result is a coherent and multifaceted narrative of the immigrant experience. Danner has photographed the people who migrate from their homes, but also "those that influence, prevent, channel, or impact a migrant''s humanity", including border police and agents of the state. In addition to these portraits, his book includes archival images of refugees and satellite imagery from crisis regions. Quotes from Hannah Arendt''s 1943 essay We Refugees , which was also the inspiration for the title, are interspersed through the book. The events that Arendt wrote about more than seventy years ago - giving up one''s home, one''s friends, family, and language - are more pressing today than ever before. In search of progress, driven by the desire for a better future, and risking their lives, people both then and now hit the road, break through physical and psychological boundaries, and thus provide our society with new perspectives and ways of thinking. Text in English and German.

DKK 388.00
1

Dorothy Kerper Monnelly: Waterforms - Dorothy Kerper Monnelly - Bog - DruckVerlag Kettler - Plusbog.dk

Robert Janitz - Mexico Museo Diego Rivera Anahuacalli - Bog - DruckVerlag Kettler - Plusbog.dk

Paris au cours du temps - Joerg Rubbert - Bog - DruckVerlag Kettler - Plusbog.dk

Carol Pilars de Pilar - Carol Pilars De Pilar - Bog - DruckVerlag Kettler - Plusbog.dk

Hugo Schmolz / Karl Hugo Schmolz - Van Der Grinten Galerie - Bog - DruckVerlag Kettler - Plusbog.dk

Hugo Schmolz / Karl Hugo Schmolz - Van Der Grinten Galerie - Bog - DruckVerlag Kettler - Plusbog.dk

In recent years, the images shot by the Cologne-based architectural photographers Hugo (1879-1938) and Karl Hugo Schmölz (1917-1986) have been winning wide acclaim and are receiving more and more attention. After completing his photography training and working in various positions, Hugo Schmölz set himself up as an architectural photographer in Cologne in 1911. Later, his son Karl Hugo took over the company. While the work of the two photographers fell into oblivion over the years, it is being rediscovered today and reveals its breathtaking aesthetic originality and technical perfection. Due to the development of a special, additional exposure technique, Schmölz was able to capture dark interiors in astounding detail even at the beginning of the century and to create dazzlingly elegant pictures which have lost none of their expressive power. For the first time ever, the book presents a series of photos, taken mostly in the Rhineland and the Ruhr district between 1935 and 1957, together with pictures showing movie theatres which were brand new at the time. Most of these cinema auditoriums have since been destroyed, but the light in the photos gives them a three-dimensionality that evokes a striking sculptural effect. They are certainly not imbued with nostalgia, on the contrary, they appear to be strangely lost in time and, owing to their extremely delicate gray nuances, seem almost hyperreal. Text in English and German.

DKK 485.00
1