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The Sounds of Spectators at Football - Professor Or Dr. Nicolai Jã ̧rgensgaard Graakjã r - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Sounds of Spectators at Football - Professor Or Dr. Nicolai Jorgensgaard Graakjaer - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Metallica's Metallica - David Masciotra - Bog - Bloomsbury Publishing Plc - Plusbog.dk

George Michael's Faith - Matthew (music Journalist Horton - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Depeche Mode's 101 - Mary Valle - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Reinventing Japan - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This Must Be The Place - Robert (university Of Liverpool Kronenburg - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This Must Be The Place - Robert (university Of Liverpool Kronenburg - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This Must Be The Place is the first architectural history of popular music performance space, describing its beginnings, its different typologies, and its development into a distinctive genre of building design. It examines the design and form of popular music architecture and charts how it has been developed in ad-hoc ways by non-professionals such as building owners, promoters, and the musicians themselves as well as professionally by architects, designers, and construction specialists. With a primary focus on Europe and North America (and excursions to Australia, the Far East and South America), it explores audience experience and how venues have influenced the development of different musical scenes. From music halls and Vaudeville in the 1800s, via the seminal clubs and theatres of the 20th century, to the large-scale multi-million-dollar arena concerts of today, this book explores the impact that the use of private and public space for performance has on our cities’ urban identity, and, to a lesser extent, how rural space is perceived and used. Like architecture, popular music is neither static nor standardized; it continuously develops and has multiple strands. This Must Be The Place describes the factors that have determined the development of music venue architecture, focusing on both famous and less well-known examples from the smallest bar room music space to the largest stadium-filling rock set.

DKK 283.00
1

'70s Teen Pop - Lucretia Tye Jasmine - Bog - Bloomsbury Publishing Plc - Plusbog.dk

'70s Teen Pop - Lucretia Tye Jasmine - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Teen pop is a sub - genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play.During the 1970s, teen pop sometimes worked subversively, challenging the status quo it seemed to represent. Male pop stars such as David Cassidy were shown suggestively in popular magazines and female pop stars such as Cher had their own TV shows. Teen magazines, pin - ups, comics, films, and TV programs provided luscious visual stereo, promoting fashion styles, lingo, and dance moves, signaling individual identity but also community. The music provided a way for young people to believe they had something all their own, an authenticity experimenting with sexuality and social conduct, all dressed up in glitter and satin, blue jeans and boom boxes, torn fishnets and safety pins and, magically, their dreams. Cartoon pop and made-for-TV bands! Bubblegum pop! Glam! Hip hop! Hard rock and pop rock and stadium rock! Punk! Disco! Teen pop reinforced aspects of the counterculture it absorbed as the music kept playing—and playing back.Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies— ''70s Teen Pop examines how liberation and a true counterculture can be possible through music.

DKK 202.00
1