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The Language of Allegory - Maureen Quilligan - Bog - Cornell University Press - Plusbog.dk

The Language of Allegory - Maureen Quilligan - Bog - Cornell University Press - Plusbog.dk

This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon''s Gravity''s Rainbow , and include such works as Le Roman de la Rose , Langland''s Piers Plowman , Hawthorne''s Scarlet Letter , Melville''s Confidence Man , and Spenser''s Faerie Queene . Whether or not readers agree with this book, they will enjoy and profit from it.

DKK 447.00
1

The Language of Allegory - Maureen Quilligan - Bog - Cornell University Press - Plusbog.dk

The Language of Allegory - Maureen Quilligan - Bog - Cornell University Press - Plusbog.dk

This lively and innovative work treats a body of literature not previously regarded as a unified genre. Offering comparative readings of a number of texts that are traditionally called allegories and that cover a wide time span, Maureen Quilligan formulates a vocabulary for talking about the distinctive generic elements they share. The texts she considers range from the twelfth-century De planctu naturae to Pynchon''s Gravity''s Rainbow , and include such works as Le Roman de la Rose , Langland''s Piers Plowman , Hawthorne''s Scarlet Letter , Melville''s Confidence Man , and Spenser''s Faerie Queene . Whether or not readers agree with this book, they will enjoy and profit from it.

DKK 371.00
1

The Enlightenment of Cadwallader Colden - John M. Dixon - Bog - Cornell University Press - Plusbog.dk

The Enlightenment of Cadwallader Colden - John M. Dixon - Bog - Cornell University Press - Plusbog.dk

Was there a conservative Enlightenment? Could a self-proclaimed man of learning and progressive science also have been an agent of monarchy and reaction? Cadwallader Colden (1688–1776), an educated Scottish emigrant and powerful colonial politician, was at the forefront of American intellectual culture in the mid-eighteenth century. While living in rural New York, he recruited family, friends, servants, and slaves into multiple scientific ventures and built a transatlantic network of contacts and correspondents that included Benjamin Franklin and Carl Linnaeus. Over several decades, Colden pioneered colonial botany, produced new theories of animal and human physiology, authored an influential history of the Iroquois, and developed bold new principles of physics and an engaging explanation of the cause of gravity. The Enlightenment of Cadwallader Colden traces the life and ideas of this fascinating and controversial "gentleman-scholar." John M. Dixon''s lively and accessible account explores the overlapping ideological, social, and political worlds of this earliest of New York intellectuals. Colden and other learned colonials used intellectual practices to assert their gentility and establish their social and political superiority, but their elitist claims to cultural authority remained flimsy and open to widespread local derision. Although Colden, who governed New York as an unpopular Crown loyalist during the imperial crises of the 1760s and 1770s, was brutally lampooned by the New York press, his scientific work, which was published in Europe, raised the international profile of American intellectualism.

DKK 346.00
1

Moscow Prime Time - Kristin Roth Ey - Bog - Cornell University Press - Plusbog.dk

Moscow Prime Time - Kristin Roth Ey - Bog - Cornell University Press - Plusbog.dk

When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time , a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.

DKK 405.00
1

Moscow Prime Time - Kristin Joy Roth Ey - Bog - Cornell University Press - Plusbog.dk

Moscow Prime Time - Kristin Joy Roth Ey - Bog - Cornell University Press - Plusbog.dk

When Nikita Khrushchev visited Hollywood in 1959 only to be scandalized by a group of scantily clad actresses, his message was blunt: Soviet culture would soon consign the mass culture of the West, epitomized by Hollywood, to the "dustbin of history." In Moscow Prime Time , a portrait of the Soviet broadcasting and film industries and of everyday Soviet consumers from the end of World War II through the 1970s, Kristin Roth-Ey shows us how and why Khrushchev’s ambitious vision ultimately failed to materialize. The USSR surged full force into the modern media age after World War II, building cultural infrastructures—and audiences—that were among the world’s largest. Soviet people were enthusiastic radio listeners, TV watchers, and moviegoers, and the great bulk of what they were consuming was not the dissident culture that made headlines in the West, but orthodox, made-in-the-USSR content. This, then, was Soviet culture’s real prime time and a major achievement for a regime that had long touted easy, everyday access to a socialist cultural experience as a birthright. Yet Soviet success also brought complex and unintended consequences. Emphasizing such factors as the rise of the single-family household and of a more sophisticated consumer culture, the long reach and seductive influence of foreign media, and the workings of professional pride and raw ambition in the media industries, Roth-Ey shows a Soviet media empire transformed from within in the postwar era. The result, she finds, was something dynamic and volatile: a new Soviet culture, with its center of gravity shifted from the lecture hall to the living room, and a new brand of cultural experience, at once personal, immediate, and eclectic—a new Soviet culture increasingly similar, in fact, to that of its self-defined enemy, the mass culture of the West. By the 1970s, the Soviet media empire, stretching far beyond its founders’ wildest dreams, was busily undermining the very promise of a unique Soviet culture—and visibly losing the cultural cold war. Moscow Prime Time is the first book to untangle the paradoxes of Soviet success and failure in the postwar media age.

DKK 287.00
1