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Guillaume Balay: Méthode complète Vol.1 (Trumpet solo)

Guillaume Balay: Méthode complète Vol.1 (Trumpet solo)

Méthode complète de Cornet à Pistons for the Cornet, Trumpet or Saxhorn, composed by Guillaume Balay is a method for beginners in two volumes and one of the most complete for these instruments. This first volume focuses on the establishment of the music and on the quality of the sonority obtained. The first two chapters will therefore focus on the establishment of the rhythms. They are followed by some studies of scales and liaisons. The last three chapters concentrate on learning how to play certain nuances of melody, arpeggios and syncopation. All techniques acquired while studying this volume would not be fully effective if not followed by the study of Méthode complète de Cornet à Pistons Volume 2. Guillaume Balay (1871-1943) is a French Soloist and Composer. As a member of the military, he was the Head of Music for the Republican Guard and composed many chamber music and solo music pieces, for Cornets and other Wind instruments. He was also a respected music teacher.

DKK 261.00
1

Guillaume Balay: Méthode complète Vol.2 (Trumpet solo)

Guillaume Balay: Méthode complète Vol.2 (Trumpet solo)

Méthode complète de Cornet à Pistons for the Cornet, Trumpet or Saxhorn, composed by Guillaume Balay is a method for beginners in two volumes and one of the most complete for these instruments. This second volume follows the first, introducing major and minor scales in the first chapter. The next two chapters develop what has been learned on liaisons and rhythm. Finally, it brings up chromatic scales, other rhythms and style studies. With this Méthode complète de Cornet à Pistons Volume 2 , the method should be complete and the beginner should master the establishment of the notes and rhythms while obtaining a qualitative sonority. Guillaume Balay (1871-1943) is a French soloist and composer. As a member of the military, he was the Head of Music for the Republican Guard and composed many chamber music and solo music pieces, for Cornets and other Wind instruments. He was also a respected music teacher.

DKK 261.00
1

Gérard Pichaureau: 30 Récréations en Forme d'Etudes (Trombone solo)

Gérard Pichaureau: 30 Récréations en Forme d'Etudes (Trombone solo)

Thirty Recreative Studies  by Gerard Pichaureau is a set of thirty studies for Trombone. Perfect for developing the sonority of intermediate and upper intermediate players, these recreations offer a different approach to studies and exercises, being more interesting and more cheerful than the usual sets. The length of each study varies from half a page to a full page and the book has a total of 19 pages. Born in 1916, Gerard Pichaureau is a trombonist and composer. Soloist for the French Republican Guard, he also taught Trombone at the Paris Conservatoire after André Lafosse.

DKK 253.00
1

Claude Pichaureau: 30 Etudes dans tous les Tons (Trombone solo)

Claude Pichaureau: 30 Etudes dans tous les Tons (Trombone solo)

Written by Gérard Pichaureau ,  Trente Études Dans Tous Les Tons  is a volume which is part of his method for Trombone. For intermediate players, this book is a great tool to gain a great sonority in all tonalities. Each study is approximately a page long and is written in the medium range of the instrument. It uses all tonalities to enable musicians to play some notes they are not always used to. It completes the other book of technique studies by Gerard Pichaureau . Born in 1916, Gerard Pichaureau is a Trombonist and composer. Soloist for the French Republican Guard, he also taught Trombone at the Paris Conservatoire after André Lafosse.

DKK 340.00
1

Henri Dutilleux: Three Posthumous Songs

Henri Dutilleux: Three Posthumous Songs

Singer François Le Roux brings us “ Three Posthumous Songs ”, writen in 1941 by Henri Dutilleux at the request of the great baritone Charles Panzéra. In L’Ange pleureur (The Weeping Angel), a poem by Edmond Borsent, there are no tears but much irony as the chubby cherub frets over the “dark deeds” committed by the soul he must guard! Ronsard’s Verses take a delicately archaic style to illustrate the poet’s desire for young Angevin peasant girl Marie Dupin: starting out as pious believers, they soon frolic under the sheets as lovers. An excerpt from Rymes, written by Pernette du Guillet, a poetess from Lyon about whom very little is known, La Faute en est à toi (Love, Blame Yourself) brings a “Renaissance” feel to the graceful crochet-half note rhythm, with this third melody following in the footsteps of Ravel and Poulenc.

DKK 197.00
1

Eugène Bozza: Tableau instrumental (Book)

Eugène Bozza: Tableau instrumental (Book)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers French composer. His Instrumental Board provides a clear glossary of all principal orchestral instruments. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Compiled in 1947, Bozza 's Instrumental Board addresses the range of each instruments and their potential. The Instrumental Board provides a helpful aid to orchestral writing.

DKK 281.00
1

Improvisation And Caprice Solo Sax

Improvisation And Caprice Solo Sax

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences, Improvisation and Caprice for solo Saxophone being no exception. This Bozza piece for Saxophone is challenging and frequently appears in conservatoire audition syllabuses. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

DKK 118.00
1

Eugène Bozza: Pièces faciles No.3: Menuet des Pages (Violin & Piano)

Eugène Bozza: Pièces faciles No.3: Menuet des Pages (Violin & Piano)

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences, 10 Easy Pieces for Violin and Piano being no exception. This collection of Bozza pieces is suitable for beginner violinists. The third piece, Minuet Pages, is chirpy and graceful, displaying the typical features of a minuet. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."

DKK 142.00
1

Niccolò Paganini: 24 Caprices Op.1 (Flute Solo)

Niccolò Paganini: 24 Caprices Op.1 (Flute Solo)

This edition of 24 Caprices, Op. 1 by Niccolo Paganini is a transcription for the Flute by Patrick Gallois . Initially written for the Violin, some of these caprices may also stay in your head for a while (n. 9, 14, 24). They will make you work on the speed (n.1), the sonority (n.2), the vibrato, and they will express feelings that can be perceived through the pieces such as doubt (n.4), desperation (n.6) and hope (n.11), for example. In this book, the theme and his variations enable an overview of all the technical aspects to obtain a clear and beautiful sonority. These pieces being quite challenging, an upper intermediate / advanced level would be necessary.

DKK 261.00
1

Eugène Bozza: 3 Evocations (Flutes 2)

Eugène Bozza: 3 Evocations (Flutes 2)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Three Evocations for 2 Flutes is an exquisite addition to the repertoire. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Bozza 's Three Evocations are exciting duets containing much musical variation and contrast, suitable for advanced flautists. As music educationalist Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."

DKK 277.00
1

Eugène Bozza: Bucolique (Clarinet & Piano)

Eugène Bozza: Bucolique (Clarinet & Piano)

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences,  Bucolique for Clarinet and Piano being no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by rhythmic and spread chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."  Bucolique for Clarinet and Piano is suitable to the advanced clarinetist's repertoire.

DKK 213.00
1

Eugène Bozza: Rhapsodie (Trumpet & Piano)

Eugène Bozza: Rhapsodie (Trumpet & Piano)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His  Rhapsodie  for Trumpet with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1957, Bozza 's  Rhapsodie  is adaptable to both B flat and C Trumpet and addresses advanced features, including complex rhythms, quick tempos and articulation. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."

DKK 197.00
1

Eugène Bozza: Réçit, Sicilienne et Rondo (Bassoon & Piano)

Eugène Bozza: Réçit, Sicilienne et Rondo (Bassoon & Piano)

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences, Récit, Sicilienne and Rondo for Bassoon and Piano being no exception. This Bozza piece for Bassoon is expressive and virtuosic, displaying the entire range of the instrument, accompanied by rhythmic quavers and spread chords in the Piano. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities." Récit, Sicilienne and Rondo for Bassoon and Piano is a highly suitable and exciting addition to the advanced bassoonist's repertoire.

DKK 197.00
1

Eugène Bozza: Petite Gavotte (Saxophone-Alto & Piano)

Eugène Bozza: Petite Gavotte (Saxophone-Alto & Piano)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His  Petite Gavotte  for Alto Saxophone with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, while remaining a prominent composer. Composed in 1964, Bozza 's  Petite Gavotte  addresses a variety of features of the Alto Saxophone, suitable for intermediate saxophonists. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistently sensitive concern of instrumental capabilities."

DKK 158.00
1

Eugène Bozza: Caprice No.2 (Trumpet & Piano)

Eugène Bozza: Caprice No.2 (Trumpet & Piano)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His Caprice No. 2 for Trumpet with Piano accompaniment is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1978, Bozza 's Caprice No. 2 addresses advanced aspects of the Trumpet, including complex rhythms, exploited tonalilty and articulation. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

DKK 229.00
1

Eugène Bozza: Sonatine (Quintet-Brass)

Eugène Bozza: Sonatine (Quintet-Brass)

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences, Sonatina for Two Trumpets, 1 Cornet, 1 Trombone and 1 Tuba being no exception. This Bozza piece for brass is characteristically French, with lyrical and graceful melodies contrasted by fast, flourishing, staccato semiquaver passages. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities." Comprising four movements, Sonatina for Two Trumpets, 1 Cornet, 1 Trombone and 1 Tuba is an exciting, alternative addition to the brass ensemble repertoire.

DKK 603.00
1

Eugène Bozza: 14 Etudes de Mécanisme (Clarinet solo)

Eugène Bozza: 14 Etudes de Mécanisme (Clarinet solo)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His 14 Mechanical Studies for Clarinet will enable the pupil to attain brilliant technique on the instrument. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, while remaining a prominent composer. The exercises in Bozza 's 14 Mechanical Studies ensure detailed practice of range, intervals, embouchure, breath control, rhythm, phrasing, articulation, performance directions, dynamics and chromaticism, among other aspects. 14 Mechanical Studies for Clarinet is an essential aid in the progression of advanced Clarinet technical studies.

DKK 253.00
1

Eugène Bozza: 15 Etudes journalières Op.64 (Bassoon solo)

Eugène Bozza: 15 Etudes journalières Op.64 (Bassoon solo)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His 15 Daily Studies for Bassoon will enable the pupil to attain brilliant technique on the instrument. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. The exercises in Bozza 's 15 Daily Studies ensure frequent practice of range, intervals, embouchure, breath control, phrasing, articulation, performance directions, dynamics and chromaticism, among other aspects. 15 Daily Studies for Bassoon is a unique and essential aid in the progression of advanced Bassoon technical studies.

DKK 221.00
1

Eugène Bozza: 3 Pièces (Flute & Guitar)

Eugène Bozza: 3 Pièces (Flute & Guitar)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His  3 Pieces for Flute and Guitar are no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1977, Bozza 's  3 Pieces for Flute and Guitar is a virtuosic work, addressing advanced features including, complex rhythms, chromaticism, a wide range and articulation, as well as exploitation of the ensemble. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

DKK 253.00
1

Eugène Bozza: L'Étoile Du Soir For 3 Female Voices And Piano

Eugène Bozza: L'Étoile Du Soir For 3 Female Voices And Piano

To this day, Eugène Bozza (1905-1991) remains a prolific composer for wind instruments, despite being a violinist himself. However, his compositions for other instrumentations have not gone amiss,  L'Étoile Du Soir  being no exception. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1946, Bozza 's  L'Étoile Du Soir  is based on a poem of the same name by Alfred de Musset, a prominent poet during the early 1800s. This choral work is arranged for female voices; Soprano, Mezzo Soprano and Contralto. Containing much musical variation, Bozza 's  L'Étoile Du Soir  is an exciting addition to the choral repertoire.

DKK 189.00
1

Eugène Bozza: Parade des petits Soldats (Saxophone-Alto & Piano)

Eugène Bozza: Parade des petits Soldats (Saxophone-Alto & Piano)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His  Parade Des Petits Soldats  for Alto Saxophone and Piano is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Composed in 1964, Bozza 's  Parade Des Petits Soldats  for Alto Saxophone and Piano is a delightful work for beginner to intermediate saxophonists, addressing a variety of features. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities."

DKK 142.00
1

Eugène Bozza: 12 Caprices (Bassoon solo)

Eugène Bozza: 12 Caprices (Bassoon solo)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His 12 Caprices for Bassoon is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Compiled in 1968, Bozza 's 12 Caprices addresses a variety of very difficult, advanced features of the Bassoon, including complex rhythms, articulation, chromaticism, variations in time signatures, breath control, phrasing, intervals, scales and arpeggios, amongst other aspects. For all advanced Bassoon players, Bozza 's 12 Caprices are essential to continue to develop technique to a high standard.

DKK 221.00
1

Eugène Bozza: Concerto (Clarinet & Piano)

Eugène Bozza: Concerto (Clarinet & Piano)

Having won many prizes at the Paris Conservatoire during the 1920s-1930s, Eugène Bozza went on to conduct the orchestra of the Opéra-Comique and to become Head of the Conservatoire in Valenciennes. As a major figure on the classical music frontline, Bozza 's compositions were well-received by audiences, particularly those for wind instruments, and his Clarinet Concerto is no exception. This Bozza piece for Clarinet is expressive and virtuosic, displaying the entire range of the instrument, accompanied by an equally virtuosic Piano reduction. The Concerto comprises three movements and is one of 19 Concertos written by the composer. As music educationalist, Paul Griffiths has written of Bozza 's compositions, "his works reveal melodic fluency, elegance of structure and a consistenly sensitive concern of instrumental capabilities." Clarinet Concerto is a suitable and significant addition to the advanced clarinetist's repertoire.

DKK 388.00
1

Eugène Bozza: 13 Etudes-Caprices de grand Difficulté (Trombone solo)

Eugène Bozza: 13 Etudes-Caprices de grand Difficulté (Trombone solo)

To this day, Eugène Bozza (1905-1991) remains one of the most prolific composers for wind instruments, despite being a violinist himself. His 13 Capriccio Studies for Trombone is no exception to the composer's success. During his studies at the Paris Conservatoire, Bozza won prizes for Violin, conducting and composition, as well as the Grand Prix de Rome. He then conducted the orchestra of the Opéra-Comique and became Head of the Conservatoire in Valenciennes, whilst remaining a prominent composer. Compiled in 1956, Bozza 's 13 Capriccio Studies addresses a variety of very difficult, advanced features of the Trombone, including complex rhythms, articulation, chromaticism, variations in time signatures, breath control, phrasing, intervals, scales and arpeggios, amongst other aspects. For all advanced Trombone players, Bozza 's 13 Capriccio Studies are essential to continue to develop technique to a high standard.

DKK 213.00
1