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Bernstein. West Side Story

Keyboard Arrangements of Works by Other Composers - Bach, Johann Sebastian

Five concertos based on works by Vivaldi and others / Two sonatas and fugue based on works by Reinken Performance score, Anthology, Urtext edition harpisc./piano Hæftet udgave

Three Sonatas for Flute and Basso Continuo : BWV 1033, 1031, 1020

Johann Sebastian Bach – Fløjtesonater BWV 1030–1035 for to fløjter (uden klaver) Johann Sebastian Bachs kammermusik inkluderer flere værker, hvor den tværfløjte spiller en fremtrædende rolle, side om side med violinen. Selvom de historiske omstændigheder omkring mange af fløjtesonaterne er uklare, regnes disse værker stadig blandt Bachs mest elskede kammermusikalske bidrag. I denne udgave præsenteres fløjtesonaterne i et nyt og praktisk arrangement for to fløjter, som gør det muligt at spille dem uden klaver eller cembalo. Fløjtenisten og underviseren Cathrin Ambach har arrangeret basso continuo- eller cembalostemmen for anden fløjte, så begge fløjtestemmer kan spille sammen på et sammenligneligt musikalsk niveau. Den første fløjte følger trofast Urtext-udgaven fra Neue Bach-Ausgabe, mens den anden fløjte gengiver akkompagnementet i et elegant og stilistisk autentisk Bach-sprog. Der findes to bind: BA10961: Indeholder sonaterne BWV 1030, 1032, 1034 og 1035 – alle med sikker Bach-tilskrivning BA10962: Indeholder BWV 1020, 1031 og 1033, som traditionelt tilskrives Bach, men uden endelig dokumentation Ideel til: Fløjteundervisning, sammenspil og koncertbrug Fordele: Original Urtext førstefløjte-del fra Neue Bach-Ausgabe Stilfuldt arrangement af continuo-delen for anden fløjte Spilbar uden klaver – perfekt til fleksibel brug

Songs on Texts by Johann Wolfgang von Goethe

The Czech composer Zdenek Fibich (1850–1900) had a keen interest in classical German literature. It therefore comes as no surprise that he had already set songs to texts by Johann Wolfgang von Goethe while still a student at the Leipzig Conservatory. Between 1865 and 1871 he composed 16 songs on texts by this famous German author for voice and piano. Ten of them have survived: the song “An den Mond”, dating from 1869, and nine further songs from Goethe’s novel “Wilhelm Meisters Lehrjahre” were composed immediately after Fibich’s return to Prague in 1871. All ten now appear here in a single-volume Urtext edition edited by Barbora Kubecková.

Organ Preludes by old masters in all keys -

32 Preludes, Preambles, Toccatas, by J. S. Bach, Handel, J. K. F. Fischer, Frescobaldi and other masters Performance score, Anthology Org Hæftet udgave

Keyboard Arrangements of Works by Other Composers - Bach, Johann Sebastian

Seven concertos based on works by Vivaldi and others Performance score, Anthology harpisc./piano Hæftet udgave

Missa Brevis In G Major K.49

The first page of the autograph of the Mass K.49 (47d) bears below the author’s name the crossed-out (autograph?) suffix “in Wien” (“in Vienna”). “1768” and “in Wien” havebeen added by two other unidentified, eighteenth-century hands. Mozart’s handwriting and the paper quality appear to verify this information. Moreover, Mozart sketched the draft of the Gloria (measures 1 to 18) on apiece of paper, the reverse side of which his father had used, undoubtedly before that, for the fair copy of the piano score of aria no. 11 from Bastien et Bastienne K. 50 (46). In Leopold Mozart’s list of works composedbyWolfgang up to 1768, “Eine kleinere Messe a 4 vocibus 2 Violinis &c” (“a small Mass with 4 voices, 2 violins, etc.”) appears as the penultimate entry; the year 1768 was added by Mozart’s sister.Although the obbligato viola is not mentioned there, this comnposition is surely the Mass K.49. - Urtext of the New Mozart Edition - Full score, performance material (BA4769) and vocal score (BA4769-90) available forsale.

Abendröte : Eleven Lieder On Texts By Friedrich Schlegel

Eleven Lieder on texts by Friedrich Schlegel for high voice and pianoWith their very accessible style and expressive interpretation of the words, these contemporary works continue in the tradition of classical andromantic song cycles and will f

Ostersonate for Piano

Fanny Hensel – Ostersonate (Easter Sonata) for klaver – Urtext med faksimile Fanny Hensels storslåede klaversonate fra 1828 har en fascinerende historie bag sig. I næsten 200 år blev værket fejlagtigt tilskrevet hendes bror, Felix Mendelssohn Bartholdy – og først i 2010 blev det endeligt dokumenteret af musikforskeren Angela Mace Christian, at værket faktisk var skrevet af Fanny Hensel, en af 1800-tallets mest betydningsfulde kvindelige komponister. Bärenreiter udgiver her den allerførste Urtext-udgave af Ostersonaten, baseret på det originale manuskript, som i mange år var utilgængeligt, da det befandt sig i private hænder. Manuskriptet er nu en del af Robert Owen Lehman-samlingen og udgives her i en to-bindsudgave: Bind 1 indeholder selve sonaten i kritisk udgave med detaljeret kommentar (på engelsk) Bind 2 indeholder en komplet farvegengivelse af Fanny Hensels originale manuskript De to bind er designet til at kunne ligge side om side, hvilket gør udgaven ideel til studiebrug. Forordet er skrevet af Mendelssohn-eksperten R. Larry Todd (på engelsk og tysk) og giver indblik i værkets opsigtsvækkende historie og betydning. Redaktør: Marie Rolf, professor emerita i musikteori ved Eastman School of Music, University of Rochester Format: 31,0 x 24,3 cm Sprog i kommentarer og forord: Engelsk og tysk Udgiver: Bärenreiter Et must-have for både pianister, forskere og elskere af romantisk klavermusik med historisk betydning.

Danse macabre op. 40 : Transcription for Violin and Piano by the Composer

In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given alukewarm reception in its early performances, or was even rejected, it became highly popular and internationally famous in the years that followed. Of the countless later arrangements and variations (e.g. by Franz Liszt),Saint-Saëns’ own version for violin and piano stands out as particularly successful.Céline Drèze’s advance edition for a future volume of the “Saint-Saëns Complete Edition of the Instrumental Works” is the first modernscholarly edition of this celebrated piece. This Urtext edition draws on the original print of the 1877 version, while eliminating its many misprints and anomalies on the basis of the autograph.

An Die Entfernte : Seven Lieder After Poems By Johann Wolfgang Von Goethe

Seven lieder for high voice and piano after poems by Johann Wolfgang von GoetheWith their very accessible style and expressive interpretation of the words, these contemporary works continue in the tradition of classicaland romantic song cycles

St. Matthew Passion : Arranged by Felix Mendelssohn Bartholdy Berlin 1829 and Leipzig 1841

Full score and performance material available for hire. Both Mendelssohn versions available in one edition.Easy-to-play straight-forward Piano reduction.Felix Mendelssohn can claim the credit ofhaving ushered in the Bach-Renaissance with his arrangement and performance of the St Matthew Passion. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere inLeipzig’s Thomaskirche. A second arrangement was performed in Leipzig in 1841.Originally only available on hire as part of the edition published by Bärenreiter in 2009, this Vocal score is now available on sale. Itenablesboth the Berlin and the later Leipzig versions to be performed.A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the New BachEdition.

By the rivers of Babylon

By The Rivers of Babylon

Dance Macabre Op. 40 - Full Score : Symphonic poem after a poem by Henri Cazalis

Saint-Saëns was a great admirer of the symphonic poems by Franz Liszt. His own symphonic poem "Danse macabre" reflects not only his affinity to medieval superstitions but also constitutes a tribute to Liszt’s "Totentanz"."Danse macabre" is based on the eponymous song Saint-Saëns composed in 1872 after Henri Cazalis’ poem. At its premiere, the work was not well-received: in fact it was booed, possibly due to the "diabolic" solo violin playing on an E-string that was tuned down to E-flat, which the audience might have misinterpreted as being out of tune. However within ten years the work had become so popular that Saint-Saëns quoted some of its musical themes in "The Carnival of the Animals". Since the composer’s death, "Danse macabre" is among the works most often mentioned in connection with the theatrical face of death found in popular mortuary cult.

Freely Composed Organ pieces by Old Masters -

Performance score, Anthology Org Paperback

Ragtime : Von Scott Joplin By Scott Joplin

“It’s never right to play Ragtime fast.”(Scott Joplin) Most listeners associate “ragtime” with the music of Scott Joplin, one of the earliest African-American composers to straddle thedivide between classical and popular music. It was Joplin who brought this musical style to the pinnacle of perfection. The term “ragtime” stems from “ragged time” and describes the contrast betweenthe sprightly syncopated melodies in the right hand and the accentuated “oom-pah” bass in the left. This collection offers deeper insight into Joplin’s art, a combination of folk music, African rhythmsandclassical piano music. Jean Kleeb has simplified the works and added fingering. Edition in celebration of Joplins’ 150th anniversary in 2018 7 typical and well-known pieces in their entiretyDifficult passages are simplified With fingering

Christ lay by death enshrouded - Bach, Johann Sebastian

Cantata for Easter Sunday Christ lay in grim death's prison Study score = TP 1004 part(s), Urtext edition Hæftet udgave

Cantatas on texts by Miloslav Bures - Martinu, Bohuslav

complete edition, score, Anthology, Urtext edition Soli/Ch/(Instr) Indbundet udgave

Christ lay by death enshrouded - Bach, Johann Sebastian

Cantata for Easter Sunday Christ lay in grim death's prison Study score = TP 1004 part(s), Urtext edition Folded

Christ lay by death enshrouded - Bach, Johann Sebastian

Cantata for Easter Sunday Christ lay in grim death's prison Parts and Vocal score = BA 10004 study score, Urtext edition SSolo/ASolo/TSolo/BSolo/mixed choir-SATB/Zink (ad lib.)/3trombone (ad lib.)/Bc/Org/2V/2Va Hæftet udgave

Christ lay by death enshrouded - Bach, Johann Sebastian

Cantata for Easter Sunday Christ lay in grim death's prison Study score = TP 1004 part(s), Urtext edition Hæftet udgave

Gloria

Vocal score based on the Halle Handel Edition. By George Frideric Handel. Edited by Hans Joachim Marx. Arranged by Andreas Kohs. For Soprano solo, Violin 1, Violin 2, Basso continuo. Piano Reduction/Vocal Score. HWV deest.Duration 16'. Published by Baerenreiter-Ausgaben (German import). (BA4248 90) ISBN M006520121.

Jesu, by Thy Cross and Passion - Bach, Johann Sebastian

Cantata for the 14th Sunday after Trinity Parts and Vocal score = BA 10078 study score, Urtext edition SSolo/ASolo/TSolo/BSolo/mixed choir-SATB/Hn/Fl/2Ob/2V/Va/Bc(Vo/Org) Hæftet udgave

Arrangements of Works by other Composers - Bach, Johann Sebastian

complete edition, Performance score, Anthology, Urtext edition Org Indbundet udgave