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Peter Maxwell Davies: Naxos Quartet No.2 (Parts)

Peter Maxwell Davies: Naxos Quartet No.2 (Score)

Chapple: Praeludiana for Organ

Kevin Volans: String Quartet No.9 - Shiva Dances (Parts)

Kevin Volans: String Quartet No.9 - Shiva Dances (Parts)

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece: In the past I have been interested in trying to go beyond historicism (1970s), beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearly all of it is extremely 'busy', almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to moving frommusic (sound as art) to art (art as sound). This, of course, has already been done by a numberof composers (many from New York ? Phil Niblock and La Monte Young, to name but two), butit was something I had never tried.Although I found it annoying that the label 'minimalist' was given to my African-based work,and fearing this would make the label stick, I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanese have a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic, an aesthetic which,however, pays greatest attention to the quality of material and fine detail. I like to think thatthe lack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure ? the ego ? underfoot.You get the impression He dances on the spot, not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.

DKK 309.00
1

Kevin Volans: String Quartet No.9 - Shiva Dances (Score)

Kevin Volans: String Quartet No.9 - Shiva Dances (Score)

Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece: In the past I have been interested in trying to go beyond historicism (1970s), beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearly all of it is extremely 'busy', almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to moving frommusic (sound as art) to art (art as sound). This, of course, has already been done by a numberof composers (many from New York ? Phil Niblock and La Monte Young, to name but two), butit was something I had never tried.Although I found it annoying that the label 'minimalist' was given to my African-based work,and fearing this would make the label stick, I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanese have a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic, an aesthetic which,however, pays greatest attention to the quality of material and fine detail. I like to think thatthe lack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure ? the ego ? underfoot.You get the impression He dances on the spot, not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.

DKK 221.00
1

Poulenc Suite For Piano

Judith Weir: Sundew

Helen Grime: Everyone Sang

Kaija Saariaho: Amers

Easiest 5-Finger Piano - Book 1

John Tavener: Favourite Anthems

John Tavener: Favourite Anthems

John Tavener Favourite Anthems for SATB choir presents some of John Tavener?s most popular works from his outstandingly varied and extensive catalogue of works for choir. Also included are beautiful miniatures and radiant anthems which trace a line over the years from the exquisite simplicity of his setting of William Blake?s The Lamb to the monumental Veil of the Temple and beyond.John Tavener rose to fame in 1969 when his oratorio The Whale was recorded on The Beatles? Apple label. Following his conversion to the Orthodox Church in 1977, his music moved in the direction of ever greater spirituality and intensity. He scored a popular success in 1989 with the Proms premiere of The Protecting Veil, followed by the production of his opera Mary of Egypt at the Aldeburgh Festival. His knighthood was announced in the Millennium Honours List. Later in 2000, he was the subject of a festival at the South Bank Centre. Since then, his music has taken a Universalist approach, embracing many religious traditions, in mighty choral works including The Veil of the Temple as well as Fall and Resurrection, Ikon of Eros, Lament for Jerusalem, The Beautiful Names, his Mass Sollemnitas in Conceptione Immaculata Beatae Mariae Virginis and a Requiem set in a variety of languages, including English, Arabic, Greek, Hebrew and Sanskrit as well as the more familiar text in Latin. In no way restricted in his output to choral works, Tavener has also produced innumerable orchestral, instrumental and solo vocal pieces and has collaborated on dance projects and film soundtracks.

DKK 123.00
1

Pawel Szymanski: Two Studies For Piano (Autograph Facsimile)

Hans Werner Henze: Scorribanda Sinfonica

Pawel Szymanski: Two Studies For Piano

John Tavener: Wake Up And Die (Score and Parts)

Simon Holt: Daedalus Remembers

Kevin Volans: String Quartet No. 1 White Man Sleeps (Score)

Kevin Volans: String Quartet No. 1 White Man Sleeps (Score)

String Quartet No.1 (White Man Sleeps) was written for the Kronos Quartet and first performed by them July 1986, London.The title ?White Man Sleeps? comes from a moment in nyanga panpipe music where the performers leave off playing their loud pipes for a few cycles and dance only to the sound of their ankle rattles, to let the white landowner sleep ? for a minute or two.Quoting Volans:In composing this piece I drew from the following sources: the first movement owes something to the style of Basotho concertina music; the second and fourth movements are drawn from traditional Nyungwe music played by Makina Chirenje and his Nyanga panpipe group at Nsava, Tete, Mozambique, recorded and transcribed by Andrew Tracey (to be found in an article entitled ?The nyanga panpipe dance? in African Music, Vol.5, No.1 (1971)); the third movement derives from the San bow music (recorded by Tony Traill of the University of Witwatersrand) and from Basotho lesiba music, transcribed by myself; in the fifth movement I added my own invented folklore. My approach to the original music was anything but purist ? it is played in Western tuning, filtered, slwoed down by a few ?time-octaves?, cast into non-African metres (like the 13-beat pattern of the first dance) and redistributed between the players in several ways. I also used interlocking techniques where they were absent in the original models and vice versa.Duration 24 minutes. Parts available: CH61205

DKK 281.00
1