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Marine Lover of Friedrich Nietzsche - Luce Irigaray - Bog - Columbia University Press - Plusbog.dk

Marine Lover of Friedrich Nietzsche - Luce Irigaray - Bog - Columbia University Press - Plusbog.dk

Published in France in 1980, Marine Lover is the first in a trilogy in which Luce Irigaray links the interrogation of the feminine in post-Hegelian philosophy with a pre-Socratic investigation of the elements. Irigaray undertakes to interrogate Nietzche, the grandfather of poststructuralist philosophy, from the point of view of water. According to Irigaray, water is the element Nietzsche fears most. She uses this element in her narrative because for her there is a complex relationship between the feminine and the fluid. Irigaray's method is to engage in an amorous dialogue with the male philosopher. In this dialogue, she ruptures conventional discourse and writes in a lyrical style that defies distinction between theory, fiction, and philosophy.

DKK 898.00
1

Why This New Race - Denise Buell - Bog - Columbia University Press - Plusbog.dk

Why This New Race - Denise Buell - Bog - Columbia University Press - Plusbog.dk

Why This New Race offers a radical new way of thinking about the origins of Christian identity. Conventional histories have understood Christianity as a religion that from its beginnings sought to transcend ethnic and racial distinctions. Denise Kimber Buell challenges this view by revealing the centrality of ethnicity and race in early definitions of Christianity. Buell's readings of various texts consider the use of "ethnic reasoning" to depict Christianness as more than a set of shared religious practices and beliefs. By asking themselves, "Why this new race?" Christians positioned themselves as members of an ethnos or genos distinct from Jews, Romans, and Greeks. Buell focuses on texts written before Christianity became legal in 313 C.E., including Greek apologetic treatises, martyr narratives, and works by Clement of Alexandria, Origen, and Tertullian. Philosophers and theologians used ethnic reasoning to define Christians as a distinct people within classical and ancient Near East society and in intra-Christian debates about what constituted Christianness. Many characterized Christianness as both fixed and fluid-it had a real essence (fixed) but could be acquired through conversion (fluid). Buell demonstrates how this dynamic view of race and ethnicity allowed Christians to establish boundaries around the meaning of Christianness and to develop universalizing claims that all should join the Christian people. In addressing questions of historiography, Buell analyzes why generations of scholars have refused to acknowledge ethnic reasoning in early Christian discourses. Moreover, Buell's arguments about the importance of ethnicity and religion in early Christianity provide insights into the historical legacy of Christian anti-Semitism as well as contemporary issues of race.

DKK 302.00
1

Desire and Its Discontents - Eugene Goodheart - Bog - Columbia University Press - Plusbog.dk

Desire and Its Discontents - Eugene Goodheart - Bog - Columbia University Press - Plusbog.dk

Challenging the imperialism of desire in contemporary academic discourse Goodheart confronts a crucial strain of utopianism in modern thought and literature. This utopianism is the position of desire in modern culture. Goodheart argues that the classic moderns (Proust, Durkheim, Mann, and Lawrence) appreciated desire for its potential to liberate the imagination, but also understood its tendencies toward destructiveness. Since the "cultural revolution" of the 1950s and 1960s, modern thoerists have forgotten or ignored the wise ambivalence of the classic moderns and their respect for boundaries, however fluid, between the writing life and life itself. In Desire and Its Discontents Goodheart engages in a discourse with both the academy and general culture in an effort to discriminate among the discourses of desire: between Marcuse's "rationalism of desire" and Lacan's celebration of tragedy, and between early and late Foucault.

DKK 702.00
1

The Remains of Being - Santiago Zabala - Bog - Columbia University Press - Plusbog.dk

The Remains of Being - Santiago Zabala - Bog - Columbia University Press - Plusbog.dk

In Basic Concepts, Heidegger claims that "Being is the most worn-out" and yet also that Being "remains constantly available." Santiago Zabala radicalizes the consequences of these little known but significant affirmations. Revisiting the work of Jacques Derrida, Reiner Schurmann, Jean-Luc Nancy, Hans-Georg Gadamer, Ernst Tugendhat, and Gianni Vattimo, he finds these remains of Being within which ontological thought can still operate. Being is an event, Zabala argues, a kind of generosity and gift that generates astonishment in those who experience it. This sense of wonder has fueled questions of meaning for centuries-from Plato to the present day. Postmetaphysical accounts of Being, as exemplified by the thinkers of Zabala's analysis, as well as by Nietzsche, Dewey, and others he encounters, don't abandon Being. Rather, they reject rigid, determined modes of essentialist thought in favor of more fluid, malleable, and adaptable conceptions, redefining the pursuit and meaning of philosophy itself.

DKK 453.00
1

Trash Cinema - Guy Barefoot - Bog - Columbia University Press - Plusbog.dk

Trash Cinema - Guy Barefoot - Bog - Columbia University Press - Plusbog.dk

This volume explores the lower reaches of cinema and its paradoxical appeal. It looks at films from the B-movies of the 1930s to the mockbusters of today, and from the New York underground to the genre variations of Turkey's Yesilcam studios (and their YouTube afterlife). Critically examining the reasons for studying, denigrating, or celebrating the detritus of film history, it also considers the place of a trash aesthetic within and beyond 1960s American avant-garde and looks at the cult of trash in the fanzines of the 1980s. It draws on debates about cult, paracinema, and camp, arguing that trash cinema exists in relation to these but brings with it a particular history that includes the ordinary as well as the strange. Trash Cinema places these debates, and the strand of self-proclaimed low culture that emerged in the second half of the twentieth century, within a historical and international perspective. It focuses on American cinema history but addresses Eurotrash reception as well as the related field of garbology, examining trash cinema as a distinct but fluid category.

DKK 204.00
1

Social Acceleration - Hartmut Rosa - Bog - Columbia University Press - Plusbog.dk

Social Acceleration - Hartmut Rosa - Bog - Columbia University Press - Plusbog.dk

Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time. According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match the future. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.

DKK 661.00
1

Social Acceleration - Hartmut Rosa - Bog - Columbia University Press - Plusbog.dk

Social Acceleration - Hartmut Rosa - Bog - Columbia University Press - Plusbog.dk

Hartmut Rosa advances an account of the temporal structure of society from the perspective of critical theory. He identifies three categories of change in the tempo of modern social life: technological acceleration, evident in transportation, communication, and production; the acceleration of social change, reflected in cultural knowledge, social institutions, and personal relationships; and acceleration in the pace of life, which happens despite the expectation that technological change should increase an individual's free time. According to Rosa, both the structural and cultural aspects of our institutions and practices are marked by the "shrinking of the present," a decreasing time period during which expectations based on past experience reliably match the future. When this phenomenon combines with technological acceleration and the increasing pace of life, time seems to flow ever faster, making our relationships to each other and the world fluid and problematic. It is as if we are standing on "slipping slopes," a steep social terrain that is itself in motion and in turn demands faster lives and technology. As Rosa deftly shows, this self-reinforcing feedback loop fundamentally determines the character of modern life.

DKK 272.00
1

Juggling Identities - Seth D. Kunin - Bog - Columbia University Press - Plusbog.dk

Juggling Identities - Seth D. Kunin - Bog - Columbia University Press - Plusbog.dk

Juggling Identities is an extensive ethnography of the crypto-Jews who live deep within the Hispanic communities of the American Southwest. Critiquing scholars who challenge the cultural authenticity of these individuals, Seth D. Kunin builds a solid link between the crypto-Jews of New Mexico and their Spanish ancestors who secretly maintained their Jewish identity after converting to Catholicism, offering the strongest evidence yet of their ethnic and religious origins. Kunin adopts a unique approach to the lives of modern crypto-Jews, concentrating primarily on their understanding of Jewish tradition and the meaning they ascribe to ritual. He illuminates the complexity of this community, in which individuals and groups perform the same practice in diverse ways. Kunin supplements his ethnographic research with broader theories concerning the nature of identity and memory, which is especially applicable to crypto-Jews, whose culture resides mainly in memory. Kunin's work has wider implications, not only for other forms of crypto-Judaism (such as that found in the former Soviet Union) but also for the study of Judaism's fluid nature, which helps adherents adapt to new circumstances and knowledge. Kunin draws fascinating comparisons between the intricate ancestry of crypto-Jews and those of other ethnic communities living in the United States.

DKK 549.00
1

Behind the Gate - Fabio Lanza - Bog - Columbia University Press - Plusbog.dk

Behind the Gate - Fabio Lanza - Bog - Columbia University Press - Plusbog.dk

On May 4, 1919, thousands of students protested the Versailles treaty in Beijing. Seventy years later, another generation demonstrated in Tiananmen Square. Climbing the Monument of the People's Heroes, these protestors stood against a relief of their predecessors, merging with their own mythology while consciously deploying their activism. Through an investigation of twentieth-century Chinese student protest, Fabio Lanza considers the marriage of the cultural and the political, the intellectual and the quotidian, that occurred during the May Fourth movement, along with its rearticulation in subsequent protest. He ultimately explores the political category of the "student" and its making in the twentieth century. Lanza returns to the May Fourth period (1917-1923) and the rise of student activism in and around Beijing University. He revisits reform in pedagogical and learning routines, changes in daily campus life, the fluid relationship between the city and its residents, and the actions of allegedly cultural student organizations. Through a careful analysis of everyday life and urban space, Lanza radically reconceptualizes the emergence of political subjectivities (categories such as "worker," "activist," and "student") and how they anchor and inform political action. He accounts for the elements that drew students to Tiananmen and the formation of the student as an enduring political category. His research underscores how, during a time of crisis, the lived realities of university and student became unsettled in Beijing, and how political militancy in China arose only when the boundaries of identification were challenged.

DKK 613.00
1

The Birth of Conservative Judaism - Michael Cohen - Bog - Columbia University Press - Plusbog.dk

The Birth of Conservative Judaism - Michael Cohen - Bog - Columbia University Press - Plusbog.dk

Solomon Schechter (1847-1915), the charismatic leader of New York's Jewish Theological Seminary (JTS), came to America in 1902 intent on revitalizing traditional Judaism. While he advocated a return to traditional practices, Schechter articulated no clear position on divisive issues, instead preferring to focus on similarities that could unite American Jewry under a broad message. Michael R. Cohen demonstrates how Schechter, unable to implement his vision on his own, turned to his disciples, rabbinical students and alumni of JTS, to shape his movement. By midcentury, Conservative Judaism had become the largest American Jewish grouping in the United States, guided by Schechter's disciples and their continuing efforts to embrace diversity while eschewing divisive debates. Yet Conservative Judaism's fluid boundaries also proved problematic for the movement, frustrating many rabbis who wanted a single platform to define their beliefs. Cohen demonstrates how a legacy of tension between diversity and boundaries now lies at the heart of Conservative Judaism's modern struggle for relevance. His analysis explicates four key claims: that Conservative Judaism's clergy, not its laity or Seminary, created and shaped the movement; that diversity was-and still is-a crucial component of the success and failure of new American religions; that the Conservative movement's contemporary struggle for self-definition is tied to its origins; and that the porous boundaries between Orthodox, Conservative, and Reform Judaism reflect the complexity of the American Jewish landscape-a fact that Schechter and his disciples keenly understood. Rectifying misconceptions in previous accounts of Conservative Judaism's emergence, Cohen's study enables a fresh encounter with a unique religious phenomenon.

DKK 631.00
1

Sayonara Amerika, Sayonara Nippon - Michael Bourdaghs - Bog - Columbia University Press - Plusbog.dk

Sayonara Amerika, Sayonara Nippon - Michael Bourdaghs - Bog - Columbia University Press - Plusbog.dk

From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.

DKK 252.00
1

Sayonara Amerika, Sayonara Nippon - Michael Bourdaghs - Bog - Columbia University Press - Plusbog.dk

Sayonara Amerika, Sayonara Nippon - Michael Bourdaghs - Bog - Columbia University Press - Plusbog.dk

From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael K. Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, enka, 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in Sayonara Amerika, Sayonara Nippon examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.

DKK 901.00
1